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Celebrating its 25th anniversary in 2007, Love and Rockets is finally released in its most accessible form yet: As a series of compact, thick, affordable, mass-market volumes that present the whole story in perfect chronological order. This volume collects the second half of Gilbert Hernandez's acclaimed magical-realist tales of "Palomar," the small Central American town, beginning with the landmark "Human Diastrophism," named one of the greatest comic book stories of the 20th Century by The Comics Journal, and continuing on through more modern-day classics. "Human Diastrophism" is the only full graphic novel length "Palomar" story ever created by Gilbert. In it, a serial killer stalks Palomar — but his depredations, hideous as they are, only serve to exacerbate the cracks in the idyllic Central American town as the modern world begins to intrude. "Diastrophism" concludes with the death (the suicide, in fact) of one of Palomar's most beloved characters, and a postscript that provides one of the most hauntingly magical moments of the entire series as a rain of ashes drifts down upon Palomar. Also included are all the post-"Diastrophism" stories, in which Luba's past (as seen in the epic Poison River) comes back to haunt her, and the seeds are sown for the "Palomar diaspora" that ends this dense, enthralling book.
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"The Love and Rockets Vol. 1 reprints may be my favorite publishing project of the last five years, and there are a lot of fine projects going on... the smaller, bargain-priced volumes [are] the perfect vehicle for that material, the best comics series of all time." – Publishing Project of 2007, The Comics Reporter
"I'm perpetually amazed at how well Hernandez can juggle seemingly disparate narrative elements. The cast is absolutely sprawling, but no one gets lost. With figures as outsized as Luba, that heartbreaking, voluptuous monster, or passionate, impressionable Tonatzín, searching and failing to find the thing that will fill the void, it would have been simplicity itself to put someone in the driver's seat. And while that still would have resulted in a marvelous comic, Hernandez's shifting focus and diffuse point of views make things even richer... I really can't say enough about these comics. The world that Hernandez has created is so rich in detail and possibilities, and the characters are so engrossing, even when they're horrid. If you've never read these stories, you really should, not because of their place in some abstract comics canon, but because they're spectacularly, richly entertaining." – Precocious Curmugeon
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