Washington D.C. - The Multicultural Student Services Center at George Washington University is hosting acclaimed journalist, music producer, and author, Pat Thomas. His premier book, Listen, Whitey! The Sights and Sounds of Black Power 1965-1975, is an interdiciplinary and multi-sensory look at the music, and sociopolitical atmosphere of the times that helped influence the creation of the Black Power movement.
To compliment this inspiring book, Pat Thomas is presenting a multi-media presentation that combines music, images, and spoken word recordings to present a bizarre and engaging connection between the Partridge Family and the Black Panther Party; Timothy Leary and Eldridge Cleaver; Amiri Baraka and Mowtown; and Bob Dyland and George Jackson.
Free and open to the public, this presentation takes place from 6:30-8:00 PM in the Multicultural Student Services Center on campus, room 209.
"While the early issues stand as rowdy documents of the 1960s counterculture, Zap was also more. In reinventing the comic book, it set off legal battles and conversations over censorship, brought attention to cartoonists as artists, and set an example for generations of alternative comics creators like Charles Burns, Daniel Clowes, Joe Matt and the Hernandez Brothers." – Dana Jennings, The NY Times
"The portraits are a genuine insight and reflection of the person and their contribution. Special kudos to Drew for his careful research so that the bios are accurate and help to add to the ongoing study of how it all began in comics." – Nicky Wheeler-Nicholson, The Beat
"He doesn't just draw the funny or sexy moments -- he lets the characters and the readers enjoy and laugh, but then he shows the fallout from some of the characters' actions, depicting them as them scared and desperate, pathetic and troubled. Hanselmann's skill at depicting this range of emotions and exploring those consequences is what makes his work so fascinating and so worth rereading." – Alex Dueben, Comic Book Resources
"Like the very best children’s classics, this is a book that isn’t afraid to confront dark matters and actively embraces fear and sadness amidst the wonders in an effort to craft a better story.
Compelling, beguiling and visually intoxicating, this latest Sock Monkey yarn judiciously leavens discovery with anxiety, heartbreak with gleeful imaginative innocence and terror with bold triumph." – Win Wiacek, Now Read This!
"Let me be perfectly clear: The Don Rosa & Carl Barks Duck books are as good as comics get. Period. Nothing surpasses – only matches – the pure imagination, humor, adventure, and heart of these Donald Duck & Uncle Scrooge stories." – Vince Ostrowski, Multiversity Comics
Plug: "Any time a Carl Barks or Don Rosa book of Donald Duck or Uncle Scrooge comics is released, I get all excited. Because they’re great! I’m not kidding! Also good for jaded fans too cool for kids’ comics." – Dan Greenfield, 13th Dimension
"This adorable little collection of strips is the perfect prize for your costume contest. Growing up, you may have gotten to know the Great Pumpkin mainly through the evergreen TV special — but the original strips collected here are both brainier and more emotionally complex than the show." – Etelka Lehoczky, NPR
In 1947, the author's grandfather, Arsène, traveled across the ocean to a mysterious, dangerous jungle colony at the behest of his cousin. Together they would build something deemed impossible: a utopia of modernity, in the wilderness — but not before Arsène falls in love with his cousin's wife, Marieke. Whether delirious from love or a fever-inducing jungle virus, Arsène's loosening grip on reality is mirrored by the reader's uncertainty of what is imagined or real by Arsène. This first full-length graphic novel from the critically-acclaimed Olivier Schrauwen is an engrossing, sometimes funny, slightly surreal and often beautiful narrative.
From October 20th and until November 19th, Comica Festival 2014, the 11th London International Comics Festival, presents conversations, exhibitions, workshops, launches and the unmissable, free-entry Comica Scarycat Comiket, the Independent Comics Market, and Transitions Conference, plus numerous satellite events across the capital. One of those events will feature the amazing Carol Swain. ‘What Makes A Cult Comic?' talk with Rob Davis, Ilya, Paul Rainey & Carol Swain is next Friday November 7th, 2014 7-8:30pm at Foyles Bookshop, watch these creative minds dig into some deep comic topics. "Not all comics are corporate global franchises spun off into endless merchandise and movies. Some of the very best comics are cult comics, defined as 'honest, heartfelt, homemade' by Ilya, editor of The Mammoth Book of Cult Comics, launching tonight. Ilya joins three other leading graphic novelists to discuss their work and its place in comics culture."
Massive: Gay Erotic Manga and the Men Who Make It has landed on our desks! This is something we've quite been looking forward to (ahem) reviewing. Besides the gorgeous artwork, ranging from softcore to hide-the-children explicit, every chapter focuses on a single artist, showing photos of their workspaces, interviews, and essays on what it's like to be a gay erotic artist in Japan.
More previews are coming your way next week, and don't forget to pre-order Massive for a December delivery. Who knows, this could be the perfect, ah, stocking stuffer for a friend.
Today is a good day. That is because we've received advance copies of Black Light: The World of L.B. Cole at Fantagraphics HQ, and it is truly a beauty to behold. Oversized and filled with L.B. Cole's larger-than-life, eye-catchingly bold colorscapes, this book offers the largest collection of Cole covers as well as an in-depth biography written by comic book historian Bill Schelly.
We are pleased to reveal the finalized cover art design for the second book in our two volume set—Treasury of Mini Comics Vol. 2. This hefty, densely packed volume is edited by Michael Dowers and features the artwork of over 50 artists in 848 pages of artwork, including the 8-page underground sex comic "Tijuana Bibles."
Many connoisseurs—including Art Spiegelman, Daniel Clowes, Scott McCloud (creator of the "Five-Card Nancy" card game), Joe Brainard, and Andy Warhol—have recognized that Bushmiller's often-corny Nancy approached its own kind of zen-like cartoon perfection. In its own way, it turned out Nancy was in fact the most iconic comic strip of all; The American Heritage Dictionary actually uses a Nancy strip to illustrate its entry on "comic strip." Fantagraphics' beloved Nancy series finally packages Nancy with the reverence it deserves. Our third volume contains another full three years of daily Nancy strips, from an era many regard as Bushmiller's finest.
"Gottfredson drew Mickey with a nosy snout and the bright eyes of an adrenalin junkie. The mouse’s diminutive size inspired Gottfredson to have the character attempt daredevil races, leaping stunts, and develop a flurry-fisted fighting style… This beautiful [series] gives the Great Rodent his humanity." – Ken Tucker, Entertainment Weekly
Disgusted and appalled with the today’s noisy and noisome world in which all is spectacle and surface sensation, Nick flees into the solitude of the desert. But even as he manages to recover some sort of spiritual balance thanks to an ascetic regimen of fasting and meditation, Nick is seduced by the most spectacular and mesmerizing spectacle of all time: The procession of the Queen of Saba.
In Vapor, the award-winning Spanish cartoonist Max (best known for his 2006 book Bardín the Superrealist) once again engages in delightful philosophical mind games, starring another wildly stylized and endearing protagonist — this time deploying a striking, crisp black and white graphic style perfectly suited for this desert-based fantasia.