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The Children of Palomar + Julio's Day Gift Set

Details for this: Book
Author: Gilbert Hernandez
Format: Hardcover
Pages: 208
Dimensions: 8" x 10.5" / 7.5" x 10.75"
Colors: monochrome / black & white
Year: 2013
Publisher: Fantagraphics
ISBN-10: n/a
ISBN-13: see individual product listings
Additional Details: two separate 104-page hardcover volumes

Price: $42.98
$34.38
You Save: 20.00%
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For more information and previews of each book (or to order them individually), click the titles below

The Children of Palomar

Order this or any other Love and Rockets book and receive this FBI•MINI comic shown here as a FREE bonus! Click here for details. Limit one per customer while supplies last.


The Children of Palomar is Gilbert Hernandez's much-anticipated return to the small Central American town of Palomar, more than a decade after his last "Heartbreak Soup" story. Originally released as a three-issue magazine series titled New Tales of Old Palomar in the acclaimed international "Ignatz" format, these stories are finally collected into one handsome book.

All of these stories deal with the classic characters of Palomar such as sweet Pipo, her sharp-tongue sister Carmen, sheriff Chelo, and the gang of boys who help start it all: studious Heraclio, tall and fey Israel, disfigured but goodnatured Vicente, and girl-crazy Jesús and Satch.

In the first story, "Children of Palomar," mysterious, fast-moving thieves are stealing food from wherever they can grab it; Sheriff Chelo and some citizens do their best to solve this mystery, but nobody seems to be able to catch these bandits in action until Pipo puts her soccer-trained legs to work and goes after them herself. In the second, Gato, Soledad, Guero, Pintor, and Arturo go exploring a bottomless chasm and come face to face with... well, we won’t spoil the surprise. The third and last story focuses on one of Palomar’s most beloved characters, the gorgeous but troubled Tonantzín: Everybody in Palomar seems to take the supernatural with a grain of salt, but young Tonantzín is determined to uncover the mystery of the laughing baby that only appears to her, haunting her daily life. What is the baby’s link to the giant stone idols that stand outside the small town...?

Praise for the New Tales of Old Palomar series:

"As Hernandez matures, he's expanding his style of storytelling into something close to the work of Gabriel Garcia Marquez, Harumi Murakami and other creators of haunted landscapes where reality becomes a question of perception rather than a set of objective facts." – San Francisco Chronicle

"Some of Gilbert's loveliest art ever." – The Comics Reporter

"This may be Gilbert Hernandez's best work so far. Minimal without seeming spare and a huge argument for the 'comics as literature' thing having some traction." – Kevin Church

"You don't need to know the backstory of Love and Rockets to love these, nor do you even need to read them in order — each issue works totally on its own. (In fact, this is a pretty good introduction to Beto's world, and it's mostly kid-friendly to boot.) Taken together, though, the miniseries gives proof that the cartoonist's universe is as weird, wonderful, and expansive as any community cooked up by William Faulkner or Wendell Berry." – "Favorite Comics of 2007," Quiet Bubble


Julio's Day

It begins in the year 1900, with the scream of a newborn. It ends, 100 pages later, in the year 2000, with the death rattle of a 100-year-old man. The infant and the old man are both Julio, and Gilbert Hernandez’s Julio’s Day (originally serialized in Love and Rockets Vol. II but never completed until now) is his latest graphic novel, a masterpiece of elliptical, emotional storytelling that traces one life — indeed, one century in a human life — through a series of carefully crafted, consistently surprising and enthralling vignettes.

There is hope and joy, there is bullying and grief, there is war (so much war — this is after all the 20th century), there is love, there is heartbreak. While Julio’s Day has some settings and elements in common with Hernandez’s Palomar cycle (the Central American protagonists and milieu, the vivid characters, the strong familial and social ties), this is a very much a singular, standalone story that will help cement his position as one of the strongest and most original cartoonists of this, or any other, century.

"Julio's Day is a story of one man's life, but it's a great deal more than that as well. It's the story of the life of a century, also told as if a day. Beginning with Julio's birth in 1900 and ending with his death in 2000, the graphic novel touches on most of the major events that shaped the 20th century." – Brian Evenson, from his introduction

"A haunting performance and about as perfect a literary work as I've read in years. Hernandez accomplishes in 100 pages what most novelists only dream of — rendering the closeted phlegmatic Julio in all his confounding complexity and in the process creating an unflinching biography of a community, a country and a century. A masterpiece." – Junot Díaz



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