Our warehouse manager/poet-in-residence Nico Vassilakis has a new book of visual poetry and drawings out from Ireland's Red Fox Press, part of their "C'est mon Dada" series. Fans of our Abstract Comics anthology would do well to check it out.

We also neglected to mention in a timely fashion that Nico was shortlisted for the 2009 Stranger Genius Awards in Literature. Time to add "Resident Genius" to your business card, Nico.

Here's your reminder in the form of the official press release:

Limited Ed Silkscreen print of the above image available!

Dumbo, Brooklyn, NYC - February 12th: opening reception 6-9 pm and continuing to March 31st, 2010 - Scott Eder Gallery

BROOKLYN, February 12, 2010- HOTWIRE #3 features a dynamic selection of artwork from the upcoming all-new third volume of Hotwire Comics! Following the success of last year's Hotwire #2 show, this seminal show features paintings, works on paper in all media from some of the heaviest hitters in the alternative comix scene, including Tim Lane, David Sandlin, Glenn Head, Mark Dean Veca, Danny Hellman, Jayr Pulga, Mary Fleener, Karl Wills, R. Sikoryak, Sam Henderson, Mats?!, Rick Altergott, Chadwick Whitehead. The opening of the show is timed to coincide with the release of the brand-new volume of Hotwire Comics. Hotwire #3 is currently on view at 18 Bridge St., DUMBO, Brooklyn until March 31, 2010.

The Harvey- and Eisner-nominated anthology of action, thrills, chills and transgression is back with a third volume! Anything goes in Hotwire, eschewing literary high-mindedness for a pure, gut-wrenching viscerality that you can tune in and rest your brain on after a long day.

Opening party Friday night, Feb. 12th, from 6pm-9pm

Join us to celebrate the Hotwire #3 group show featuring the great selection of paintings, ink drawings and works in graphite.

About Scott Eder Gallery
Established in August, 2007 as a venue for bringing comic book art creators into a fine art context and gallery setting, Scott Eder has been dealing and exhibiting original comic book art at festivals and museums in the U.S. and throughout Europe (France, England, Italy, Germany, Spain, and the Netherlands) for over 15 years. All show info at www.scottedergallery.com

Looky (and clicky for better lookies):

• Newave! contributor Molly Kiely poses for a self-portrait with the book

• These and more sketchbook wishbones by John Hankiewicz

• The Skittish Horse by Jim Flora

• An unpublished commissioned portrait of Johnny Cash by Jim Blanchard

• What's this, new Fight or Run art from Kevin Huizenga? (click for full image)

• Hans Rickheit 's Ectopiary, page 10 (plus more on his blog)

• Ooh, Tim Hensley does Hitchcock: Frenzy (above), Marnie, Lifeboat

• A 2009 diary strip from Gabrielle Bell

Hoy, it's a marathon Monday Online Commentary & Diversions post:

• List: The Comics Journal's Rob Clough begins counting his Top 50 Comics of 2009:

#1, You'll Never Know, Book 1: A Good and Decent Man by C. Tyler: "A mash-up of family portrait, generational analysis, autobiography and scrapbook, this book was not only the most emotionally powerful work of the year, it was the most attractively designed. The first part of what will likely be Tyler’s masterwork."

#6, Like a Dog by Zak Sally: "This was a stunningly honest account and collection of early work by one of the most underrated cartoonists working today. While the collected early issues of Recidivist ranged from interesting to astounding, it was Sally’s frank and emotional essay following the collection that really struck me as a statement of purpose — not just as an artist, but as a person."

#10, Tales Designed to Thrizzle Vol. 1 by Michael Kupperman: "The first collection from Kupperman’s surprising hit really helped spread the word about his unique and delightfully warped genius as a gagsmith and artist."

#15, Sublife Vol. 2 by John Pham: "This one-man anthology featured Pham fully harnessing every aspect of his skills as a writer and artist. His use of color dominated and provided a sort of visual through-line for his different narratives. Pham alternately pushed the reader away and then pulled them in, depending on the story, a tension that made this his most successful work to date."

And #17, Ho! by Ivan Brunetti: "It’s fascinating to see the two directions Brunetti was headed in with regard to these gags. First, his gags became ever-more boundary pushing, but always in service to the punchline. Second, his line became more and more simplified to the point of nearly geometric simplicity: squares, circles and triangles wound up creating most of his characters by the end of the book."

• List: Paul Gravett names The Best of 2009: Classic Comic Reprints. At #6, it's The Brinkley Girls: The Best of Nell Brinkley's Cartoons 1913-1940: "Trina [Robbins] follows up her thorough biography of Brinkley with this oversized collection of Sunday 'comics,' often more like ravishing illustrated romantic yarns of big hair, clothes and emotions, but stunning to linger over and revealing in their period mood and concerns. In their time, Brinkley’s spirited, vivacious females were as iconic and inspirational in early 20th century America as the famous Gibson Girls before her. They truly deserve this gorgeous commemoration."

• List: On the annual Fun Fifty countdown at Bully Says: Comics Oughta Be Fun!, at #15, Tales Designed to Thrizzle Vol. 1 by Michael Kupperman: "Without hyperbole, Thrizzle is simply the funniest, most guffaw-out-loud comic book they're going to have to pry out of your cold, dead hands when you die laughing. ... Thrizzle's stuffed from front cover to impressive back page blurbs with Kupperman's splendiferous pulps-meet-woodblock-print artwork and lunatic stories, it's one of those rare humor books that actually is downright hilarious."

• Reviews: Nick Gazin of Vice (link NSFW) weighs in on a number of titles:

"I love Unlovable. Take that, book title. ... Unlovable 2 is a fun and funny read all the way through. ... Girls are gonna like this book and dudes are gonna like this book. It’ll remind you of how stupid you were and also of suburban sadness and realizing that your high school crush will probably never love you back."

"[High Soft Lisp] is incredible... The world in this book is one I wouldn’t want to live in but I can’t stop thinking about the story of Fritz."

"...[Almost Silent] is a really good book and Jason is a strong cartoonist. He does a lot with his simple-but-well-drawn characters and little to no dialogue. ... For $25 you get a nice sampler of what Jason can do. This is entirely worth owning."

• Review: "The Definitive Prince Valiant Companion is the indispensable guide to the strip and a must have for its legions of fans new and old. Fantagraphics has been re-printing these original strips in chronological order in beautiful hardcover volumes and this guide makes the perfect complement. ... No matter how long you’ve been a Prince Valiant fan…one year or seventy years, you’re certain to find this book informative and entertaining. Fantagraphics has produced another spectacular book!  Grade A" – Tim Janson, The Gouverneur Times

• Review: "Similar to Charles Addams and Gahan Wilson, Jason relies on the humorous side of horror in these mostly wordless tales. ... Throughout the sublime Almost Silent, Jason examines traditional relationships and social norms via a deliciously warped lens, quite probably one constructed by Dr. Frankenstein himself." – Rick Klaw, The SF Site: Nexus Graphica (spoiler alert!)

• Review: "I can’t think of a better single volume of what the period style of fast looked like in practice than last year’s Supermen! anthology. Yes, there’s an added winnowing by genre but that just sharpens the sense of the reductive visual and narrative requirements that were standard for the hot new gravy train that hit the business." – Rich Kreiner, "Yearlong Best of the Year," The Comics Journal

• Review: "As a whole, I like Abstract Comics a lot. I’d say that it works like a good art exhibition, or at least an exhibition unburdened by obligations to teach history, one in which multiple formal and aesthetic connections are there but not shouted out, rather left to be discovered (or not) by the strolling viewer according to his or her inclinations." – Charles Hatfield, Thought Balloonists

• Plug: "[Steven] Weissman's work is very often like a brain-damaged Charles Schulz... His newest book, Chocolate Cheeks, raises the stakes in a really dramatic way. I think this might be his last book in this series, but it goes out with a doozy of a book." – Paul Constant, The Stranger

• Plug: "Matt’s response to my squeeing over the announced May, 2010 publication date of Tales Designed to Thrizzle #6: 'Yes, as there were so many plots unresolved in the last issue. Who won, blimps or holes??'" – TofuPunk.com (I don't know who Matt is – ed.)

• Plug: "With new work by the likes of Johnny Ryan, Max Andersson, Sam Henderson, Stephane Blanquet, Doug Allen, Michael Kupperman, Mack White, and Jeremy Onsmith, Hotwire 3 is certain to deliver the psychic jolt it promises." – Richard Cowdry, Love the Line

• Plug: "Since Beatriz 'Penny Century' Garcia is my favorite Love & Rockets' Locas, I'm very excited to see the advance solicitation for the new soft cover Penny Century... In my opinion, the soft cover collected volumes are the best way to read Love & Rockets. They are the easiest way to follow the reading order, and with the cheap price of $18.99, you can't find a better launching point for one of the most regarded independent comics of all time. " – The Star Clipper Blog

• Analysis: Abstract Comics contributor Derik Badman posts an in-depth email discussion between himself and critic Craig Fischer about the book 

• Interview: The Daily Yomiuri's Tom Baker talks Usagi Yojimbo with Stan Sakai: "I think the first few years I really tried to make him cute and cuddly like a stuffed animal, whereas the stories tended to [take] a more dramatic turn. So I think the character has changed. Most of it's unconscious on my part." (via The Comics Reporter )

• Contest: Arrested Motion is having a drawing to give away a copy of Rock Candy: The Artwork of Femke Hiemstra along with a signed exhibit card and limited-edition giclee print!

Richard Krauss of Midnight Fiction has an excellent writeup and photos (such as the one of Al Greenier above) from the scene the Jan. 30 Newave! book launch and exhibit opening at Fantagraphics Bookstore & Gallery.

We've located the page that was reported missing from Walt Kelly's Our Gang Vol. 2. Click here to download a high quality TIF file of the image (12.8 MB) which you can print out, trim, and insert in your copy of the book. We'll also print the page in Vol. 5.

An underground comics fan and billiards lover with $30K to burn? This is for you. 

Classic Pin-Up Art of Jack Cole (Softcover Ed.)
By Jack Cole; edited by Alex Chun

104-page b&w/color 7.5" x 10.25" softcover • $18.99
ISBN: 978-1-60699-284-5

Ships in: March 2010 (subject to change) — Pre-Order Now

In the rarefied realm of classic cartoon pin-up art, nobody did it better than Jack Cole. With his quirky line drawings and sensual watercolors, Cole, under Hugh Hefner's guiding hand, catapulted to stardom in the 1950s as Playboy's marquee cartoonist, a position he held until his untimely death at the age of 43.

Jack Cole has been justly celebrated as the creator of Plastic Man and an innovative comic book artist of the 1940s (especially in Art Spiegelman and Chip Kidd’s Jack Cole and Plastic Man: Forms Stretched to Their Limits). After finishing his 14-year run on Plastic Man, he found himself looking for something new. According to Cole, his savior was the Humorama line of down-market digest magazines. This girls and gags magazine circuit proved to be the perfect training ground to regain his footing and develop his craft at single panel “gag” cartoons. His ability to render the female form was already without peer. Though he signed his cartoons “Jake,” Cole’s exquisite line drawings and masterful use of ink-wash — a skill he carried over to Playboy — betrayed his pseudonym. In comparison to his contemporaries, however, Cole was probably Humorama’s least prolific artist. Though his images were frequently used for covers, Cole’s cartoons were few and far between, with scarcely a single drawing appearing every five issues.

Along with a foreword by editor Alex Chun, this volume (originally released in a now out-of-print hardcover edition that now fetches high prices on the secondhand market) collects the best of these hidden gems, including several shot from Cole’s stunning original art. Most of these drawings have not seen print elsewhere since their original publication.

"Cole's goddesses were estrogen soufflés who mesmerized the ineffectual saps who lusted after them." – Art Spiegelman

"Jack Cole was a masterful comic book artist who helped define the golden age of his art form." – Village Voice

Download an EXCLUSIVE 10-page PDF excerpt (2.4 MB).

Video & Photo Slideshow Preview (view in new window):

Turns out Steven Weissman did his weekly strip in his mind-blowing sketchbook in the car from Portland to Seattle but couldn't get to a scanner, so I photographed it at his signing at Fantagraphics Bookstore & Gallery tonight. Left turn! (The rest of the photos from the night will follow.)

Updates of two of our three weekly strips this evening:

Whitley Strieber never imagined this in this week's The House of No by Derek Van Gieson...

...we celebrate one year of bringing you Johnny Ryan's Blecky Yuckerella with a hearty dose of WTF in this week's strip...

...and Barack Hussein Obama has the week off  since Steven Weissman is on his triumphant Northwest book tour!