You know, I see Jacob Covey every day but somehow every time I read an interview with him I learn something new. Reading his comments on the design of Popeye, a project/topic I would have thought we'd exhausted in office talk, is fascinating peek into the thought processes that go into graphic design.
Los Angeles film fans not only get to watch great films at the Silent Movie Theatre, part-owned by Sammy Harkham-- they also get to take home monthly programs with cover art by great cartoonists. (Shown: Harkham, Richard Sala, Josh Simmons.)
Coming in March, another of our Pin-Up paperbacks. This time we're collecting various cartoonists who worked for the Humorama mens' magazines of old, giving an overview of styles and content.
Jefferson Machamer is a stand-out in these old pulps. His work looked like nobody else's. The women are decidedly manish and the poses stiff so it's odd that he did pin-up work. I was unfamiliar with Machamer when I was first flipping through the Humorama digests and I couldn't get my head around this guy who seemed, at times, to be drawing Jimbo in drag. (Gary Panter has called him an influence.) Above is what I think must be a later piece, where the forms seem more natural. This one shows well what he did brilliantly: Look at those attacking lines just cutting out the forms. Every drawing screams with the artist's energy.
This is a rare instance of a title arriving in stores before we receive it ourselves, so head on down to your local store and snap it up! (Also, we haven't had a chance to upload the preview for this issue yet, but it's coming soon.)
Congratulations to Philip Spector of Mamaroneck, NY for winning the signed limited-edition Ghost World silkscreen print! Philip, your prize is on its way. Thanks to everyone who participated by pre-ordering Ghost World: Special Edition (which is now in stock).
"When I was coming up in the '80s, the representation of Latinos, even at the literary level, was incredibly un-diverse. Even amongst hard-core Latino writers I really admire, there wasn't the kind of writing about the sectors of the Latino community that I was familiar with.
"Love and Rockets was not only a revolution in comics, it was a revolution in Latino letters. It was the first time that people were writing about the kind of Latinos that I grew up with where being a Latino was a given. What we really drew or what compelled us in our lives was who we were dating, the music we were listening to, the problems we were getting into.
"These guys were the originators of the kind of suburban Latino stories where they had all the problems of the community and the enormous complexity of who we were as young people. It was a dynamic part of the larger U.S. society, and not some static, nostalgic, sepia-print photo of itself."— Pulitzer Prize-winning novelist Junot Diaz
This deluxe new edition of our most popular book ever expands the original graphic novel — which tells the story of two best friends, Enid and Rebecca, facing the prospect of growing up and apart — from 80 pages into a 288 page, behind-the-scenes tour through the making of both the classic book and the subsequent hit film. Including a new introduction and several pages of new strips by Clowes, as well as over 200 pages of ‘extras’: the Oscar-nominated screenplay by Clowes and Terry Zwigoff, dozens of pages of never-before-collected ephemera, including unused concept drawings, notes, movie posters, foreign edition covers, merchandise, artwork created for the movie by Clowes, Sophie Crumb and the cast, and much more, all annotated by Clowes. Truly lavish, definitive and comprehensive.
(NOTE: Our contest for the drawing to win the limited-edition signed Ghost World exhibit poster is now closed as of midnight last night. We will announce the winner as soon as we figure out who it is. Stay tuned! We are also down to the very last of the signed bookplates, which will likely be gone today or tomorrow. First come, first served, so don't delay!)
Two white supremacist brothers live in the midst of an “ethnic” urban flood along with a dog they’ve trained as a weapon. A household made up of three renters, a landlord who never leaves her attic bedroom, and her son, who insists on wearing a sheet over his head all the time. A pack of ravenous stray dogs chase a cat down a desolate alleyway. The lonely, grimy silhouette of Los Angeles, ever-present. All these separate threads weave through the first part of "221 Sycamore St.", an ongoing story about the desperate need for family in two distinct households that share an indelible yet mysterious connection.
Sublife is the engaging new series from emerging talent John Pham (Epoxy, MOME). Similar in format to other great one-man anthology comics before it (Eightball, Acme Novelty Library, Jim), Sublife presents a variety of stories told in a range of styles and voices, all demonstrating a singular vision. Issue one features the first self-contained chapter of "221 Sycamore St." as well as "Deep Space," a semi-comical sci-fi journey into "psychopathia infinitus."