Provocative American Cartoonist and Animator Dash Shaw at Fantagraphics Bookstore
April 4, 2013 - Seattle, WA. The experimental work of accomplished contemporary cartoonist and animator Dash Shaw will be featured at Fantagraphics Bookstore & Gallery with an exhibition opening Saturday, April 13 from 6:00 to 9:00 PM, followed by a film screening, discussion, and book signing on Saturday, May 4 at 6:00 PM.
Shaw is the creator of several highly regarded comix and graphic novels including Bottomless Belly Button in 2008. Among the critical acclaim, New York Magazine observed "Bottomless Belly Button has become the graphic novel of the year, combining youthful exuberance, sage storytelling, and visual experimentation." The artist followed that success with The Unclothed Man in the 35th Century A.D., a collection of short stories combined with documentation of his dazzling animated shorts for IFC.com.
"Dash Shaw: Stories" at Fantagraphics Bookstore includes 14 original artworks. The opening on April 13 will mark the debut of his recent comic book collection 3 New Stories from Fantagraphics Books. This event coincides with the lively Georgetown Art Attack featuring challenging visual and performing arts throughout the historic neighborhood.
The artist will appear on Saturday, May 4 at 6:00 PM to discuss his work and screen animated short films including Seraph, which premiered at the recent Sundance Film Festival. He'll sign copies of another new Fantagraphics title, New School, an ambitious hardcover graphic novel. May 4 also marks Free Comic Book Day, a national promotion intended to expose new audiences to the joys of comix. Fantagraphics Bookstore will issue an exclusive 16-page minicomic featuring local cartoonists including Max Clotfelter, Eroyn Franklin, Kelly Froh, Aidan Fitzgerald, Ben Horak, David Lasky, Tim Miller, Pat Moriarity, Marc Palm, Darren Schuler, James Stanton, Tom Van Deusen, Max Woodring and more. Free to the first one hundred patrons.
DASH SHAW: STORIES Opening Saturday, April 13, 6:00 to 9:00 PM Exhibition continues through May 8, 2013
Friday, April 19, 7:00 PM Lucy Knisley presents Relish: My Life in the Kitchen Reading, book signing, and tasting
Saturday, May 4, 6:00 - 8:00 PM Dash Shaw screening animated shorts and book signing May 4 is Free Comic Book Day. Drop by for an exclusive minicomic by local cartoonists
BAM, BeerAndMovie Fest, returns for its 4th year in the Portland market. Sponsored exclusively by Ninkasi Brewing and Fantagraphics Books, BAM takes place April 5-11 at the Academy Theater, and April 5-May 2 at the Laurelhurst Theater. Sexy Time editor Jacques Boyreau tells you why you need to be there:
With BAM (BeerAndMovie) in its 4th year, can BAB (BeerAndBook) be far off? Let's hope it ain't! If the alignment design (by Olga Lopata) between Fantagraphics Books and Ninkasi Brewing that adorns our marquee is any omen, expect BAB soon.
Back to BAM...as the info posits, we got some cool movies ready to go. Speaking to the mosh of BAM, what fest has ever existed that so neatly connected ANNIE HALL with THE DUELLISTS (portraits of obsession); or HARD BOILED with PATHS OF GLORY (studies of body counts); or WHERE EAGLES DARE with STARSHIP TROOPERS (paragons of WW2 fetish); or ROAD HOUSE with KELLY'S HEROES (macho magical realism meets feminine absurdity). Yes it is so---BAM occupies the most potentially integrated, schizoidal zone of Pop Rep Cinema known to man or venue...Zoinx! All you need do is recall that in our first year we paired BRING ME THE HEAD OF ALFREDO GARCIA with ADVENTURES IN BABYSITTING.
The Academy series comprises 4 titles showing every day, April 5-11: ANNIE HALL (1977), STARSHIP TROOPERS (1997), ROAD HOUSE (1989), and HARD BOILED (1992). All Academy titles are on 35mm film.
The Laurelhurst series runs 4 consecutive weeks, with each title playing for the whole week: April 5-11 WHERE EAGLES DARE (1968), April 12-18 PATHS OF GLORY (1957), April 19-25 KELLY'S HEROES(1970), April 26-May 2 THE DUELLISTS (1977). All Laurelhurst titles are digital prints.
So sit your butts in some seats for sweet films and win some Fantagraphics books while you're there! Brew Views says "it’s still a great excuse to gather with a group of friends, the Swayze and some giant bugs for a beer—or six." There's even an art contest called "Interpreting Patrick Swayze" going on during the fest. Wanna draw the Swaze? You can turn in your art in the theater during any show or email it directly to
. Here are some of early entries:
Tim Colley captures the Road House homoeroticism between Swayze's "Dalton" character and the mysteriously named "Jimmy" (played by Marshall R. Teague).
Tim Colley channels The Swayze in sensitive black and white.
Colley goes "meta" with this Swayze-as-tat piece.
Academy Theater 7818 SE Stark Street Portland, OR 97215 503.252.0500
Laurelhurst Theater 2735 East Burnside Street Portland, OR 97214 503.232.5511
The Year of Gilbert Hernandez begins with a bang with Julio's Day, now available via comiXology. Or truth be told it begins in the year 1900, with the scream of a newborn. It ends, 100 pages later, in the year 2000, with the death rattle of a 100-year-old man. The infant and the old man are both Julio, and Julio's Day (originally serialized in Love and Rockets Vol. II but never completed until now) is Hernandez's latest graphic novel, a masterpiece of elliptical, emotional storytelling that traces one life - indeed, one century in a human life - through a series of carefully crafted, consistently surprising and enthralling vignettes.
This singular, standalone story released this week both digitally and in print will help cement Gilbert Hernandez's position as one of the strongest and most original cartoonists of this, or any other, century. And you can read it anyway via your tablets thanks to comiXology.
"A haunting performance and about as perfect a literary work as I've read in years. Hernandez accomplishes in 100 pages what most novelists only dream of — rendering the closeted phlegmatic Julio in all his confounding complexity and in the process creating an unflinching biography of a community, a country and a century. A masterpiece." – Junot Díaz
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
104-page black & white 7.5" x 10.75" hardcover • $19.99 ISBN: 978-1-60699-606-5
"This is the second major book for Gilbert Hernandez in what may be seen as his year, a changes-the-way-you-view-it collection of a recent… serial…Gilbert Hernandez can do it all." –Tom Spurgeon, Comics Reporter
164-page full-color 10.25" x 13.25" hardcover • $45.00 ISBN: 978-1-60699-530-3
"Guy Peellaert was to Europe what Andy Warhol was to America — except Guy had more talent!" – Jim Steranko
"Lusciously designed flat color patterns and a dizzying forced perspective reminiscent of Matisse and Japanese prints. Graphically, Jodelle sets a new record in comic-strip sophistication." – New York magazine
344-page black & white 8.5" x 7" hardcover • $28.99 ISBN: 978-1-60699-634-8
"the time period when Schulz moved into three-panel dailies on a more regular basis. It comes in the second half of the book, and it's jarring at first -- you realize just how much of Peanuts' unique energy came from Schulz's ability to shape his characters' dialogue through silences, false starts and awkward points of discussion." –Tom Spurgeon, Comics Reporter
Here's our latest batch of newly-minted books and it's a heavy-hitting group! They're all in stock and shipping now.
For fans of the classics we have the third and fourth books in our EC Comics Library series, featuring artwork by Jack Davis and Al Williamson, plus our astounding career-spanning book of B. Krigstein's comic work. If you like Pop Art graphics, sexy satire and absurd adventure you'll love our new definitive edition of Guy Peellaert's long out of print classic. The new graphic novel by Gilbert Hernandez is a major work by a comics genius. We've got the 19th (!) volume of The Complete Peanuts, still hilarious after all these years! Plus reprints of books collecting work by Charles Burns & Robert Crumb -- you might've heard of those guys.
Remember, our New Releases page always lists the 20 most recent arrivals, and our Upcoming Arrivals page has dozens of future releases available for pre-order.
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Order one of our EC Comics Library volumes and receive the Jack Davis's Tales from the Crypt Halloween mini-comic shown here as a FREE bonus! Limit one per customer while supplies last.
Barely old enough to drink when he joined the EC Comics stable, Al Williamson may have been the new kid on the block, but a lifetime of studying such classic adventure cartoonists as Alex Raymond (Flash Gordon) and Hal Foster (Prince Valiant) had made him a kid to reckon with — as he proved again and again in the stories he created for EC's legendary "New Trend" comics, in particular Weird Science and Weird Fantasy.
As a result of Williamson's focus, it's possible to compile all of Williamson's "New Trend" EC work into one book — which Fantagraphics is finally doing here. Sci-fi aficionados should note that although most of the stories were written by Al Feldstein, 50 Girls 50 features three of EC's legendary Ray Bradbury adaptations, including "I, Rocket" and "A Sound of Thunder" — and a unique curiosity, a strip adapted from a short story submitted by a teen-aged Harlan Ellison.
Williamson ran with a gang of like-minded young Turks dubbed the "Fleagle Gang," who would help one another out on assignments. Thus this book includes three stories upon which Williamson was joined by the legendary Frank Frazetta, and one story ("Food for Thought") where Roy Krenkel provided his exquisite alien landscapes, to make it one of the most gorgeous EC stories ever printed. As a supplementary bonus, 50 Girls 50 includes three stories drawn by Fleagles sans Williamson: Frazetta's Shock SuspenStories short "Squeeze Play"; Krenkel's meticulous "Time to Leave"; and Angelo Torres's "An Eye for an Eye," an EC story that famously fell prey to censorship and was not released until the 1970s. As with other Fantagraphics EC titles, 50 Girls 50 also includes extensive story notes by EC experts.
With its pitch-perfect blend of laughs, terror, and gore, as delineated by some of the finest cartoonists to ever draw a rotting, reanimated corpse, Tales from the Crypt (1950-1955, R.I.P.) remains the quintessential horror comic of all time.
And no cartoonist better encapsulated the grand-guignol spirit of Tales from the Crypt than Jack Davis, who, even at the earliest stage of what would become a six-decade career, possessed a level of skill that would elude most other cartoonists during their lifetimes. His maniacs were more homicidal, his victims more terrified, his dismemberments bloodier, and his werewolves more feral than anyone else's.
'Tain’t the Meat... It's the Humanity and Other Stories collects all of Davis's Tales from the Crypt classics, from EC's wicked revenge fantasies ("The Trophy!" and "Well Cooked Hams!") through the outright supernatural (the voodoo yarn "Drawn and Quartered!" and "Concerto for Violin and Werewolf") to the origin of the Crypt-Keeper ("Lower Berth") — and the legendary splatter gross-out of the title story.
This volume also includes biographical notes and essays, and an ultra-rare EC bonus: Davis's completely redrawn 3-D version of "The Trophy!" — back in print for the first time since its original appearance 60 years ago (and for the first time in regular, easy-on-the-eyes 2-D).
"...I have a spot in my heart for Jack Davis. I mean, that guy just makes me laugh. Even when he's drawing a gross-out, he just makes me laugh. I love his shoes, the way he draws shoes, and knuckles... there's just something about Jack Davis' stuff that blows me away." – George A. Romero
Ensconced in the avant-garde of the extraordinary social and cultural upheavals that were drawing 1960s Europe into the building wave of postmodernism, a Belgian advertising dropout, fed up with the corporate world, conceived the first "adult comic book" virtually off the top of his head.
By creating The Adventures of Jodelle, a deluxe comics album that wore its revolutionary Pop sensibility on its sleeve, Guy Peellaert obliterated the conventions of what had up to that point been a minor, childish medium. Ironically appropriating the face and body of the teen idol Sylvie Vartan, he fashioned a new kind of heroine, a sensual, parodically beautiful spy. For his setting he chose a defiantly anachronistic Roman Empire, into which irrupted the most flamboyant symbols of a conquering America, the originator of all fantasies.
Every page of this fascinating saga features a flood of topical references and in-jokes, operating playfully on the border that separated so-called "high" and "low" cultures. Peellaert drew from the most exciting stimuli of his time, subjecting them to his powerful formal innovations: Pop Art, extreme fashions, strident advertising, shock graphics, and cinematic techniques all collided in virtuoso compositions of extreme sophistication, whose inspirations ranged from classical paintings to Gottlieb pinball machines.
Published to thunderous acclaim in France in 1966 and then throughout Europe and in the U.S., Jodelle was an instant classic, whose influence would spread far beyond the confines of comics. It also triggered Guy Peellaert's "Pop Period," a creative whirlwind marked by his 1967 creation of PRAVDA, an unforgettable character that has since been acknowledged as a major component of the European Pop movement.
Completely remastered and featuring a new translation, this long-awaited reprinting of The Adventures of Jodelle is accompanied by an 80-page, lushly-illustrated textual supplement created in partnership with the artist's estate which traces the creative path travelled by this maverick artist, who multiplied his chosen means of expression, skipping from comics to cinema and moving through fashion, periodicals, and television, including collaborations with many of the great figures of mythical 1960s-era Paris, from Serge Gainsbourg to Yves Saint Laurent.
From the creator of the 2005 hit graphic novel Black Hole and the recent trilogy X'ed Out, The Hive and Sugar Skull comes this new softcover edition of his other masterpiece of modern horror. Big Baby is a particularly impressionable young boy named Tony Delmonte, who lives in a seemingly typical American suburb until he sneaks out of his room one night and becomes entangled in a horrific plot involving summer camp murders and backyard burials. Burns' clinical precision as an artist adds a sinister chill to his droll sense of humor, and his affection for 20th-century pulp fiction permeates throughout, creating a brilliant narrative that perfectly captures the unease and fear of adolescence.
Another fascinating collection of early work from one of America's most original, trenchant, and uncompromising artists. "Some More Early Years of Bitter Struggle" features several key stories from Crumb’s pre-underground, homemade comics of the early 1960s (such as Farb and Arcade), with stories featuring early Crumb characters Fritz the Cat, Jim, Mabel, and Little Billy Bean. It also includes "Roberta Smith, Office Girl," Crumb's charming 4-panel strip for the American Greetings employee newsletter; a full-color section of cover illustrations; copious reproductions from Crumb's sketchbooks; and more of the biographical introduction by Crumb confidant Marty Pahls.
1989 Harvey Award Winner, Best Domestic Reprint Project
So what do we have for Peanuts fans this time around?
An ill-considered attempt at flirting sends Charlie Brown to the school doctor... Linus's ongoing romance with the too-young "Lydia" of the many names continues... Snoopy is joined in the trenches by his brother Spike... Sally engages in a career as a playwright by penning the school Christmas play but mixes up Gabriel and Geronimo... A hockey mishap sends Snoopy to the doctor for knee surgery, in a (clearly autobiographical) sequence that lasts only until everyone figures out that dogs don’t have knees... Linus and Lucy’s kid brother Rerun begins to take on the greater role that will lead to him being one of the dominant characters in the 1990s... and Snoopy, inevitably, writes a "kiss and tell" book.
As we reach the 19th (!) book in this epochal, best-selling series collecting arguably the greatest comic strip of all time and head toward the end of the 1980s, Charles Schulz is still as inventive, hilarious, and touching as ever... and this volume even features a surprise format change, as the daily strip switches from its trademark four-square-panels format to a more flexible one-to-four-variable-panels format which, along with Schulz's increased use of gray tones, give this volume a striking, distinctive look.
This volume's introduction is by a fellow comic strip legend, Doonesbury creator Garry Trudeau.
It begins in the year 1900, with the scream of a newborn. It ends, 100 pages later, in the year 2000, with the death rattle of a 100-year-old man. The infant and the old man are both Julio, and Gilbert Hernandez’s Julio’s Day (originally serialized in Love and Rockets Vol. II but never completed until now) is his latest graphic novel, a masterpiece of elliptical, emotional storytelling that traces one life — indeed, one century in a human life — through a series of carefully crafted, consistently surprising and enthralling vignettes.
There is hope and joy, there is bullying and grief, there is war (so much war — this is after all the 20th century), there is love, there is heartbreak. While Julio’s Day has some settings and elements in common with Hernandez’s Palomar cycle (the Central American protagonists and milieu, the vivid characters, the strong familial and social ties), this is a very much a singular, standalone story that will help cement his position as one of the strongest and most original cartoonists of this, or any other, century.
Working in comic books for just over a decade in the 1940s and '50s, Bernard Krigstein applied all the craft, intelligence, and ambition of a burgeoning "serious" artist, achieving results that remain stunning to this day. While his legend rests mostly on his landmark narratives created for EC Comics, dozens of stories for lesser publishers equally showcase his singular draftsmanship and radical reinterpretation of the comics page.
Harvey and Eisner Award-winning Krigstein biographer Greg Sadowski has assembled the very best of the artist’s work, starting with his earliest creative rumblings, through his glory days at EC, to his final daring experiments for Stan Lee’s Atlas Comics — running through nearly every genre popular at the time, be it horror, science fiction, war, western, or romance.
This edition reprints the out-of-print 2004 hardcover B. Krigstein Comics, with a number of stories re-tooled and improved in terms of reproduction, and several new stories added. Legendary EC colorist Marie Severin, in her last major assignment before her retirement, recolored 20 stories for this edition. The remainder has been taken from printed comics, digitally restored with subtlety and restraint. Original art pages, photostats from Krigstein's personal archives, and an extensive set of historical and editorial notes by Sadowski round out this compelling volume.
• Seattle, WA:Well, read the sign! Jen Vaughn, our most marvelous Marketing/PR/Outreach Fiend, is teaming up with her best friend Nomi Kane for a comics art show at Chocolati Cafe [ 1716 N. 45th Street ]. Join them for the opening reception tonight from 6:00 to 8:00 PM, but even if you can't, you'll still have until Friday, May 3rd to see their exhibit! (more info)
• Brooklyn, NY: It's your last day to check out A Little Knotty, an art show by our own Dave Cooper showing at the Cotton Candy Machine! Take in the original watercolored drawings, inkings, new prints and fun merchandise while you can! (more info)
• New York City, NY: And it's your last day to visit us at MoCCA, at tables B64, B65, C80, C81 -- right in front as you walk through the main entrance! (more info)
Graham Chaffee created a special companion short story for his new graphic novel Good Dog, titled Bad Dog, just for us! We're happy to make it the latest addition to our FBI•MINI series of free bonus minicomics. Order Good Dog from us (or $50 worth of other merchandise) and you can get Bad Dog for free! (It will also be included with the digital edition of Good Dog on comiXology when it's released there in May.)
Bad Dog stars Kirby, bulldog buddy of Good Dog star Ivan, in his very own adventure! Escaping from his yard, he travels far and wide, makes a new pal, and gets into some fur-raising scrapes. It's a charming, action-packed, wordless story with some surprising twists.
In 1984, 17-year-old Ulli and her friend Edi spent several eventful months on a trip from Vienna to Sicily. By turns exhilarating and harrowing, their journey is told with uncanny recall, lucid observation, and emotional honesty. Lust's cartooning is evocative, detailed, and punctuated with expressionistic outbursts.
"Ulli Lust really nails my favorite part of storytelling. Bumming cigarettes, learning how to hitchhike - the small details that create great character." – Jaime Hernandez
The 464-page book will debut at MoCCA Fest next week, and we'll also have copies — and Ulli herself! — at TCAF in May! It should be on shelves in stores about 2 months from now. You can get it a bit sooner by pre-ordering direct from us, and in the meantime you can take a test drive with our 30-page excerpt.
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