We've recently had some new blood join our satanic circle in comics and are proud to highlight them. Meet Anna Pederson, badass at large currently at the warehouse who started back in January but was also an intern back in 2012!
What other jobs and experiences have you had in the comics industry? Fantagraphics was my first comic industry initiation when I did a stint as an editorial intern my senior year of college. After moving to New York, I did another internship with the Comic Book Legal Defense Fund (CBLDF), because this industry is a labor of love, and you have to work really hard for free for a while. In NYC I also did my first retail work with Forbidden Planet, which honestly is one of the most informative areas of comic book publishing.
When the West Coast called me back home, I bummed around for a few months on the internet writing reviews for blogs and retailers, until Fanta found me in a ditch and brought me back into the fold.
What was the first comic you read? I think I've been reading newspaper comics since I could read, even the creepy weekday ones that talk about work place sexual harassment (I'm looking at you, For Better or for Worse). But then it was a gradual slippery slope into manga with Toriyama and Otomo, and mostly Vertigo titles, like Hellblazer, by high school. I was always an art fan, so without realizing their comic book ties, I was a fan of people like Moebius, Barry Windsor-Smith, andJack Davis. These dudes expanded my reading and visual tastes for the better.
What was the first comic that made you want to write, react, something? I've always enjoyed comics, but I think I'd be lying to myself if I thought it was anyone but Brandon Graham that made me feel like the worlds he created were visceral, and existed beyond storytelling purposes. I think I got my hands on King City sometime in high school, and I hope this makes him feel old. His street/graffiti, Japanese, Moebius style wraps my head in a blanket and tucks me in at night, while simultaneously fulfilling my need for sexy puns. The best of both worlds if you ask me.
Anna's Brandon Graham tattoo of Earthling J.J. Catingsworth the Third, photo Robin McConnell What can you recommend to Fanta readers? A book I picked up completely at random, but fell completely in love with has been Things Just Get Away From You by Walt Holcome. His whimsical and classic cartooning style often feels like how Pogo would read if all those characters grew up to be slightly dejected about society. But throughout his stories, Holcome hits on distinctly profound moments of love, childhood, and chasing dreams.
But I'm also really really excited for the release of Nijigahara Holograph by Inio Asano. It's everything that drew me into comics; horror, intense detail, magical realism. Love it.
Weirdest Fanta experience so far? I think this place used to be a lot weirder than how I found it. At least according to all the stories I've heard from legacy employees. I do remember once talking about whether or not plants would grow better with the nutrients of menstrual blood. But I'm probably the only one who remembers that, so who's the weird one now?!
I remember that conversation well, Anna. What's your favorite way to wind down? I love to bake. Cookies, pies, etc. Ask Kristy Valenti (Fanta editor) and she'll probably regale you with stories of my pies. I also sing a lot, mostly show tunes. Alienating one coworker at a time listening to Cabaret. Which shouldn't be hard to do since I only have one coworker.
What's your favorite drink? Whiskey. In my experience, if you work in comics you either drink whiskey or nothing at all. So chose wisely.
What projects do you have ahead of you outside of your job? The past couple of years have been spent on a pet project with local artist Josh Heath. It's probably one of those 'will never see the light of day' things, but you can't stop working on it either; quantity creates quality. I still write weekly columns about new comics coming out and why you should buy them, along with awesome preview videos hand made at Zanadu comics. But long term, my dream would be to curate and produce at least one multi-artist book, which is kind of the like the nerd idea of a fantasy team.
What's the best part of comic conventions? Conventions can be stressful, but I honestly love talking to people who are genuinely curious about the books you're trying to sell. They usually have a lot of enthusiasm, and are wiling to let me sell them amazing and weird books that hopefully makes them appreciate the unconventional, and become a reader for life. I sell people what I believe in.
Thanks again for answering the questions, Anna! More to come from the office monkeys soon.
Not pictured: Eric Reynolds, Mike Dean, Preston White, Paul Baresh, Anna Pederson, Larry Reid, TJ, Janice Headley, Dave Holmes, Jacob Covey, Matt Silvie and Dean. Our smooshed spiders-everywhere-in-the-trees-oh-god outtake.
A lovely book filled with depraved, degenerate art and the colorful story of the man who made it, Pirates in the Heartland: The Mythology of S. Clay Wilson Vol. 1 is due out in about 2 months, and we've got our advance copies to begin showing off. Above, one of the only borderline-SFW comics spreads we can show you from the book, and the beginning of a middle chapter of this volume's part of the biography by underground comix historian Patrick Rosenkranz, who also compiled the comics. This book is An Event and we're excited to get it out into the world! You can check out some excerpts and reserve your copy right here.
Love takes many shapes and shades in The Complete Peanuts 1991-1992. Charlie Brown's interest in the Little Red-Haired Girl is rekindled; Linus fails to impress Lydia; Sally hoorays for Hollywood; Marcie pines for the World War I Flying Ace, who becomes lost in his cups (of root beer); Peppermint Patty and Marcie try to make Charlie Brown choose between them; and Snoopy is dangerously obsessed... with cookies.
144-page full-color 6" x 9" softcover • $19.99 ISBN: 978-1-60699-745-1
"Pete Bagge created a generational icon who I grew up with, and continued to grow up with even after I was a grown up. This book collects the last thirteen years of Buddy's life - and keeping up with him is like keeping up with an old pal from college who, while you still don't see them as often, you still miss dearly, and are always surprised at how much your life and theirs still overlap." -Benn Ray,Atomic Books
"[Buddy Bradley] attacks modern, and more adult-oriented, social trends-MILFs, recessions, mortality-with the same critical skill and wit he brought to the grunge era. For those of us who've accepted these stories piecemeal over the past dozen years, it's nice to seem them joined together." –Christopher Arnott, Below the Fold
112-page black & white 9" x 11.25" hardcover • $19.99 ISBN: 978-1-60699-729-1
"...it's maybe the best comic I've read all decade...A beautiful, humane, masterfully executed comic." –Tom Spurgeon,Comics Reporter
"Being a collected edition of Jaime Hernandez's hugely-appreciated climax-of-sorts to his ongoing chronicles of erstwhile romantics Maggie and Ray...IT'S THE SEASON FINALE OF LOVE AND ROCKETS." –Joe McCulloch, The Comics Journal
832-page four-volume hardcover 7.5" x 10.5" x 4" slipcased box set • $94.99 ISBN: 978-1-60699-728-4
"I'm kind of hooked on the black and white author-oriented Fantagraphics volumes because they force me to reconsider artists that I power past when they're collected in a format resembling the original comics..." –Tom Spurgeon,Comics Reporter
The Complete Peanuts: 1950-1952 launches the definitive collection of Charles M. Schulz's masterpiece, introducing the strip's beloved characters — Lucy, Schroeder, Snoopy, Linus, and, of course, Charlie Brown.
"Charles Schulz was an innovative genius of American comics and also the marathon man, drawing strip after strip, writing the storyboards for the TV specials, creating a fantasy world that connected kids as well as adults, and all based on powerful iconic characters who express deep feelings of loneliness and resentment and despair." - Garrison Keillor, from his introduction
"Horror is a peculiar and particular flavor of dis-ease. The body does not respond to it as it does to fear, with the urge toward fight of flight; instead, horror washes over you and lingers, reminding you that all is not as it should be in the world," writes Silke Tudor.
In Issue 31 of Hi-Fructose, Al Columbia is featured in a special matte paper insert featuring paintings, illustrations and some comics found in Pim and Francie, published by Fantagraphics in 2009. Columbia's dark hallways and candy-coated big-eyed children create the perfect landscape to lose yourself and your own mind in.
Founder and Editor-in-Chief 'Attaboy' says. "It's the layers of drawings and tracings atop half finshed thoughts, tear outs and revisions filled with obsessive detail that turns us into the shamless voyeaurs to what appears to be true madeness. We invite you to join us there."
Seattle cartoonist Peter Bagge, one of the founding fathers of the alternative comix movement, returns with another chapter in the continuing saga of his signature character, Buddy Bradley. Fantagraphics Bookstore & Gallery celebrates the publication of Buddy Buys a Dump with a show of original drawings, a book signing, and music performance on Saturday, May 10 from 6:00 to 8:00 PM.
Peter Bagge’s Hate has chronicled the misadventures of Buddy Bradley and his crew of lovable losers since the formative period of the grunge era. His observations went beyond satire to help define the attitude and aesthetics of the most significant youth movement of the 1990s. Buddy Buys a Dump is the third collection of Buddy stories from Bagge’s Hate comic book serial. It contains material from the last nine issues of Hate Annual and completes the current story arc with a new twenty-page conclusion.
The opening reception features a display of original art from the book. Bagge will be present to sign copies of recent publications. Musical entertainment will be provided by Seattle singer-songwriter Kelli Frances Corrado at 7:30 PM. This event coincides with the colorful Georgetown Art Attack featuring visual and performing arts presentations throughout the historic arts community. Don’t miss this opportunity to celebrate an impressive work by one of America’s most important and influential cartoonists.
Peter Bagge: BUDDY BUYS A DUMP art show and book signing Saturday, May 10, 6:00 to 8:00 PM. Music by Kelli Frances Corrado Exhibition continues through July 9, 2014 Fantagraphics Bookstore & Gallery 1201 S. Vale Street Seattle, WA 98108 | 206.658.0110 Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM
"Millionaire's Sock Monkey comics feature a pair of stuffed toys...who dwell in a large Victorian mansion with their young owner, Ann-Louise…Millionaire's old-fashioned, lushly delicate drawing style is the ideal vehicle for these faux-nostalgic tales, which frequently end in devastation or take a disconcertingly dark turn....While the Sock Monkey strips bear a surface resemblance to classic children's comics, their actual audience is adults who fondly recall the comics of their youth but now require edgier fare." - Gordon Flagg, Booklist
How did a nervous, creative kid from a normal family in Nebraska grow up to make some of the most outrageous, transgressive, Id-ful comics ever put to paper? You'll find the answer — and the comics — in Pirates in the Heartland, the first book in our 3-volume biography and retrospective of S. Clay Wilson by Patrick Rosenkranz. Wilson, of course, is a member of the Zap Comix collective and creator of the Checkered Demon; Rosenkranz is one of the preeminent authorities on underground comix and the author of the definitive history of the genre, Rebel Visions. Their mighty powers combine in this essential series that takes an unflinching look at the man and his work.
In our downloadable excerpt, read about Wilson's childhood in the heartland, see some of his youthful artwork, and read some of his earliest underground comix stories with, yes, pirates. Expected availability is in about 8 weeks, give or take;pre-sale is on now!
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