Tuesday in LA, the place to be is at Meltdown Comics. Pittsburgh-based cartoonist Ed Piskor has pop and locked, Heavy D Shaked and prepped his way over to come out and give you one hell of a party along with the crew at Meltdown. A special guest DJ will be spinning the vintage hits from 4-6pm and at 5pm in the NerdMelt Showroom you'll find Boing Boing founder's Mark Frauenfelder in conversation with Piskor about the Hip Hop Family Tree series, his Rob Leifeld mini-comic and much much more.
Get excited and maybe even practice your dance moves with some Hip Hop Family Tree vol. 2 era-appropriate dance moves!
Here is our first look at an advance copy of Displacement, the new travelogue out from best-selling cartoonist Lucy Knisley. This sweet, introspective softcover volume has our author on a cruise ship with her elderly grandparents. Between struggling with her care-taking duties and feelings of isolation, Knisley reads excerpts from her grandfather's war memoir and reflects on mortality and human frailty.
Displacement will hit bookstores in the new year, but we're ready and waiting for your pre-orders now!
Acclaimed cartoonist Dylan Horrocks returns with a long-awaited new graphic novel, the first since his perennial classic, 1998's Hicksville (new edition, VUP 2010).
Cartoonist Sam Zabel hasn't drawn a comic in years. Stuck in a nightmare of creative block and despair, Sam spends his days writing superhero stories for a large American comics publisher and staring at a blank piece of paper, unable to draw a single line. Then one day he finds a mysterious old comic book set on Mars and is suddenly thrown headlong into a wild, fantastic journey through centuries of comics, stories, and imaginary worlds. Accompanied by a young webcomic creator named Alice and an enigmatic schoolgirl with rocket boots and a bag full of comics, Sam goes in search of the Magic Pen, encountering sex-crazed aliens, medieval monks, pirates, pixies and—of course—cartoonists. Funny, erotic, and thoughtful, Sam Zabel and the Magic Pen explores the pleasures, dangers, and moral consequences of fantasy.
In less than a week you could be glued to your seat listening to Lynd Ward Graphic Novel Prize winner Jim Woodring give a talk on Fran at The Pennsylvania Center for the Book. On Wednesday, November 19th, in Foster Auditorium, 102 Paterno Library at Penn State from 4-5:30pm, Woodring will be speaking about his intricate story-telling and world-buildling that cuminated in this surreal and cyclical story of Fran and earning the Lynd Ward Prize. Congratulations, Jim!
This event is free to the public thanks to these sponsors: University Libraries, the Pennsylvania Center for the Book, the Dorothy Foher Huck Chair, Library Learning Services and the English Department.
For more information or if you have questions about physical access provided or need to make arrangements for special accomodations at the site, contact Caroline Wermuth at
George Evans was a master of the aviation war story. This collection includes all of his highly-acclaimed stories for Aces High, EC's famous air war title. As a bonus, we present a rarity: Evans's never-before-reprinted 3-D story of World War I ace Frank Luke (in regular, easy-on-the-eyes 2-D). This volume also includes numerous Evans crime and shock stories, including "As Ye Sow...," "...My Brother’s Keeper," and "Cadillac Fever." Other war stories, many done in collaboration with Harvey Kurtzman, include "Napoleon!" and "Flaming Coffins" (which Evans wrote, about the inherent perils of WW I aircraft). Like all books in the Fantagraphics EC line, Aces High features essays and notes by EC experts on these superbly crafted, classic comic book masterpieces.
"Wood’s work seemed like snapshots of a lush and vibrant reality where even madmen, monsters and mayhem possessed a stately grace. There might be pandemonium but, oddly, the panic never seemed to reach the eyes of Wood’s regal heroes." – Geoff Boucher, The Los Angeles Times
"Legendary artist [Wally] Wood mastered every comic-book genre—humor (he was one of Mad's first artists), horror, superheroes, war—but is best known for the 1950s science-fiction stories he drew for EC Comics, in which, one commentator noted, he 'began drawing things into panels that no human being seemed capable of before.' His heroic spacemen, intricate rocket ships, and frightening aliens embodied classic space opera, and his influence remains visible in the work of many leading comics artists today." – Gordon Flagg, Booklist
In Gilbert Hernandez's latest Love and Rockets book, Ofelia, Luba, her sisters, and their children are about settled into their new lives and homes in California. In the first 13 pages of our downloadable excerpt, the kids discuss Socorro's amazing ability to remember things, and then Luba tells her that she will skip another grade next year at school.
Ofelia is slated to come out in January and is ready for your pre-orders now! We know you've been hankering for some new Love and Rockets, so secure your copy soon—and why not check out Love and Rockets: New Stories #7 while you're at it?
A five question interview with cartoonist Drew Friedman was featured on the Book Soup blog in anticipation of his signing and conversation with artist William Stout this Friday, November 14th at Book Soup in 8818 Sunset Blvd, Los Angeles, CA. People often ask Drew why he draws people and specifically these cartoonists at later stages in their life and he responded: "I like to draw people older or very old because you get to see their lives etched into their faces. Every line, wrinkle and liver spot tells the story of their life. Drawing younger faces is finally boring for me. It's too bland and uninteresting, although I do admire a beautiful face. I like Ava Gardner's quote when she was asked late in life why she didn't get a facelift: 'Honey, I earned every line.' "
Detail of the Will Eisner portrait by Friedman
For more answers (especially to the question, do you LIKE your subjects), check out the Book Soup blog and be sure to stop by Book Soup this Friday for one hell of a time!