PNCA Presents SuperTrash, an Exhibition of Cult Movie Posters
The Pacific Northwest College of Art (PNCA) presents SuperTrash, an exhibition of 200 works of cult movie signage from the 1930s through the 1980s. The exhibition, which originated at The Andy Warhol Museum and went to the Anchorage Museum, opens at PNCA in Swigert Commons on September 4 and runs through October 21, 2014.
Curated by Jacques Boyreau, the author of TRASH: The Graphic Genius of Xploitation Movie Posters, SuperTrash features work by artists such as Joe Niem, Drew Struzan, Olivia De Berardinis, Robert Tannenbaum, John Alvin, Rene Ferraci, Jack Kamen, Albert Kallis, Neal Adams, John Solie, Reynold Brown, and Renato Casaro. Boyreau considers this accumulation of signage an alternative portrait of the 20th century.
"SuperTrash is about the powers of contradiction and how the struggle to bond affects the urge to divide," says Boyreau. "We live in a paradise of anxiety, unclear certainties. Our fairy tales are poisonous. In such a situation, beautiful things bring terrible surprises."
In conjunction with the exhibition, SuperTrash, the Laurelhurst Theater will present a film series running from September 5 through October 17, 2014. Sept. 5Akira Sept. 12Every Which Way But Loose Sept. 19The Omega Man Sept. 26Last Tango in Paris Oct. 3Streets of Fire Oct. 10Temple of Doom Oct. 17Gremlins 2
This exhibition is supported by Ninkasi Brewing. But don't get jealous, Seattle, we'll have our fair share of Jacques Boyreau activity coming our way soon!
About Pacific Northwest College of Art As Oregon's flagship college of art and design since 1909, Pacific Northwest College of Art has helped shape Oregon's visual arts landscape for more than a century. PNCA students study with award-winning faculty in small classes. In the last seven years, PNCA has doubled both the student body and full-time faculty, quadrupled its endowment, and added innovative undergraduate and graduate programs. PNCA is now embarking on its boldest venture yet by establishing the Arlene and Harold Schnitzer Center for Art and Design as an anchor for the College's vision of a new campus home on Portland's North Park Blocks. Focusing on the transformative power of creativity, the capital campaign, Creativity Works Here, was launched in June 2012 with a lead gift from The Harold & Arlene Schnitzer CARE Foundation of $5 million. PNCA's new home will be a bustling hub for creativity and entrepreneurship, reflecting the influential role of art and design in our 21st century economy - both in Portland and beyond. For more information: pnca.edu.
"For those of you who weren’t lucky enough to meet the mad geniuses who created comics, Drew Friedman’s art gives you the best chance you’re going to have to see them through their smiles, the eyes that dreamed up fantastic worlds, and to get a hint of the lives they led." –Paul Levitz
"When Drew Friedman does something, you know it is much better than merely excellent. Here he salutes the pioneers, masterminds, and geniuses of a graphic form that delighted, excited, and scared the hell out of us. And we were enthralled by every panel." –Arnold Roth
"I am a cockeyed fan of the astonishingly wonderful artist/caricaturist Drew Friedman and his merciless honesty. It has been delightful to watch Friedman chase Hogarth, Kley, Nast, and them guys over the hill. He is to art what Guernica was to human observation." –Harlan Ellison
Equal parts curated trash-culture imagery and multimedia collage—interspersed with exposition on the relationship between art and trash—the 220-page, full-color SuperTrash is an assault on the senses. This new title by Jacques Boyreau, a sequel to his 2002 work, Trash: The Graphic Genius of Xploitation Movie Posters, delves into the gonzo archives of 20th century design to seek out and dissect the co-dependencies of art and trash.
We're pleased to unveil the final cover art for a new collection of related short stories from Richard Sala. In a Glass Grotesquely features the antics, plots, and twists of the mysteriously masked, diabolical villain only known as Super-Enigmatix and his loyal army of female commandos. The stories are drawn in Sala's signature cheerfully vivid watercolors and filled with his equally cheerful dark tongue-in-cheek humor.
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
152-page color/b&w 7.75" x 10.125" hardcover • $24.99 ISBN: 978-1-60699-740-6
"A mix of evocative, geometric watercolors and fluid pen-and-ink cartoons, How to Be Happy tells stories of sad people, lonely people, strong people, confident people, all trying to find a tiny bit of happiness in life...Davis' clever and sometimes jaw-droppingly beautiful artwork makes those stories feel real." - Dan Kois, Slate Book Review
"This collection of short stories about people desperately trying to suppress or embrace or just somehow deal with all the difficult emotions careening around in their brain just underscores what those who have seen Davis' work in scattered anthologies already suspected: that she is a tremendous talent, and one of the smartest voices working in comics today." - Chris Mautner, Robot 6
176-page black & white 7.5" x 10" softcover • $22.99 ISBN: 978-1-60699-755-0
"When she made her debut in the late 1980s, with a prolific burst of anthologised short stories and her own Way Out Strips comics, her unique style already seemed fully formed: spare, oblique, atmospheric and textured, characterised by an air of mystery and an a seam of dry, humour." –Tom Murphy, Broken Frontier
"I suspect this will be one of those wonderful slow-burners that, as you flip through each page slowly but inexorably draws you in and immerses you." –Richard Bruton, Forbidden Planet
Shimura Takako's groundbreaking, critically acclaimed, and beloved series continues to explore gender identity among its cast of middle school students.
"It's a very sweet manga with realistic characters—no dead parents or crazy teachers, just ordinary, loving families and supportive friends. This manga is...worth every penny." – Brigid Alverson, MTV.com
Don't miss the apocalyptic Dead Baby Bike party this Friday, August 1 in Georgetown. Live music, BMX daredevils, beer gardens, and bike jousting right outside Fantagraphics Bookstore & Gallery. The party begins at the conclusion of the reckless Dead Baby Bike Downhill Race about 7:00 PM and continues into the wee hours.
Arrive early to the Dead Baby Bike Party on Friday for a front row seat to the big Boeing Air Show. Watch vintage Spitfires, Thunderbolts, Mustangs, and Tomahawks, along with breathtaking Boeing F-18 Blue Angels and more fly right over the store.
Join us on Wednesday, August 6 from 6:00 to 9:00 PM at the reception for emerging Canadian cartoonist Georgia Webber with her compelling comix serial Dumb. This event will also serve to celebrate the City Arts Award bestowed upon Seattle cartoonist Max Clotfelter for his piece in last April's Intruder art exhibition at Fantagraphics Bookstore.
Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street (at Airport Way S.) just minutes south of downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110.
Tied loosely together by the experience of wandering, the collection of short stories in The Lonesome Go represents Tim Lane's continued exploration of "existential Americana." And the richly-drawn, detailed pages invite contemplation, rereading, and a wandering experience for the reader as well.
At Comic-Con last week, we completely sold out of our booth copies of Lucy Knisley's upcoming travellogue, An Age of License! For those of you who weren't able to snag a copy then, here is a peek inside Knisley's latest memoir. More photos and video to come soon, and the book is due to land on bookstore shelves and at our warehouse in September.
"…the in-process method of writing and drawing her adventures as they happen gives a vibrant immediacy to situations and sensations. Belying her relatively simple but charming cartooning style, Knisley pages are a cornucopia of information and detail: oversized seagulls, bilingual schoolchildren, and lying sat-navs populate her travels." – Publishers Weekly
"In Twelve Gems, Milburn has created a playful homage to the genre that also incorporates some of the “Marvel-isms” that were injected into the form in the '60s and '70s by Jack Kirby (primarily in The Fantastic Four and Thor) and Jim Starlin (during his stints on Captain Marvel and Warlock). The result is a work that can be enjoyed by a diverse body of comics readers, ranging from old school fans of the form all the way through to newbies who just saw the Guardians of the Galaxy movie." – Bill Boichel, Comics Workbook
"Graham Ingels is the poet laureate of the EC horror comics. His stories are some of the most iconic of the entire line, full of newly revived corpses, horrific villains and some of the scariest moments that have ever been put down on the comics page." – Jason Sacks, Comics Bulletin
"Buddy’s life paralleled my own in some sense (crap jobs, weirdo roommates), but essentially I am not, nor will I ever be like Buddy Bradley. I certainly know the type, however, and therein lies the appeal of Buddy as a main character. The revolving cast of nut jobs that Buddy attracts to himself, and is attracted by, doesn’t hurt the appeal or comic potential either, nor does the sharp wit, great dialogue and Bagge’s unique style of rubbery, quavering limbs, popping eyes and massive pie holes shouting and swearing off the pages." – Chris Auman, Sound on Sight