It would be easy to call Tom Kaczynski the J.G. Ballard of comics. Like Ballard,
Kaczynski’s comics riff on dystopian modernity, bleak man-made landscapes and
the psychological effects of technological, social or environmental developments.
Yet while Kaczynski shares many of Ballard’s obsessions, he processes them in
unique ways. His visual storytelling adds an architectural dimension that the
written word alone lacks.
Kaczynski takes abstract ideas — capitalism, communism, or utopianism —
and makes them tangible. He depicts and meditates on the immense political
and technological structures and spaces we inhabit that subtly affect and define
the limits of who we are and the freedom we as Americans presume to enjoy.
Society and the individual, in perpetual tension. Once you’ve read Kaczynski’s
comics, it should come as no surprise to learn that he studied architecture before
embarking on a career as a cartoonist.
Beta Testing includes approximately 10 short stories, most notably "The New," a brand new story created expressly for
this book. It’s Kaczynski’s longest story to date. "The New" is set in an unnamed third-world megalopolis. It could be
Dhaka, Lagos or Mumbai. The city creaks under the pressure of explosive growth. Whole districts are built in a week.
The story follows an internationally renowned starchitect as he struggles to impose his vision on the metropolis. A vision
threatened by the massive dispossessed slum-proletariat inhabiting the slums and favelas on the edges of the city. From
the fetid ferment of garbage dumps and shanties emerges a new feral architecture.