184-page black & white 7.25" x 10.25" hardcover • $28.99 ISBN: 978-1-60699-727-7
Joe Orlando was a mainstay at EC, especially on science fiction, and this collects 23 of his best sci-fi stories. All of them, most scripted by Al Feldstein, serve up classic O. Henry-style endings, such as “I, Robot,” and “Fallen Idol.” The title story is one of EC’s most famous, with its blunt anti-racism message. When it was printed during the era of the Comics Code, publisher Bill Gaines and Feldstein had to fight to keep the story’s final panel “reveal” (and thus its whole point) intact. It was a pyrrhic victory, however, as “Judgment Day” became the last story in the last comic book EC published. This volume also features two of Orlando’s outstanding adaptations of classic Ray Bradbury science-fiction stories: “The Long Year” and “Outcast of the Stars.” Also included are all of EC’s “Adam Link” adaptations, a series which was later adapted for The Outer Limits TV show featuring Leonard Nimoy.
four black & white hardcover volumes in a 7.5" x 10.5" boxed set, 832 pages • $94.99 ISBN: 978-1-60699-728-4
A boxed set of our first four books in our acclaimed EC Comics Library, which collects the best comics of the 1950s from the greatest mass market comic book publisher in history. Featured are: Corpse on the Imjin! by Harvey Kurtzman, et al.; Came the Dawn by Wallace “Wally” Wood, Al Feldstein, et al.; 50 Girls 50 by Al Williamson, Al Feldstein, et al.; and 'Tain’t the Meat... It’s the Humanity! by Jack Davis, Al Feldstein, et al. A great gift for Father’s Day or for the genre fiction fan in your life!
"EC Comics' output of crime, horror, and war comics have been reprinted and collected multiple times, but never like in Fantagraphics' new 'EC Comics Library,' which repackages some of the most influential comics ever published in writer/artist-driven volumes, printed in black and white.” – The A.V. Club
"The EC Comics Library collections display the grace of cartooning." – The Chicago Tribune
"Fantagraphics has been inventing unique ways to publish [this] treasure trove of '40s and '50s crime, horror and war comics." – The Toronto Star
"[Hornschemeier's] art encompass[es] many different styles, from richly layered classical surrealism to densely structured and primary color-heavy McSweeney's-style illustrations. But taken together, the work exhibits an instantly recognizable and distinctive panache." – Publishers Weekly
"Hornschemeier's style is every style. ...a formidable creative." – Byron Kerman, PLAYBACK:stl
"Paul avoids the hammering sentimentality and labored connect-all-the-dots obviousness of too much contemporary work, in any media." – Jonathan Lethem
Visitors to Fantagraphics Bookstore & Gallery on Saturday are in for a treat. Among the many highlights of Marathon: A Short Run Art Show are neo-deco delights from Peter and Maria Hoey of Coin-Op press. Equal parts Man Ray, Marcel Duchamp, Winsor McCay, and Chris Ware, these comix, flipbooks and fine art prints are wondrous beyond words. You have got to come see this show.
Arrive early as hometown hero Peter Bagge signs copies of the fantastic new edition of Everybody is Stupid Except For Me as well as other recent publications from 6:00 to 7:00 PM. Then stay late for a set at 8:00 by Tummy featuring our lovely and talented intern Lillian Morlock. All this and the festive Georgetown Art Attack with action all over the neighborhood! See you then.
A self-portrait through one hundred portraits, Artists Authors Thinkers Directors explores cartoonist Paul Hornschemeier's sketchbook renderings of those who shaped his (and many others') artistic views.
Culled from his drawing blog — The Daily Forlorn, one of Tumblr's featured illustration blogs — these portraits are as stylistically varied as the subjects they portray. A scrawled, single line drawing of Lenny Bruce shares space with a triangular Werner Heisenberg. A monochromatic, stippled Stanley Kubrick stares intently at a muppet-headed Frank Oz. Each turn of the page offers a new take on a familiar face.
In the afterword, Hornschemeier includes brief notes on each portrait and that creator's particular work or insight that spoke specifically to him. And in that specificity, much of what is universally affecting in each creator shines through.
Hornschemeier's graphic novels hop from one aesthetic to the next, varying the line and color quality to depict his narrative's mood. He plays with the language of comics. In these portraits we can clearly see him hard at experimentation, adding to his vocabulary.
BONUS: The first four pre-orders we get for this book will also receive So-So Heroes, Paul's portfolio of 30 colorful, witty postcards, for FREE courtesy of Chronicle Books! It's an oddball collection of misfits, monsters, and utterly curious characters, all involved in hilariously insignificant adventures. Each image is rich with Hornschemeier's signature wit and visual flair. Order now!
144-page full-color 6" x 9" softcover • $19.99 ISBN: 978-1-60699-745-1
He’s back! Now in his 30s and married with child, onetime slacker hero Buddy Bradley gets a "real" job, shaves his head, dons an eyepatch, quits his "real" job and buys the local dump — because what better place to raise a toddler? Peter Bagge’s iconic character is to alternative comics what Homer Simpson has been to television animation over the past quarter-century: a generation-defining slacker and the greatest comedic character of its form and era. Featuring stories originally published in the comic book series Hate Annual from 2000–2011, as well as an all-new 20-page conclusion to the story arc, this book marks the first new book of Buddy stories since the now-perennial classics Buddy Does Seattle (2005) and Buddy Does Jersey (2007).
Kickstarter pre-order signed copies are gone for now, but we're working on talking Pete into agreeing to do more, so keep checking!
104-page black & white 8.5" x 11" hardcover • $19.99 ISBN: 978-1-60699-729-1
The suppression of family history is the initial thread that ties together The Love Bunglers, featuring Hernandez’s longtime Love and Rockets heroine Maggie. Because these secrets can’t be dealt with openly, their lingering effect is even more powerful. But Maggie’s ability to navigate and find meaning in her life — despite losing her culture, her brother, her profession, and her friends — is what’s made her a compelling character. After a lifetime of losses, Maggie finds, in the second half, her longtime off and on lover, Ray Dominguez. In taking us through lives, deaths, and near-fatalities, The Love Bunglers encapsulates Maggie’s emotional history as it moves from resignation to memories of loss, to sudden violence (a theme in this story), and eventually to love and contentment. Much like John Updike in his four Rabbit novels, Jaime Hernandez has been following his longtime character Maggie around for several decades, all of which has seemed to be building towards this book in particular.
SHE'S COMING...VIOLENZIA. A mysterious girl leaves a path of bloody destruction wherever she goes. But, why? Find out in the brand-new, full-color, 50-page comic by Richard Sala.
"Let there be no mercy or forgiveness for they have shown none." With these words, whispered into the wind, a mysterious young woman leaps into action with wild abandon, twin automatics blazing. Is she a brave and reckless heroine taking on a monstrous evil? Or is she a deranged angel of death? One thing is clear: whether she is dropping from a high window into a crowd of red-robed fanatical cultists, or facing down a horde of psychotic hillbillies, you don't want to get in her way.
A fast moving, self-contained story, Violenzia is a blast of pulpy fun, told in scenes of audacious action and splashes of rich watercolors. With elements of golden age comics and old movies mixed with Sala's trademark humor and sense of the absurd, Violenzia is serious fun, a bloody enigma masked as eye candy, a puzzle box riddled with bullet holes.
Coming exclusively to comiXology on November 20th, Violenzia will blast her way into your hearts. She's actually got a bullet in the chamber and the safety off waiting for you to preorder the book now.
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
140-page black & white 5.75" x 8.5" hardcover • $22.99 ISBN: 978-1-60699-719-2
"I liked this one the best of the pulp-stories that feature the movies made by his character Fritz in the Palomar/Post-Palomar universe he depicts in Love And Rockets... An amazing year for Hernandez." -Tom Spurgeon, Comics Reporter
Fantagraphics Bookstore & Gallery offers a colorful preview of the Northwest’s leading independent comix and zine convention. “Marathon: A Short Run Art Show” features original art, prints, and publications by some of the country’s most innovative artists. The show opens this Saturday, November 9 from 6:00 to 9:00 PM.
Local artists Eroyn Franklin, Kelly Froh, and Fantagraphics Bookstore staffer Janice Headley will present an expanded version of the annual “Short Run Small Press Fest” on Saturday, November 30 at Washington Hall in Seattle. “Marathon: A Short Run Art Show” provides a preview of festival exhibitors selected by Fantagraphics Bookstore curator Larry Reid. Featured artists include Gabrielle Gamboa, Robyn Jordan, Noel Franklin, Coin Op, Mita Mahato, Scott Travis, Joe Garber, Fiona Avocado, Tom Neely, Nate Neal, Elaine Lin, Bettina McEntyre, Skill Shot, TBASA, Reid Psaltis, Bobby Mono, Aron Nels Steinke, Jim Blanchard, Peter Bagge, Kelly Froh, Eroyn Franklin, Max Badger, Shannon Wheeler, and more.
Join us on Saturday for a free reception featuring musical entertainment by Tummy. This event coincides with the wildly popular Georgetown Art Attack featuring challenging contemporary art throughout the historic district. Fantagraphics Bookstore is located at 1201 S. Vale Street, only minutes south of downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110.
In the 21st century, women cartoonists have more opportunities than ever before: graphic novels in bookstores and libraries, and comics on the Internet, have created audiences for influential books such as Persepolis (Marjane Satrapi), Fun Home (Alison Bechdel), What It Is (Lynda Barry), and Hark! A Vagrant (Kate Beaton). Trina Robbins’ lavishly illustrated Pretty in Ink shows that, although the comics field was dominated by men, beginning in 1896 and throughout the 20th century, more women have been professional cartoonists than people previously thought. Robbins showcases cartoonists such as Lily Renée — an Austrian woman who escaped from Nazis, only to draw action/adventure comics exploits as exciting as her own — and Eva Mirabal, a Native American corporal whose G.I. Gertie strip showed the wacky side of the Women Army Corps (WAC). Trina Robbins is and has been the preeminent scholar of comics “herstory” for more than 30 years, and those new to comics and longtime fans alike will find much to discover in this updated and comprehensive volume.