A high-rise apartment building in an unnamed European city. Its inhabitants come and go, meet each other, talk, dream, regret, hope... in short, live. A
ghostly, shape-shifting anthropomorphic white rabbit roams from apartment to
apartment, surveying and keeping track of all this humanity... and at the end of
every night, he floats down to the basement where he delivers his report to the
"great dark one."
Lushly delineated in penciled halftones, this moody graphic novel was orig-
inally serialized in Fantagraphics’ acclaimed "Ignatz" series of upscale saddle-stitched booklets in duotone form, but this complete edition restores the artist’s original striking full-color treatment.
Praise for the Italian edition:
Nominated for the 2011 Prix Artémisia
"What makes Gabriella Giandelli's world unique is her brave rejection of the fashionable and the stereotypical. Intimate and poetic, sensitive and enigmatic, Interiorae is her masterpiece." – Lorenzo Mattotti
Praise for the Series:
2009 Ignatz Award Nominee: Outstanding Comic, Outstanding Series
"...Gabriella Giandelli‘s story of an apartment building and the mystic cartoon forces that serve as its roving eyes and the roiling collective unconsciousness of its stressed, depressed, idle tenants." – Joe McCulloch, Comics Comics
"Giandelli's art is lush and rich... and the tension between fantasy and reality is thick enough to keep the reader guessing." – Sequart
"A large and (mostly) invisible rabbit looks over the affairs of various tenants in a modern apartment building: an elderly woman dying in one apartment, a couple entrenched in unhappiness and unfaithfulness in another, young schoolgirl friends in a third, and a happy group of ghosts in a fourth . . . the rabbit as harbinger of change [leaps] from panel to panel, view to view, addressing the reader enough to keep the outsider engaged in asking what might happen to whom next. The images are gorgeously penciled and inked, with coloring to note moods and approaching climaxes and denouements in the various tales. The rabbit’s own identity — or power — finds explanation in an Algonquin tale found in an open book on a bed in one scene; figuring out who is the Boss in the basement, sometimes referenced by the rabbit, takes more digging. Beautifully rendered art and sweetly told, serious stories." — Francisca Goldsmith, Booklist