• Review: Entertainment Weekly gives Supermen! an A-, saying "Supermen!, this anthology lovingly assembled by Greg Sadowski, makes the case that these earliest endeavors by the future creators of masterworks like The Spirit, Captain America, and Plastic Man were more than crude throat-clearings — they were unfiltered manifestations of psyche, lousy with erotic charge and questionable politics."
• Review: Graphic Novel Reporter on Abandoned Cars by Tim Lane: "Abandoned Cars doesn’t arrive at a clear-cut solution to the American Myth, but Lane’s effort to understand it for himself is beautifully presented... every last detail of the book seems perfectly devised by Lane to bring the stories together and make the reader join the inner dialogue on the subject of the Great American Mythological Drama. It is a brilliant debut."
• Things to see (and buy if you're filthy rich): The Daily Cartoonist reports that the original art for the April 1, 1973 Sunday Peanuts is up for auction. Go bid, or save yourself a few thou by collecting the strip in The Complete Peanuts 1972-1973, coming this Fall
This edition of our highly anticipated, much-lauded archival collection of the classic satirical magazine Humbug, limited strictly to 600 copies, includes a special, limited edition bookplate signed by Jack Davis, Al Jaffee and Arnold Roth. (Click here and here to view front and back.)
The Castle is full of mysterious behavior! Preparations for Jain's housewarming continue apace, and Tolly takes a break from packing to journey outside the hedge to fetch a gift with Simon... though Tolly may have an ulterior motive as well. And what's Henry doing out there too? Meanwhile, a mysterious feline has something to teach Pin, and the normally dour Dr. Fell is still in a festive spirit. All this and more in this issue of Linda Medley's hit series.
• Review: From Publishers Weekly's starred review of Humbug: "MAD's early years have been justly lauded for their japing assault on postwar American culture, but this outstanding two-volume boxed set reflects the history of comedy in the period after staff stars like Kurtzman jumped ship in 1956... for dry cocktail laughs and low schoolboy snorts, it's hard to think of a better pair of books to have at your nightstand."
• Review: Comics Bulletin takes a good look at the revelations contained in The Complete Peanuts 1971-1972, concluding "The Complete Peanuts 1971-1972 reprints [some] of what many consider the peak years of the comic strip... [it] was better than perfection; it was glorious."
• Commentary: Jog presents an appreciation of Muñoz and Sampayo's Sinner
Stan Sakai sent me an email asking if I knew anything about the strange beast pictured here. It's new to me and apparently the Japanese text doesn't address the creature. Does anyone know its story-- or at least a name?
Comments appreciated. Stan would like to know more about this unusual obakemono and I'd just love to see a hairy cyclopian leg show up in an Usagi Yojimbo story.
• Review: John Mitchell on Supermen!: “Supermen points to a time when comic books were a new and exciting form — admittedly low brow in presentation, but filled with visual and narrative leaps that would affect how we told stories visually for decades to come... This book chronicles the exciting, silly, fun and experimental world in which these kinds of [superhero] characters were forged — fairy tales from the modern era."
• Review: Lady, That's My Skull takes lunch with The Wolverton Bible, saying "It is a fascinating look at the side of an artist that most fans are not familiar with due to the scarcity of the material."
• Review: My Year Online on Ted Stearn's first Fuzz & Pluck collection: "[I] laugh[ed] out loud at many points. This is all down to Ted Stearn’s genius in depicting expressions, his excellent slapstick timing and great storyboards, where you can never tell what will happen next..."
• Reviews: The blogger behind Fluid Motion has "been reading a lot of comics by Jason recently," offering micro-reviews of 3 of his books
• Review: Newsarama enthuses about Popeye Vol. 3 (scroll about halfway down): "As with previous volumes of Popeye, it's a cornucopia of mangled English, slapstick, violence and hamburger soliciting... Fantagraphics continues to knock it out of the park with their work on the production of these books... With his fun designs and slapstick exaggeration, Segar's art has always been a plus, and nothing about that changes here... It's packed with adventure and humor, strong art, inventive and complex stories, and features more slam-bang punching than any other ten comics. It is a true, to use a much abused word, classic."
• Review: I'm not sure if this review originally ran in Rain Taxi or is original to the Powell's Books blog where it appears now, but: John Pistelli delves into The Lagoon by Lilli Carré: "The Lagoon's artisanal craftsmanship and child's-eye ironies reflect the baffled wisdom of a heroine too young to be foolish... it is a gorgeously bleak work for so young an artist."
• Interview: Baldur Bjarnason presents a 21-minute audio interview with el jefe Gary Groth recorded at the 2000 San Diego Comic Con
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