For more information and previews of each book (or to order them individually), click the titles below.
The Lost Art of Ah Pook Is Here: Images from the Graphic Novel
In 1970, William S. Burroughs and artist Malcolm McNeill
began a small collaborative project on a comic entitled The
Unspeakable Mr. Hart, which appeared in the first four issues of
Cyclops, England’s first comics magazine for an adult readership.
Soon after, Burroughs and McNeill agreed to collaborate on
a book-length meditation on time, power, control, and
corruption that evoked the Mayan codices and specifically, the Mayan god of death, Ah Pook. Ah Pook Is Here was to
include their character Mr. Hart, but stray from the conventional comics form to explore different juxtapositions of
images and words.
Ah Pook was never finished in its intended form. In a 1979 prose collection that included only the words from the
collaboration, Ah Pook is Here and Other Texts (Calder, 1979), Burroughs explains in the preface that they envisioned the
work to be “one that falls into neither the category of the conventional illustrated book nor that of a comix publication.”
Rather, the work was to include “about a hundred pages of artwork with text (thirty in full-color) and about fifty pages
of text alone.” The book was conceived as a single painting in which text and images were combined in whatever form
seemed appropriate to the narrative. It was conceived as 120 continuous pages that would "fold out." Such a book was, at
the time, unprecedented, and no publisher was willing to take a chance and publish a “graphic novel.”
However, Malcolm McNeill created nearly a hundred paintings, illustrations, and sketches for the book, and these,
finally, are seeing the light of day in The Lost Art of Ah Pook. (Burroughs’ text will not be included.) McNeill himself is
an exemplary craftsman and visionary painter whose images have languished for over 30 years, unseen. Even in a context
divorced from the words, they represent a stunning precursor to the graphic novel form to come.
Sara J. Van Ness contributes an historical essay chronicling the long history of Burroughs’ and McNeill’s work together,
including its incomplete publishing history with Rolling Stone’s Straight Arrow Press, the excerpt that ran in Rush
magazine, and the text that was published without pictures.
Observed While Falling: Bill Burroughs, Ah Pook, and Me
Observed While Falling is an account of the personal and creative interaction
that defined the collaboration between the writer William S. Burroughs and
the artist Malcolm McNeill on the graphic novel Ah Pook Is Here. The memoir
chronicles the events that surrounded it, the reasons it was abandoned and the
unusual circumstances that brought it back to life. McNeill describes his growing friendship with Burroughs and how their personal relationship affected their
creative partnership. The book is written with insight and humor, and is liberally sprinkled with the kind of outré anecdotes one would expect working
with a writer as original and eccentric as Burroughs. It confirms Burroughs’
and McNeill’s prescience, the place of Ah Pook in relation to the contemporary
graphic novel, and its anticipation of the events surrounding 2012. The book
offers new insights into Burroughs’ working methods as well as how the two
explored the possibilities of words and images working together to form the
ambitious literary hybrid that they didn’t know, at the time, was a harbinger of the 21st century “graphic novel.” McNeill
expounds on the lessons of that experience to bring Ah Pook into present time. In light of current events, Ah Pook is
unquestionably Here now.
Observed While Falling presents a unique view of the creative process that will be of interest to artists, writers and
general readers alike. A perspective evoked by a literary experiment that has endured for forty years and still continues