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Godhead’s cinematic opening scene introduces us to a righteous kidnapper verbally whipsawing the bound CEO of a multinational corporation in an abandoned factory. It only accelerates from there, ricocheting from the streets of a working-class African-American community to the glimmering halls of corporate America to a mobile scientific laboratory located in the Pacific Ocean. A sprawling contemporary saga with a science-fiction edge, Godhead explores the collision course between science and religion when a corporation creates a device that can talk to God. Is this humanity’s salvation or the equivalent of a Doomsday machine?
Godhead is Ho Che Anderson’s most conceptually and thematically ambitious graphic novel to date, his first in over ten years. Visually, he employs a variety of drawing techniques from tonal images to stark black and white to full color painting, in order to convey a thriller that ranges from intimate domestic drama to globalist corporate intrigue.