On Wednesday, November 13th at 6:00 PM, the NYU School of Law presents a special panel: (Un)covering Guantanamo: Reporting On Some of the World’s Most Controversial Trials.
The Center for Human Rights and Global Justice and the ACLU are delighted to bring together a panel of speakers with unparalleled experience depicting and reporting on the U.S. military prison at Guantanamo Bay, and the military commission trials taking place there.
This distinguished group of journalists will address the challenges and opportunities of covering the most important terrorism trials of our time at an off-shore military base, discuss long-standing allegations of censorship and excessive secrecy, and consider the extent to which the United States government has succeeded (or not) in managing the public image of Guantanamo and the military commissions. They will also discuss the fates and stories of the detainees they have covered.
Join them at Furman Hall [ 245 Sullivan Street ] on the 9th Floor in the Lester Pollack Room. A valid ID and RSVP is required for admission to this event. Please RSVP to Audrey Watne at
by November 6th. This event will be followed by a brief reception.
Join us at Fantagraphics Bookstore this Saturday, October 26 from 6:00 to 8:00 PM for a festive event featuring Jim Woodring's latest batch of ODDLAND beer from Elysian Brewing. We'll taste free samples while Jim demonstrates drawing skills with his oddly giant pen. He'll also be available to sign copies of his fabulous new graphic novel Fran.
Begin your Halloween frolicking at this colorful early evening gala. Odd attire encouraged. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street in Seattle's lively Georgetown arts community. Open daily 11:30 to 8:00 PM. Sundays until 5:00 PM. Phone 206.658.0110.
"I consider [Carl Barks's comics] to be the best form of storytelling I’ve ever read. My father always made sure to leave the comics page open in the newspaper in the morning so we kids could read them. I think that without my father, I wouldn’t have ended up on the career path that I’m on." – Jeff Kinney (Diary of a Wimpy Kid), Disney Dads
"It’s probably one of the least sentimental Christmas stories around (and thus a favorite of many fans). It features an early example of Scrooge’s lack of charity, counterbalanced by his steadfast work ethic…I can’t say enough about how much I love these new Fantagraphics collections of this 'should always be in print' Carl Barks material." – Comics Worth Reading
"...master cartooning from 'The Good Duck Artist' in a nicely produced bookshelf- or backpack-ready hardcover edition... the Barks books are great comics for kids and adult fans of the medium." – School Library Journal
"At 32 pages, ['A Christmas for Shacktown'] is a sprawling epic (by Barks' standards, anyway) that hits those beautiful holiday themes of altruism and the spirit of giving. Although to be fair, it does get a little closer to cannibalism than most other Christmas comics." – Comics Alliance
"For those who do want a surefire present for the comics buff in their lives." – The A.V. Club
"We’ll just grant [Carl Barks] permanent honorary status as the best of the best, like when John Larroquette removed himself from Emmy consideration after winning four straight for Night Court... [Walt Disney's Donald Duck: A Christmas for Shacktown] once again proves Barks to be one of the finest draftsmen and storytellers we’ve ever had." – Paste
"One of comics' revered masters gets a fresh new reprinting worthy of his work and accessible to kids.... Despite the dark undertones, the comic expressions and dialogue is still laugh-out-loud funny. A wonderful project that should put Barks’s name in front of new generations of admirers." – Publishers Weekly (Starred Review)
"Even the silliest premise, when executed by an artist in perfect control of his gifts, can land with deftness and grace — that's something that strikes you again and again as you read Barks' work. And it's a lesson that won't get lost on any kid with whom you might choose to share it, which is convenient, as this collection makes a perfect introduction to one of the greatest all-ages comics artists of all time." – NPR - Monkey See
"Even now, Barks’ stories are clever and funny, as he leads the ducks into impossible situations and then gives them unexpected ways out. And they’re poignant in their own way, too.... What’s impressive about Fantagraphics’ [edition] is that it encourages both a fannish and an intellectual approach to the material." – The A.V. Club
"Barks, the artist, is a master cartoonist, drawing lively, expressive characters with a graceful sense of movement. His beautiful, detailed backgrounds plant the ducks in a fully realized world that adds weight to his storytelling.... But besides the entertaining plots, Barks’ appeal is in his characters. He gives his ducks many human frailties and while they usually try to do the right thing, they make mistakes, get angry, frustrated, and even fail. Fantagraphics Books... does its usual high quality work here as well.... For both newcomers to Barks' work and diehard fans, this is a book that any comic book reader would love..." – The Christian Science Monitor
"...the best collection series that any comic company is doing today! ... Funny, smart and just plain fun... Fantagraphics treats each and every panel on the page with care and detail." – Comics Bulletin
Join Kipp Friedman in conversation with fellow writer Jay Ruttenberg at the 2A Bar! Starting at 8:00 PM, Kipp will share stories about growing up and getting into hi-jinx on both coasts with his brothers Drew and Josh Friedman.
2A Bar is located at 25 Avenue A in Manhattan, at the corner of 2nd Street and Avenue A. Admission is free, drinks are cheap -- you shouldn't miss it!
Out the same day as in print is Fran by Jim Woodring, now out for your digital reading pleasure on comiXology. What is to become of the beloved trilobular chuckbuster Frank now that he has journeyed outside the Unifactor and met his soulmate, Fran? The answer is delivered here in devastatingly unpredictable fashion.
At 104 pages, this book is an absolute delight for $15.99 for Fans of Frank, connoisseurs of bizarre romance, and spelunkers in the radiant depths of graphic metaphysical psychodrama will want to add this singular cartoon adventure story to their lifetime reading list. Swipe yourself silly in Jim Woodring's crazy universe and fall into the Unifactor today.
"...a simultaneous prequel *and* sequel to Jim Woodring's excellent Congress of the Animals from 2011, a book which seemed to shatter the cyclical exploits of the artist's Frank universe so as to provide an ending of sorts, though surely you want to know more about that nice friend Frank shacked himself up with for the denouement" -Joe McCulloch, The Comics Journal
Scrooge McDuck is now such a fixture in the Disney universe that few remember Carl Barks had been writing and drawing Donald Duck stories for half a decade before he cooked up the miserly multiplujillionaire — for what he thought would be a one-time Christmas yarn involving Donald, the nephews, Scrooge in a bearskin, and (inevitably) a couple of real bears. "Christmas on Bear Mountain" is one of Barks's funniest holiday stories and a true landmark in comics history, and offers a fascinating look at a rough-edged, genuinely nasty character whom Barks would soon soften...
Scrooge aside, there’s plenty of other fun to be had in this volume. In "Volcano Valley" Donald and the Nephews end up stuck in Volcania, a south-of-the-border country inhabited by sombrero-wearing, siesta-addicted Volcanians. Other long-form adventures include the self-explanatory "Adventure Down Under," as well as one of Barks's most atmospheric thrillers, the West Indies-based "Ghost of the Grotto," which includes a lovely night-time sequence drawn in Barks's trademark silhouettes and a giant-octopus-vs.-hot-chili-peppers throwdown that climaxes in an explosive splash panel.
The book is rounded off with seven of Barks's hilarious 10-pagers, and as with the previous volumes, Walt Disney's Donald Duck: Christmas on Bear Mountain has been scanned from crisp vintage art and meticulously colored to match the original printing's warm, simple hues, and features abundant critical and historical notes penned by some of duckdom's finest experts.
For readers who are looking for something really special and enormously fun to give to their loved ones in this holiday season, we present, in one package, two of the best Christmas comics stories you’ll ever read: "Christmas on Bear Mountain" featuring the introduction of Uncle Scrooge (the World’s Richest Duck), and "A Christmas for Shacktown," in which Scrooge loses his entire fortune even as Donald Duck and his nephews try to bring some Christmas cheer to the suffering children of Shacktown.
But that's only the beginning! In these twin volumes, you'll find page after page after page of intrepid quests, daring adventures, and breathtaking escapes. Readers of all ages will be spellbound by these timeless classics — with their engaging plots, clever humor, and heartwarming themes. In all, these two books provide nearly 400 pages of full-color comics!
A double dose of Disney's Donald Duck! A thoughtful, memorable, can’t-miss special Christmas item — at a very special price — handsomely presented in an inviting gift box set that will delight readers of any age.
...is just what you'll say when you check out this latest art exhibit at the Kohler Arts Center in Sheboygan, Wisconsin!
The AAIEEE! exhibition transcends the comic book of times past and reiterates how potent imagery can be. It presents works by emerging and established comic book artists like our own Lilli Carré (whose work is shown above) and Gary Panter, alongside Chris Ware, Souther Salazar, Karl Wirsum and the Chicago collective, Trubble Club. AAIEEE! is part of The Open Eye, a collection of shows around Ray Yoshida's work, collections, and influence.
AAIEEE! runs through February 16, 2014. The Kohler Arts Center is located at 608 New York Avenue in Sheboygan, situated along Interstate 43 in east central Wisconsin.
“If you get a title that catches on, then add a few more, you’re in for a nice profit.”
“No other field of endeavor is so populated with the get-rich-quick boys.” — Literary Digest
“[Martin Goodman] used to split my salary up into six different checks.”
“The guys who published were monsters.”
— Vince Fago, Timely Comics editor-in-chief
“We want plenty of sex, horror, and gore.” — Gene Fornshell, a Goodman editor
“I felt that we were a company of copycats.” — Stan Lee
Fans and the public have historically labored under three false impressions about Marvel Comics. First, that there actually was a comic book company named “Marvel” for its first 30 or so years. Second, that Goodman founded the company to produce comic books. And third, that star artists Steve Ditko and Jack Kirby — who famously quit the company in late 1965 and 1970 respectively — did so solely as a result of their clashes with editor Stan Lee.
All of those popular beliefs are factually incorrect. Martin Goodman formed the company that would one day become Marvel Comics in 1933 — six years earlier than is commonly supposed. And he formed it, really, to sell magazines. Cheap magazines. Cheap magazines printed on cheap paper. And “it” wasn’t just one company. Oh, and Ditko’s and Kirby’s beefs were more with Goodman than with Lee (more on that later).
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!