Friends and family, gather 'round! Ed Piskor is coming to your neighborhood! Ed's coming and his gaggle of comics to Philadelphia and Brooklyn.
SATURDAY, August 16th Piskor will be signing copies of Hip Hop Family Tree Volume 1, Volume 2 and the box set at Locust Moon Comics at 7pm.
SUNDAY, August 17th at 7pm, you can find Piskor at Bergen Street Comics in conversation with rapper Reggie Ossé (also known to many of you as Combat Jack)! Can't imagine how cool that would be? Well check out this video from the Chicago Ideas conference as a little pre-game action.
At both signings, Ed's pal and stellar cartoonist Tom Scioli will also be present signing copies of IDW's Transformers VS G.I. Joe.
Part trash zine, part essay, and part exhibition, SuperTrash is Jacques Boyreau's latest curation of multimedia objects—movie posters, comic strips, illustrations, collages, and more—exploring the relationships between and interplay of art and trash.
The beautiful people at the Billy Ireland Cartoon Library and Museum are hosting a lovely evening with the mad Maakies creator, Tony Millionaire. Beginning at 7 pm in the Jean and Charles Schulz Lecture Hall on the Ohio State University campus. Tony will be in conversation with the library's engagement coordinator, Caitlin McGurk, discussing the only two things worth discussing, life, and cartooning.
Millionaire's breadth of work has spanned many years, through many mediums. From original syndicated title Maakies, to the well beloved Sock Monkey series, and the Cartoon Network Adult Swim show, "The Drinky Crow Show". The recently released Sock Monkey Treasury collects the wonderfully victorian-stylized adventures of Uncle Gabby and Mr. Crow in their first complete book.
Don't miss this chance to hear a unique journey, from a unique man, whose influence can be felt in almost all aspects of our culture. This event is also wonderfully FREE and OPEN to the public!
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
224-page black & white/color 7.75" x 11" hardcover • $29.99 ISBN: 978-1-60699-752-9
"Jim Woodring is one of our greatest cartoonists, and these are some of his greatest comics. There are two or three potential top 25 all-time comics shorts in here." -Tom Spurgeon, Comics Reporter
"Fantagraphics hardcover collection of Jim Woodring's personal, allegorical and autobiographical comics from the '80s & '90s, works which proved very mind-expanding to me, personally, through their treatment of conscious and subconscious realities as equally pertinent to funnybook memoir. Some of them are also really, REALLY funny - proper ‘alternative comics'-era classics in here!" –Joe McCulloch, The Comics Journal
Book 2 covers the early years of 1981-1983, when Hip Hop has made a big transition from the parks and rec rooms to downtown clubs and vinyl records. The performers make moves to separate themselves from the paying customers by dressing more and more flamboyantly until a young group called RUN-DMC comes on the scene to take things back to the streets. This volume covers hits like Afrika Bambaataa’s “Planet Rock,” Grandmaster Flash and the Furious Five’s “The Message,” and the movie Wild Style, and introduces superstars like NWA, The Beastie Boys, Doug E Fresh, KRS One, ICE T, and early Public Enemy. Cameos by Dolemite, LL Cool J, Notorious BIG, and New Kids on the Block(?!)! Featuring an introduction by Wild Style director Charlie Ahearn.
Megg is a depressed, drug-addicted witch. Mogg is her black cat. Their friend, Owl, is an anthropomorphized owl. They hang out a lot with Werewolf Jones. This may sound like a pure stoner comedy, but it transcends the genre: these characters struggle unsuccessfully to come to grips with their depression, drug use, sexuality, poverty, lack of work, lack of ambition, and their complex feelings about each other in ways that have made Megg and Mogg sensations on Hanselmann's Girl Mountain Tumblr. This is the first collection of Hanselmann's work, freed from its cumbersome Internet prison, and sure to be one of the most talked about graphic novels of 2014, featuring all of the "classic" Megg and Mogg episodes from the past five years as well as over 70 pages of all-new material.
Linus and his wait for the Great Pumpkin have been a pop culture touchstone for nearly 50 years thanks to the animated television special ("I got a rock"), and it all started in the classic Peanuts strips from 1959-1962 collected in this affordable, fun-sized gift book. Linus's belief and proselytizing that on Halloween, the Great Pumpkin rises from the pumpkin patch and travels the world bringing presents to good little girls and boys are laughed at by Charlie Brown, derided by his sister Lucy, met with skepticism by baby Sally, and even causes "denominational squabbling" over who's better, the Great Pumpkin or Santa Claus. Year after year, Linus faces his persecution and inevitable disappointment with either blind faith or Quixotic perseverance. Charles M. Schulz's homage to the power of idealism and belief makes these some of the most beloved comic strips of all time.
Whimsical, sensitive, and earthly real, cartoonist, Eleanor Davis achieves a level of quiet poignancy throughout this collection of comics and short stories that leaves the reader wondering, "how did she know?".
Pick up one of the most important books of the year, and head over to Bizarro-Wuxtry to say "Hi!" and other pleasantries.
"Though Watson illustrates Tammy’s life in excruciating, embarrassing detail to often-hilarious effect, her clear affection and empathy for her subject shines through. She universalizes Tammy’s experiences, taking us back to relive our own tortured, giddy, deadly serious, horny, boring, and horribly self-conscious teenage years." – Robert Kirby, The Comics Journal
"This is exactly what summer blockbusters should be, only Milburn’s is a singular vision. He exploits clichés by embracing them, and he busily captures hyperspace hilarity, while the black and white pages never feel overwhelmed by the dark backdrops or Milburn’s detailed designs." – Alex Carr, Broken Frontier
"Tardi is unremitting in his focus on the small, human details of the catastrophe—not just the look of uniforms and weaponry, but the way one soldier advances in an awkward, stiff-armed posture, 'protecting my belly with the butt of the rifle,' and the way another makes sculptures and rings from discarded shells, to sell to his comrades." – Gabriel Winslow-Yost, The New York Review of Books
"Many of Davis’ stories here explore the way people live with each other and try to find themselves in the modern world. They are funny, surprising, touching, and insightful. Some have a sci-fi slant to them, some are fantasy, and some are just about real people." – Rich Barrett, Mental Floss
"The title story might be the best known in the entire EC comics oeuvre… EC tales often sported morals reinforcing decency and forward-thinking that were decades ahead of their time. 'Judgment Day' is one such story, an O. Henry type of tale about an Earthling astronaut who visits a robot-inhabited planet that is strictly divided along color lines…When the twist ending comes, it carries a surprise even today; sadly, this reflects as much on our own time as the era in which the story was produced." – David Maine, Spectrum Culture
"I was amazed to find that many of these people were born in the late 1800s and that most of them have military service as part of their illustrious resumes. These weren’t hoity-toity art students born with silver spoons in their mouths; these were hard-working American mutts that, against nearly impossible odds – using only their imaginations, a lot of blood, sweat and tears (and apparently a huge amount of cigarette smoke) – managed to craft a uniquely American artistic medium that would influence countless generations to come." – Bob Leeper, Nerdvana
"The story unfolds asynchronously, creating a sense of mystery. Why does the kids’ teacher, Miss Sakaki, have bandages on her face? Why is the class bully so affected by what happened to Arié? Why is the new kid at school, Amahiko, willing to jump out of his classroom’s window? And why are there glowing butterflies everywhere?" – Unshelved
Plug:Paul Gravett has a feature on French artist Jacques Tardi: "The exhibition and much of Tardi’s work reveals his strong anti-war feeling. It’s an obsession that goes back to his childhood, part of it spent in post-War Germany."
Commentary:MTV.com on social issues being discussed and dissected at Comic-Con. Trina Robbins "described the underground comics world being like a boys' club she wasn't invited into. So she and other women made their own comics. 'I produced the very first all-woman comic book in the world, in 1970,' she said. Her new book, 'Pretty in Ink,' is about women cartoonists, and only the latest book by this herstorian of women in comics."
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