Gilbert Hernandez continues his metafictional realization of the film career of his troubled heroine Rosalba "Fritz" Martinez, who abandoned her psychotherapy practice to become queen of the Z-grade exploitation movies. Now she's starring in the role she was literally born to play, in a dramatization of her own mother's life! The "true" story of Maria M. was told in Hernandez's classic Poison River, collected from the pages of Love and Rockets; this original graphic novel embodies the first part of the film version. Maria's life consorting with the underworld makes for a sordid tale of sex, drugs, violence, and power that fits right in with Fritz's other film credits.
Joe Sacco's latest book is The Great War, published by our distributor W.W. Norton. This BEAUTIFUL book is actually one large illustration 24 feet in length. Get your self this beautiful accordian folded book today and catch Sacco out on the town(s) to get it signed.
"The yarn Deitch spins around that outrageous premise includes surprisingly less of the supernatural and many more words than usual, which wrap around the panels and are carefully chosen to project the heroine's personality-that of a smart but unpretentious woman who once had an utterly fantastic adventure. Even more riveting than Deitch's other spellbinders." –Ray Olson
"the heightened emotional stakes are new: Frank's followers have watched him shrug off violent treatment with the resilience of a Warner Bros. cartoon character, but the loss of Fran seems more devastating than the worst punishment he's received at the hands of the devilish Whim."
From rock and roll rebel to revered iconoclast, Lou Reed left an indelible mark on international pop culture. His experimental work was influential beyond the standard measure of commercial success. Musician Brian Eno observed, "Only a few thousand people bought the first Velvet Underground, album, but every one of them formed a band. I should know. I was one of those people."
Reed pursued an adventurous aesthetic throughout his storied career. At the turn of this century, Reed's reimagining of Edgar Allen Poe's verse debuted as a theatrical production, POEtry, under the direction of Robert Wilson. A double album followed, with guest vocals by David Bowie, Steve Buscemi, Willem Defoe, Amanda Plummer, and Laurie Anderson. A decade later Reed and Fantagraphics Books commissioned Italian cartoonist Lorenzo Mattotti to illustrate his interpretation of The Raven.
Praise for other books in the "Fritz B-Movie" series:
"I picture Gilbert Hernandez approaching his drawing board these days like Lawrence of Arabia approaching a Turkish convoy: 'NO PRISONERS! NO PRISONERS!'" – Sean T. Collins, Robot 6
"Gilbert Hernandez is one of the great craftsmen of modern comics... Hernandez’s new Fritz book, Love from the Shadows, is as bracing as a slug of bottom-shelf rotgut...." – Douglas Wolk, The New York Times Sunday Book Review
"If alternative comics can be equated to independent film, then Hernandez has become the medium's David Lynch or Guy Maddin, rolling his personal obsessions and freewheeling abstractions into stories that present as pulp, then take some very weird turns." – The A.V. Club
"The rich emotions and passionate characters of [Gilbert] Hernandez are translated to a welcome new graphic novel, which fills B-movie situations with real drama... Hernandez takes his readers on a harrowing journey.... It's heavy stuff, but highly recommended." – Publishers Weekly
Spend the weekend with the barracuda: not only will author Kipp Friedman be reading on Monday, December 16th, but you can also catch him on Saturday, December 14th in NYC!
He'll be reading a chapter from his hilarious new memoir, Barracuda in the Attic, a moving tribute to growing up among a family of creative artists (like brothers Drew and Josh Friedman) — swept up in the whirlwind of the New York arts scene of the 1960s and '70s.
So, join Kipp after 7:00 PM at KGB Bar [ 85 E 4th Street ], named best literary venue in New York City by New York Magazine and the Village Voice!
Vacancies are available for a brand new Jim Flora art print, released just last week!
Titled Tenement K, this limited edition fine art print features residents who are bawdy, musical, criminal, and/or exhibitionistic. Doesn't matter if you're rowdy, serpentine, or headless — the landlord will rent you a room. If you were a mutant miscreant, you'd be home by now.
The previously unpublished and uncirculated work, which dates from the 1940s, is owned by a private collector who allowed them to have the work professionally photographed for print reproduction. Although the work is untitled, they have provisionally named it Tenement K to differentiate it from other untitled Jim Flora works.
Only forty prints of Tenement K were produced for this edition, so don't delay -- move in today !
A woman comes to the U.S. from Latin America to escape her shady past, only to fall into a new shady life. After a go at the adult entertainment business, Maria marries a drug lord and her dangerous past is nothing compared to her new life in America. The drug lord's son, Gorgo, secretly falls in love with her and he watches over her like a guardian angel. Danger and corruption (and of course sex) drive the first half of this love story.
Long-time Love and Rockets readers will find the storyline familiar... and that’s because, in an Adaptation-style meta twist, Maria M. is actually the B-movie film adaptation of the life story of Luba's mother Maria, as previously seen in its "real" version in the classic graphic novel Poison River (available in the Beyond Palomar collection) — starring Maria's own daughter playing her own mother.
Confused? Don't be! Maria M. works perfectly on its own terms as the kind of violent, sexy pulp tale that Gilbert Hernandez has proven so adept at these past several years, and the "source material" for the story just provides an extra layer of delight for the cognoscenti.
Austin! Tonight at Mondo Gallery from 7-9 is the opening of "It Didn't Rot Our Brains," an art exhibit in tribute to EC Comics and Tales from the Crypt! The undisputed star of the show: this brand new piece depicting Bill Gaines and the Crypt Keeper palling around by legendary TFTC artist Jack Davis! Also included: work by Jim Rugg, Chris Wright, our pals Eric Skillman and Mark Todd, and numerous others. See more sneak peeks and get more info at Collectors Weekly.
2012 Eisner Award Winner: Best Archival Collection/Project – Strips
2012 Harvey Award Nominee: Best Domestic Reprint Project
"Walt Disney’s Mickey Mouse... by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren’t necessarily plugged into comic strip history… I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers." – Leonard Maltin
"Gottfredson drew Mickey with a nosy snout and the bright eyes of an adrenalin junkie. The mouse’s diminutive size inspired Gottfredson to have the character attempt daredevil races, leaping stunts, and develop a flurry-fisted fighting style.... This beautiful volume gives the Great Rodent his humanity." – Ken Tucker, Entertainment Weekly
"From the beautifully reproduced strips to the densely packed ancillary features, this must be the book that editors David Gerstein and Fantagraphics’ co-founder Gary Groth wanted for years for their own libraries. Their enthusiasm shows in the wonderfully designed package." – Rich Clabaugh, Christian Science Monitor
"Gottfredson's strips are jammed with incident and detail, energized with a loopy energy that matches the spunky determination of Mickey himself.... The quite visible specter of the Depression and occasional dark humor, as when Mickey tries multiple times to kill himself and fails comically, only add to the sense of heroic grit." – Publishers Weekly (Starred Review)
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