World War II has ended, and with so many pilots mustered out at the end
of the war, jobs for pilots are hard to find, and Buz’s record as a “hot-shot”
pilot does not recommend him to commercial airlines. While looking for
a job, Buz visits his old alma mater and spends time with glamorous Tot
Winter and girl-next-door Christy Jameson. He finally finds the perfect job
as a troubleshooter for International Airways, flying to trouble spots all over
the world.
He encounters Sultry, the beautiful and dangerous woman he met on a
Japanese-held island during the war, with fatal results for a major character in
the strip. He travels to the arctic to stop the Mad Baron, an insane ex-Nazi trying to shoot down International Airways
planes. And, in the only adventure to combine the daily and Sunday story lines, he teams up with his old pal Roscoe
Sweeney to discover a fabulous ancient Mayan treasure. This book reprints the Sunday pages from this adventure in full
color for the first time.
In the last adventure in our 2nd volume, Buz is kidnapped and flown to Africa by mysterious assailants. His friend
Chili Harrison bets International Airways chief Mr. Wright $200 that even in this desperate situation, Buz will manage
to get involved with a pretty girl. Long-time readers of the strip will have no trouble guessing who wins that bet.
Comic strip historian Brian Walker wrote, “Buz Sawyer combined fast-paced adventure stories…with authentically
illustrated military equipment and real locations, which Crane researched during trips around the world.”
Roy Crane’s drawing and storytelling skills just get better and better. With this volume’s Buz reprints from 1945 to
1947, Crane hit his stride.
“[Roy Crane] is a treasure. There is still no one around who draws any better.” — Charles Schulz
“Roy Crane did adventure with a beautiful combination of cartooning and storytelling. Every panel
was an entertaining panel, with something to look at. When you combine his storytelling ability, with
or without balloons, with his action and those great panels, you can’t fail.” — John Severin
Praise for Vol. 1:
"Although the wartime setting of the strip makes it inherently more serious than Wash
Tubbs — the Japanese troops, even as racially caricatured as they are here, are a deadlier foe than the often-buffoonish antagonists of the earlier strip — Buz Sawyer features the same seamless blend of derring-do
and humor, both in its story lines and in Crane’s economical, slightly cartoonish artwork, which had made
Wash Tubbs one of the most popular strips of the era and which would keep Buz flying for more than four
decades."
— Gordon Flagg, Booklist