Things are getting weirder in the apartment house in this, the third (of four) episode of Gabriella Giandelli's surreal tale. Two teens record a rock song, an ugly breakup takes place between a husband and a wife, the old lady resorts to increasingly desperate measures to find her inner peace, more and more people have begun to notice the white rabbit, much to his distress... and The Creature That Lives in the Basement and Feeds on Dreams is becoming frustrated because no one is dreaming.
Baobab #3 returns to the structure of the first issue, split between two ongoing and (seemingly) unrelated stories set a century ago. In the first part of the book, young Hiroshi’s ailing grandmother tells him that she will die soon, and that his future will be in his nation’s capital: Tokyo. It’s the beginning of his new life for Hiroshi, and the end of his childhood. Then we return to the continuing story of two young, struggling South American cartoonists. Celestino is still living in his native Parador where, on the eve of World War I, a right-wing military dictatorship is growing in power and viciousness, even destroying the printing presses of the paper for whom he works. Even in this darkness, some light emerges: Celestino receives his first few fan letters from readers, and embarks on a romance with his publisher’s daughter. Meanwhile, his expatriate friend and colleague Pilade regales him with tales from the exciting world of American syndicated cartoonists, and together the two dream about this new artform whose birth they are witnessing, and may very well be contributing to...
In the past 3 weeks, 3 Fantagraphics staffers (yours truly included) have had their computers (work or personal) die on them -- one of us twice! We strongly encourage you to get preventative maintenance done and back up your data -- there's some kind of bad technological mojo out there, and an extra hard drive is way cheaper and less of a bummer than data recovery, as we have been learning the hard way.
Happy shopping (if you haven't already ordered them directly from us)! Speaking of ordering directly from us, we'll be having our own New Comics Day tomorrow with another boatload of brand-new titles in stock and ready to order... stay tuned!
Esther Pearl Watson, not the type to sit around twiddling her thumbs while we get her Unlovable book ready for the world, told us about her new multimedia art project when we saw her at Comic-Con, and now it's underway: she and fellow artist Martha Rich are road-tripping across the U.S.A. to interview people about their ideas of beauty, a process they're documenting on their new blog. (Hat tip to the USA Today for the links.)
We're also dying to see Esther's Unlovable video starring Leslie Hall as Tammy Pierce. I mean, come on!
Gary Groth interviews father and son cartoonists Gene and Kim Deitch. Academy-award-winning Gene Deitch, whose wide-ranging career has spanned 60+ years, talks about doing illustrations for The Record Changer, directing cartoons such as Munro and Krazy Kat, and creating his comic strip Terr’ble Thompson. Underground comics pioneer Kim Deitch, touches on his father’s influence, reminisces about the New York-based scene and outlines the evolution of Waldo the Cat. Plus: The innovative Grant Morrison fills us in on his X-Men run, All Star Superman, the ambitious Seven Soldiers “maxiseries” how he became one of the architects of the current DC Comics universe. Our comics gallery presents an historical essay and highlights from the turn-of-the-19th-century work of Puck cartoonist F. M. Howarth.
Finally back in print after a prolonged absence, The Complete Crumb Comics Vol. 14: The Early '80s and Weirdo Magazine continues the multi-volume series comprising the complete works of the legendary cartoonist R. Crumb, one of America's most original, trenchant, and uncompromising artists. This volume features the beginning of a seminal period of both Crumb's life and comics history with the first eight issues of Weirdo magazine, edited and anchored by Crumb, including the legendary strips, “Uncle Bob’s Mid-Life Crisis” and “I Remember the Sixties.” Also included are collaborations with Harvey Pekar from the pages of American Splendor, rare music-related art, Crumb's final contributions to Winds of Change magazine, and much more.