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2011 Eisner Award Winner: Best Reality-Based Work and Best U.S. Edition of International Material
2011 Harvey Award Nominee: Best American Edition of Foreign Material
One of Booklist's Top 10 Adult Graphic Novels for 2010
One of Library Journal's Best Graphic Novels 2010
Named Best Graphic Novel of 2010 by Joe McCulloch (Comics Comics, Jog – The Blog) at Flashlight Worthy
World War I, that awful, gaping wound in the history of Europe, has long
been an obsession of Jacques Tardi’s. (His very first—rejected—comics story
dealt with the subject, as does his most recent work, the two-volume Putain de
Guerre.) But It Was the War of the trenches is Tardi’s defining, masterful statement
on the subject, a graphic novel that can stand shoulder to shoulder with
Erich Maria Remarque’s All Quiet on the Western Front and Ernest Hemingway’s
A Farewell to Arms.
Tardi is not interested in the national politics, the strategies, or the battles.
Like Remarque, he focuses on the day to day of the grunts in the trenches, and, with icy, controlled fury and disgust,
with sardonic yet deeply sympathetic narration, he brings that existence alive as no one has before or since. Yet he also
delves deeply into the underlying causes of the war, the madness, the cynical political exploitation of patriotism.
And in a final, heartbreaking coda, Tardi grimly itemizes the ghastly human cost of the war, and lays out the future
20th century conflicts, all of which seem to spring from this global burst of insanity.
Trenches features some of Tardi’s most stunning artwork. Rendered in an inhabitually lush illustrative style, inspired
both by abundant photographic documentation and classic American war comics, augmented by a sophisticated, gorgeous
use of Craftint tones, Trenches is somehow simultaneously atypical and a perfect encapsulation of Tardi’s mature
style. It is the indisputable centerpiece of Tardi’s oeuvre.
It Was the War of the Trenches has been an object of fascination for North American publishers: RAW published a chapter
in the early 1980s, and Drawn and Quarterly magazine serialized a few more in the 1990s. But only a small fraction of
Trenches has ever been made available to the English speaking public (in now out of print publications); the Fantagraphics
edition, the third in an ongoing collection of the works of this great master, finally remedies this situation.
“‘The war to end all wars’ has become a magisterial comic book to end all comic books. I seldom give blurbs, but this book is an essential classic. Among all of Jacques Tardi's towering achievements
larger than this devastating crater of
It’s a compulsively readable wail of Existential despair, a kaleidoscope of war’s
dehumanizing brutality and of
drawings — perfectly poised between cartoon and illustration — march to the relentless beats of Tardi’s three horizontal panels per
page to dig a hole deep inside your brain. This is one Hell of a book.” —Art Spiegelman
"Tardi’s depiction of the First World
War is so impassioned and visceral
that it can be compared to the work of
the artists who actually served in the
trenches." – Joe Sacco
"The potency of the soldiers’ tragic stories is enhanced by the elegance of Tardi’s lucid drawing and keen compositions that are accentuated by the use of three horizontal panels per page throughout. This masterful condemnation of the cruelty and stupidity of war... is a cri de coeur that stands out even amid Tardi’s impressive body of work." – Gordon Flagg, Booklist (Starred Review)
"French master Tardi gives an infantry-level view of World War I's meat-grinder carnage in grim vignettes that primarily keep tight, telling focus on the stories of individual soldiers. ...[It Was the War of the Trenches] deserves a place on the top shelf of graphic lit." – Cliff Froehlich, St. Louis Post-Dipatch