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The Complete Crumb Comics Vol. 15: Featuring Mode O'Day and Her Pals [Softcover Ed.]

Details for this: Book
Author: Robert Crumb
Format: Softcover
Pages: 128
Dimensions: 8.5" x 11"
Colors: b&w/color
Year: 2001
Publisher: Fantagraphics
ISBN-10: 1-56097-413-3
ISBN-13: 978-1-56097-413-0
Additional Details: Introduction by Peter Bagge

Price: $19.99


The definitive, comprehensive series reprinting the entirety of Crumb's published career enters the mid-1980s with this 15th volume, a period that many critics consider to be the richest of Crumb's career. Anchored by Crumb's contributions to the seminal anthology Weirdo, created and edited by Crumb, this volume includes the first several appearances of classic Crumb character Mode O' Day, the networking fashion plate that serves as a foil for some of Crumb's most biting satire about America's cultural "elite." Other Weirdo highlights include Crumb's fascinating adaptation of Dr. R. Von Krafft-Ebing's "Psychopathia Sexualis," and "Where Has it Gone, all the Beautiful Music of Our Grandparents?", two stories often-cited as being amongst Crumb's very best work. The Weirdo section wraps up with yet another classic, "The Religious Experience of Philip K. Dick," which chronicles the last years of the highly-regarded science-fiction writer who experienced an intense vision of the apocalypse and believed that he was possessed by the spirit of Elijah. Also included are Crumb's first collaborations with the late writer Charles Bukowski, including the chapbook "Bring Me Your Love," as well as several collaborations with Harvey Pekar from his autobiographical series American Splendor. The book is rounded out with a color section that includes rare album art for various jazz and blues greats, as well reproductions of his various comic book covers from this period. Crumb is the most revealing of all artists, and The Complete Crumb Comics leaves no stone unturned.

"It wasn't just contrariness or stubbornness or even simple pride so much as it was EGO that was driving Crumb's decisions. He hated the idea of being thought of as a creative has-been, and still desperately wanted to be considered 'the best' by his peers, but the only way he could do so was by reinventing himself as an artist. So he kept pushing himself and experimenting with both his technique and the content of his stories. The results of these efforts were mixed at first, but then things began to click. A LOT of things began to click, since he soon was developing a wide range of styles to use at his disposal. all of which served different purposes, but all of which were still undeniably Crumb." – From the introduction by Peter Bagge

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