The seventh annual volume of Love and Rockest: New Stories begins with a six-page excerpt of Gilbert Hernandez's "Killer in Palomar", where the titular protagonist ruminates aloud with her friend, Theo, on the killings that happened as a result of a man seeing her in a movie. Then, we skip over to three pages of Jaime Hernandez's Maggie and Ray, discussing Maggie's upcoming reunion trip with Hopey.
Linework NW Illustration and Comics Festival announced its new set-up for the 2015 show in Portland, OR on April 18th and 19th. This highly regarded show is already changing up the format after a successful first year show. Expanding from a one day show at the majestic Norse Hall, Linework will now be two days BUT have different sets of cartoonists, zinesters, artists and printmakers tabling on Saturday and Sunday. A few publishers such as Fantagraphics, Ad House, Oni, Nobrow and more will be there both days as publishing 'anchors'.
"The effect is more like a music festival than your typical comics show" explains LWNW co-founder Zack Soto. "Basically, Linework will be two one-day shows that occur back-to-back. This will allow for a broader and more diverse lineup over the course of the weekend, and should give attendees a great reason to visit the show on both days." We, for one, are very excited about next year's show and some future announcements to look forward to.
From the 2014 show, Jim Woodring signing for happy readers, Jason Fischer to his left and Ben Marra on stage.
Applications are now open until the end of the year: 12.31.14 so get it filled out, sent it and get back to making comics! Looking forward to seeing this kid come back to read the next volume in Prison Pit:
The New York Comics and Picture Symposium welcomes Marguerite Van Cook on the week of her graphic novel coming out to comic stores everywhere (and birthday!). Van Cook will be presenting at the 110th meeting of the NY Comics & Picture-story Symposium held on Tuesday, December 2, 2014 at 7 pm at Parsons The New School, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public. Please note 7 pm starting time.
Van Cook will read from and discuss her original graphic autobiography The Late Child and Other Animals, accompanied by a slide show of images from the book. The book is written and colored by Van Cook and adapted to the comics form and drawn by artist James Romberger.
A decade after Hetty Martin survives the bombing of Portsmouth by the Nazis in World War II, she gives birth to a child out of wedlock, Marguerite. Now Hetty must go before a tribunal to prove that she is a fit mother. From there, The Late Child and Other Animals tells the story of Marguerite's childhood in the recovering British naval port and the rural beauty of the Isle of Wight and in Normandy, France. The journeys and struggles over decades of this mother and daughter are linked in five episodes that veer between lyricism, wry wit, and harrowing suspense.
Marguerite Van Cook came to New York her punk with band The Innocents, after touring the UK with The Clash. She stayed and opened the seminal installation gallery Ground Zero with her partner James Romberger. Her own works as an artist and filmmaker have placed her in many museum collections.
Her current generational graphic memoir The Late Child and Other Animals with Romberger has been translated and published in France under the title L'Enfant inattendue. Her color work on the graphic memoir 7 Miles a Second, a collaborative project with James Romberger and the late David Wojnarowicz garnered her a nomination for an 2014 Eisner award for Best Painter/Multimedia Artist. Read more at her website.
James Romberger‘s ecological comic Post York was published in 2012 by Uncivilized Books; it includes a flexi-disc by his son Crosby and it was nominated for an 2013 Eisner award for Best Single Issue. Romberger collaborated with Marguerite Van Cook and the late writer, artist and AIDS activist David Wojnarowicz on the critically acclaimed graphic novel 7 Miles A Second, which was first published in 1996 by DC/Vertigo and then released in a revised, expanded edition in February 2013 by Fantagraphics Books. You can read more on his website.
Parsons at the New School 2 West 13th Street NYC in the Bark Room (off the lobby)
Here in one place are the definitive Comics Journal interviews with the cartoonists behind Zap Comix. Featuring: Supreme underground artist Robert Crumb on how acid unleashed a flood of Zap characters from his unconscious; Marxist brawler Spain Rodriguez on how he made the transition from the Road Vultures biker gang to the exclusive Zap cartoonists' club; Yale alumnus Victor Moscoso and Christian surfer Rick Griffin on how their poster-art psychedelia formed the backdrop of the 1960s San Francisco music scene; Savage Id-choreographer S. Clay Wilson on how his dreams insist on being drawn; Painter and Juxtapoz-founder Robert Williams on how Zap #4 led to 150 news-dealer arrests; Fabulous, Furry, Freaky Gilbert Shelton on the importance of research; Church of the Subgenius founder Paul Mavrides on getting a contact high during the notorious Zap jam sessions; and much more. In these definitive interviews, the Zap contributors open up about how they came to create a seminal, living work of art.
Happy Monday, everyone! Here's a real treat to start off the week right: our first look at the advance copies of Sweatshop, the newly collected story by Peter Bagge that was originally published as a six-issue series in 2003.
This firmly tongue-in-cheek story of a terrible cartoonist with a small contigent of studio assistants that tremble in fear of his passing shadow is a hilarious situational comedy featuring guest artwork from some star cartoonists, including Stephen DeStefano, Johnny Ryan, and Jim Blanchard.
L.B. Cole created some of the most bizarre, proto-psychedelic, eye-popping comic book covers of all time, yet remarkably this is the first retrospective of his career, featuring the largest collection of Cole covers ever assembled, in an oversize format that showcases his attention to detail and his versatility in all the popular comic book genres of the day. Cole burst into comics during the glory years of the Golden Age of comics. He was famous for his bold covers, usually featuring "poster colors" — brilliant primaries often over black backgrounds — and an over-the-top sense of the bizarre mixed with whimsy. There's never been a comic book cover designer like L.B. Cole and there's never been a book like this one.
Have you finally recovered from your tryptophan-induced coma this weekend? Better shake off that lethargy quick, 'cause today is the LAST day of our epic, four-day weekend web sale! The Black Cyber Business Weekend Sale ends at 11:59 PM PST, so there's still time to grab some books at a sweet 30% off for holiday gifting (with a few box sets still available for 40% off!).
Given the recent holiday, we are happy to highlight some employees we are most thankful to have joined Team Fanta this year. They'ved added much to the hivemind. May I introduce (or reintroduce) Marc J. Palm, local cartoonist and manning one of the customer service desks like you wouldn't be-lieve. If you've been in Seattle for a bit, you've no doubt seen a Marc Palm art show or perhaps some of his art advertising a Scarecrew Video show.
1-What other jobs/experiences have you had in comics? I've never worked professionally in comics until now I suppose. Although I've been self-publishing zines and mini comics for 20 years. With that I've done a very small amount of distribution and festival tabling.
2- What was the first comic you read? It was probably Garfield in the papers. But the first comic I think I owned was a super oversized coloring book version of a Spider-man comic from the 80's with Doc Ock.
3 - What was the first comic that made you want to write, react, something? I cannot think of a single comic that was a catalyst. Ever since I saw comics in general, I liked the comic format and wanted to make comics. They just make the most sense to me. Word books are not as exciting for someone as visual as I am and animation can be so limited in the quality of the artwork.
4- What can you recommend to Fanta readers? It's so easy to be overwhelmed by the amount and variety of comics available. I'd say, just follow your eyes and ears. If something looks cool to you or sounds like it has things that interests you, check it out. I explore organically. I like recommendations, but I figure if it's really for me we'll cross paths sooner or later and those times are when I'll appreciate it the most. Don't be pressured to read something you're not into. You cannot force yourself to enjoy something you are not ready for.
5- Weirdest Fanta experience so far? Weirdest time is when I first visited the Fanta office back in 2002? After my friend and I figured out which house it was, I got up the nerve to go and visit the next day. I had asked my friend if I should bring beer or cookies or something. He said "no". So I didn't. I dared to knock on the front door and I walked in after hearing a muffled "come in". Gary was at a desk in the front room and there was another desk next to the door.
Everyone looked at me like "who the hell are you?" I awkwardly said some stuff about how I was a fan and new to the city. Gary told me, "Well, there's no tour or anything". I asked about work and they said that maybe there was something at the warehouse. Years later at SPX, I told Gary the story and he said that if I would have brought beer I would have gotten the tour. AH!! I knew it!
6-Your favorite way to wind down? Drawing is of course the best thing for that. I cannot escape more than when I do draw. But, I'm a real simple Seattle guy, so I like to rent a movie fromScarecrow Video, drink cheap beer and smoke pot.
(Marc, right most, drawing with Eric Reynolds, Max Clotfelter, James Stanton, Simon Hanselmann and more)
7- Your favorite drink? drip coffee with a little cream
8-What projects do you have ahead of you outside of your job? I'm the organizer of the INTRUDER comics newpaperhere in Seattle. So, I'm either working on my comic for the next issue, waiting for contributors to send me work or plotting our next release party.
9-What's the best part of comic conventions? I'll go to cons with expectations to sell stuff, but that's not really the important part. It's more communal for me. It can be like going to a family reunion and seeing what everyone has been up to over the last year. It's also nice to meet folks in person that I've only known virtually or only through their work.
10-What's your favorite place in Seattle for food or public place? I like cheap eats and comfy places. I enjoy Cafe Racerbest. They've got food, beer and coffee. It's got a great multi level/room layout. There's a big table for groups to meet or draw at. It's just so lived in and full of interesting things that I feel at home.
The Women's Caucus for Art (WCA) is pleased to announce that artist Sue Coe (of Sheep of Foolsand Blab!) is a recipient for the 2015 WCA Lifetime Achievement Award along with Kiki Smith, and Martha Wilson. The WCA will celebrate the honorees and their accomplishments at an awards ceremony and gala at the New York Institute of Technology on February 12, 2015.
The awards celebration will take place on Thursday February 12, 2015 at the New York Institute of Technology Auditorium (NYIT) at 1871 Broadway, New York, NY. The Gala kicks off with a ticketed cocktail reception from 5:30 to 7pm. The ticketed reception will include dinner, an open bar, and the opportunity to congratulate the awardees. The Awards Ceremony (free and open to the public) will take place from 7:30-9pm and a coffee and dessert reception will follow from 9-10pm. The celebration is held during the annual Women's Caucus for Art and College Art Association conferences.
The Women's Caucus for Art's mission is to build a legacy for women in the arts. For over 40 years, the WCA has honored and celebrated women in the visual arts with the Lifetime Achievement Awards. The LTA is one on the most prestigious awards for women in the visual arts and the benchmark of WCA's legacy initiatives.
Past honorees have represented the full range of distinguished achievement in the visual arts professions. This year's awardees are no exception, with considerable accomplishment, achievement, and contributions to the visual arts represented by their professional efforts. Find out more information and purchase tickets on the WCA website today.
This turkey-filled holiday season, we at Fantagraphics would like to treat all of our dedicated, loyal, and sometimes-rabid fans to a full weekend sale. None o' that one-day, trampling-your-nephew-on-the-way-to-your-computer nonsense.
Starting Friday, November 28th at 12:00am, we are putting almost all of our 2014 releases—including current pre-orders—up for sale at 30% off.
However, our special signed edition of The Complete Zap Comix, limited to 250 copies and containing giclée prints signed by five of the ZAP artists, will be discounted by 10%, this weekend only! Look a little deeper, and you'll even find a few gift box sets and bundled gift sets of books are marked at 40% off!
So enjoy your turkey this Thursday, relax and digest easily knowing you won't need to claw your way to any computers come Monday to reach our sale. We'll be here for you, all weekend long. We, however, cannot guarantee that all the books will be received in time for Xmas Celebrations.
Here's a recap of some of the beautiful books we published this year:
Wilfred Santiago hits it outta the park with 21: The Story of Roberto Clemente, and we brought it back in softcover this year for an even more affordable format in which to enjoy Santiago's gorgeous artwork and storytelling.
More goodness coming in from abroad, including Vols. 6 and 7 of Shimura Takako's critically acclaimed Wandering Son, a deluxe boxset collecting Jacques Tardi's Goddamn This War! and It Was the War of the Trenches, Olivier Schrauwen's surreal biography Arsène Schrauwen, and Spanish cartoonist Max's Vapor, and Inio Asano's Nijigahara Holograph.