Cate McGehee attended the 30th Anniversary party for Love and Rockets held at the Fantagraphics Bookstore and wrote about it in The Stranger. Gilbert and Jaime Hernandez were in attendance in addition to hundreds of people ready to see the brothers during their auspicious celebration. Flanked by a gorgeous wall of original art, punk show posters (draw by the brothers) and alt-weekly covers, curated by Larry Reid and editor Kristy Valenti, the room held more wonder than of those in The Mask of the Red Death!
Nearly thirty years of work is laid out on prismatic display (more not pictured). Why has Love and Rockets held up so long? The facts as stated in The Stranger: "It was one of the very first comics to include LGBT characters and people of color, to draw from an underground urban demographic, and to have kick-ass female leads." Or as Larry put it the comics "foreshadowed the contemporary multicultural society." With characters who age, die and get revisited via that time machine called comics, Gilbert and Jaime have created some of the most complex and human characters in the industry.
The article goes on to describe some of the more familiar faces to the Hernandez brothers off the bristol board, their returning fans. One man brought his future wife, who became the bigger fan eventually, then their baby who in turn grew up and "she said her mom couldn't make it, and then rolled up her sleeve to show Jaime her Love and Rockets tattoo." But success hasn't slowed the two cartoonists down, they can't imagine a life without comics or a life without Love and Rockets. And neither can we.
Pictures: Gilbert and Jaime pose with fan, the Love and Rockets Library collection and Gilbert signs for a fan in front of the wall.
Meet Ellen Forney and pick up a signed copy of her sensational New York Times bestseller Marbles, this Saturday, December 22 from 1:00 to 2:00 PM at Fantagraphics Bookstore & Gallery. The perfect occasion to complete your last minute holiday shopping. Add new meaning to "stocking stuffer" with a signed copy of Ellen's lovely Lust collection (though we're unsure ourselves what that new meaning might be.) We have exquisite gifts for everyone in every price range — many under $20!
While you're at the store, you can view our colorful exhibition celebrating 30 Years of Love & Rockets and check out new offerings from your favorite local alternative cartoonists, as well as international artists and classic comic strip collections.
Fantagraphics Bookstore is located in the historic Georgetown industrial arts colony at 1201 S. Vale Street, minutes south of downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Open until 4:00 PM on Christmas Eve and New Year's Eve, closed on Christmas and New Year's Day. Happy holidays.
The last peanut of a day of Online Commentaries & Diversions aka the news you missed while present shopping, latke eating and flying:
• Review: The Comics Journal and Rucker crack the two books focusing on Malcom McNeill and William S. Burrough's artistic collaboration, Observed While Falling (the memoir) and The Lost Art of Ah Pook is Here. (the art book) "The art is awesome, the memoir is engaging. . .Ah Pook is in a characteristic style of Burroughs’s middle period. He mixes a true-adventure story with bitter anti-establishment scenarios, gay sexual fantasies, science-fictional visualizations of chimerical mutants, and apocalyptic visions of a biological plague. . .The results are staggering—the best pictures of dicks that I’ve ever seen. . . ."
On the memoir "One of the pleasures of McNeill’s memoir, Observed While Falling, is reading about hear about his conversations with Burroughs. Old Bill laid down some tasty aphorisms. . . Ah Pook is a word/image virus. Study these new books and enjoy the disease."
• Interview:Jaime and Gilbert Hernandez of Love and Rockets are interviewed by Tim Hodler, Dan Nadel and Frank Santoro on The Comics Journal. Jaime talks about becoming more popular cartoonists, "So Gilbert and I kind of set up our own ground where we go. We go, you love Raw? Raw’s East Coast? Love and Rockets is West Coast. And they go, 'So West Coast is primitive and old-fashioned?' Fine. It’s not art school."
• Review:Comics Alliance features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On the Love and Rockets Library Collection, by Gilbert and Jaime Hernandez Andy Khouri states, “This indie comics mainstay has been going for nearly 30 years, making Love and Rockets as intimidating to some new readers as even the densest superhero mythologies. Luckily, Fantagraphics has made the Los Bros Hernandez saga about a massive cast of startlingly lifelike characters digestible in the form of affordable reprint volumes published in chronological order."
• Review: Douglas Wolk reviews Harvey Kurtzman’s EC stories in Corpse on the Imjin! for the New York Times. "Kurtzman’s writing could be bombastic — nearly all of these stories’ titles end in exclamation points — but, as the United States became mired in the Korean War, his reeling disgust at the horrors of war (and his thick, slashing brush strokes) made for shockingly bold rhetoric."
•Review:The Atlantic lists Mark Twain's Autobiography 1910-2010 by Michael Kupperman as one of The Best Books I Read This Year. Chris Heller says "Kupperman’s brilliance isn’t just in his humor, though. Mark Twain’s Autobiography is meant to be read in small doses, no more than half a dozen pages at a time. Trust me: You don’t want to gorge on a book that’s this weirdly amusing. But after a peek into Kupperman’s hysterically twisted mind, you’ll keep wanting to go back for more."
• Review:The Denver Westword is proud of their hometown hero, Noah Van Sciver, and his critical acclaim for The Hypo. Read on!
• Review:Comics Bulletin releases its 2012 Best Graphic Novel List and The Hypo by Noah Van Sciver makes it. "Van Sciver's toolkit includes the pens and pins of pathos and pain, self-doubt and angst, as much as it contains determination and fortitude. The Lincoln of The Hypo transcends his time, place, and even (or maybe especially) his name. . . It stands as a true example of the capabilities of this medium to deliver stories in a truly visceral manner," writes Daniel Elkin.
• Review:Unshelved comics review The Hypo by Noah Van Sciver. Gene Ambaum writes,"The mood of Lincoln’s life in Springfield, Illinois, is well-expressed via the rough-hewn, cross-hatched skies, floorboards, and backgrounds."
• Review: Tim Callahan has nothing but love for Spacehawkby Basil Wolverton on Comic Book Resources. He states, "Wolverton's world is a weird and ugly and beautifully innocently horrible charmingly delightful one, and it has more in common with the absurd genre riffs from something like Pendleton Ward's Adventure Time or Jesse Moynihan's Forming or Tom Gauld's Goliath than it does the bland superhero melodrama of 'Marvel Mystery Comics'."
• Review:Comics Bulletin's Favorite Reprints Books of 2012 include Gary Panter's Dal Tokyo and our Carl Barks reprints. In reference to Carl Barks' Uncle Scrooge and Donald Duck, "I would not hesitate to say that Fantagraphics’ reprints of Barks’ Duck comics may very well be the best collection series that any comic company is doing today! . . Each story is funny, smart and just plain fun and Fantagraphics treat each and every panel on the page with care and detail," states Nick Boisson. Jason Sacks writes "[Dal Tokyo is] a freaking godsend from the reprint editors at Fantagraphics because it unearthed an amazing, surreal, brilliant lost classic that's like an artifact from some amazing parallel dimension.. . Readers are asked to bring our perceptions to these pages, to bring our intelligence and passion and appreciation for abstraction and love for everything that feels different and yet the same as everyday life."
• Review:School Library Journal files Walt Disney's Donald Duck: A Christmas for Shacktownby Carl Barks in the Dewey (Huey and Louey) decimal of their hearts. J. Caleb Mozzocco says "[It] features another 200 pages of master cartooning from 'The Good Duck Artist' in a nicely produced bookshelf- or backpack-ready hardcover edition. . . the Barks books are great comics for kids and adult fans of the medium."
• Review: Uncle Scrooge: Only a Poor Old Man makes the Best of or Our Favorite Books of 2012 list on the Village Voice. Alan Scherstuhlstates, “Sprightly, inventive, wise, and more exciting than 60-year-old-duck tales should be, Barks's work already stands at the top of any list of history's greatest comics. It should also rank high among stories, period.”
• Plug: J. Caleb Mozzocco reveals the many coats of Uncle Scrooge (SO FAR). Find a cut that works and get it in every color, right?
• Review:Brooklyn Based thinks Sexytime edited by Jacques Boyreau is for youand suggests books for reading and giving. "This book is a journey into the aesthetic of porn," states Jon Reiss.
• Interview: Alex Dueben interviews Lilli Carré on Comic Book Resources about comics and animation. "I loved designing and arranging the [Heads or Tails]. Figuring out which pieces to include and the best order for them took quite a while, since I wanted each story to speak to the one before and after it, and to have a good flow despite the shift in styles. It was like making a high-stakes mix tape."
• Review: North Adams Transcript and John Seven look at Heads or Tails by Lilli Carré. "The multi-faceted Lilli Carre -- author, illustrator, animator -- presents stories that are as gentle as they are cryptic, in which the darkness of her themes meld perfectly with the sweetness of her style. . .Carre’s short work is collected and celebrated, revealing a creator of power, easily on the level with lauded types like Chris Ware."
• Review:Hooded Utilitarian makes it through Josh Simmons' The Furry Trap (probably with all the lights on in the house). James Romberger writes it is “packed cover to cover with shudders that cannot be anticipated, that grow worse as they progressively become less clearly defined. The last narrative is the most frightening because it is a straightforwardly articulated bit of cinematography on paper that, as with the most effective of suspenseful creations, gains in impact from what is never shown, the reader’s mind having already been prepared by the foregoing tales to expect the worst.”
• Review: Lettering master Todd Klein on the Complete Peanuts Vol. 18 1985-1986 . "Thirty-five years into his fifty year run on this strip, Charles Schulz continues to keep me smiling and laughing. . .Highly recommended."
• Review:Comics Alliance features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On The Complete Peanuts Collection box setsby Charles M Schulz. Andy Khouri writes, “Reprinted in chronological order with the highest production values, any one of these books would make an auspicious addition to any bookshelf.”
• Review:School Library Journal looks at Charlie Brown’s Christmas Stocking by Charles M. Schulz. J. Caleb Mozzocco says, "Schulz’s Peanuts has always been unique in its ability to speak to audiences of adults and children simultaneously. . . Nice then to have a comic that can speak to kids, adults and the little kids the adults used to be all at the same time—even if only for a quick 40 pages or so."
• Review: HeroesOnline looks at The Complete Syndicated Pogo Vol. 2 "Bona Fide Balderdash" by Walt Kelly. “Pogo certainly belongs on any informed list of the top 5 newspaper comic strips of all time. The artwork is stunning, the pacing is fast, the characters simply come alive on the page; the plot-lines are crazy and labyrinthine and above all hilarious . . . Fantagraphics does the Kelly oeuvre proud with beautiful production values and insightful introductory material,” states Andy Mansell.
• Review:Dungeon Quest 3 by Joe Daly is the Best ofYear 2012 on the Forbidden Planet International site.Clark Burscough writes, “Deceptively simple looking artwork contains hidden depths, and the mythology that Joe Daly is building up around these characters and their world is starting to get properly out there.. . And on top of that – it’s laugh out loud funny. I can’t go into precisely why, because it’s also laugh out loud filthy. Something for everyone in these books.”
• Interview:Comic Book Resources and Alex Dueben interview James Romberger on his collaboration of 7 Miles a Second (and Post York). On his love of New York-centric books, “It is strange that I'll get used to an aspect of the landscape, but so often, I will come out to find it gone and replaced with something completely different. Still, I also love that shifting quality and the multiculturalism of the city; it is my primary subject,” says Romberger.
• Review:Listen, Whitey!on NPR Music for its MUSIC compilation. Matt Sullivan, assistant to author Pat Thomas, talks to Michaelangeo Matos about the project to accompany the book. "There's no way that Sony or EMI were going to [automatically] say yes to the Bob Dylan or John & Yoko tracks, because they get those requests all day. Years ago, Pat went to Bob Dylan's office and got those guys to approve it. The same thing with Yoko. . ."
• Plug: Speaking of 2013, Johanna Draper Carlson of Comics Worth Reading can't wait for Pretty in Ink: American Women Cartoonists by Trina Robbins to come out!
672-page black & white/color 7" x 8.5" softcover ISBN: 978-1-60699-603-4
Ships in: February 2013 (subject to change) — Pre-Order Now
The newly formatted, 600+ page Comics Journal proved a resounding success with 2011’s edition. 2012’s Volume 302 is sure to prove just as essential and exciting to comics readers worldwide.
This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th — and 21st — century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview (and one of the last before his death in 2012), Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning — and also, on the lighter side, about his love (and hate) of movies. And his unbridled comments on the political leadership of the previous decade have already garnered national media attention and controversy.
Sharing equal billing in this issue's flip-book format: Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi. The two explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more, focusing on Tardi's working methods (with step by step illustration), collaborations and other media (such as film and animation), and his fascination with World War I. Plus, Matthias Wivel examines Tardi's adaptation of Léo Malet's 120, Rue de la Gare.
Also in this issue, Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Bob Levin provides a revelatory investigation of the twisted history of the "Keep on Truckin’" litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a ground-breaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. R.C. Harvey looks at Bill Hume's Babysan and Donald Phelps examines Percy Crosby's Skippy. And a tribute to the late Dylan Williams from his peers and the artists he published.
Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), a new comic by Joe Sacco and one by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, Tom Crippen on Mort Weisinger and Superman, Rich Kreiner on "difficult comics," and a visual gallery of and commentary on proto-comics.
The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics.
If you are a fan of Significant Objects the book, you will want this lovely and delightful print now being offered through 20x200: "Significant Objects" by artist Kate Bingaman-Burt, created in association with the Significant Objects project with proceeds benefitting Girls Write Now. Available framed for easy gift-giving to the significant persons in your life.
Is this happy-go-lucky holiday season getting on your nerves? Are increasingly sentimental anthropomorphic animals for the flippin' birds? Johnny Ryan is here to serve you. This week comiXology and Fantagraphics released Angry Youth Comix issues #11-14 for you to enjoy in the midst of madness. In addition to the sex, violence and scatological filth on display, Angry Youth Comix delivers equal opportunity antagonism toward every race, gender, sexual orientation, political persuasion and religion, as well as jokes about international and humanitarian tragedies, in abundance. That being said, it is only available via the filthy filthy web so buy it and read it on your computer instead of going to that meeting.
$1.99 is the crazy amount of money for the eyeball tickling guffaws you'll emit when reading Angry Youth Comix. Head over to comiXology now to download. Then you'll get to find out exactly what happens to Loady McGee, Sinus O'Gynus and Blubbina LaQuiche.
"Let me tell you something: In this increasingly cynical world of happily self-imposed isolation and sneering judgement, one graphicish novella, with pixie-like tickles, appears through the misty mist to take us all by the hand gently unto the night. You hold in your hand that very thing. Johnny Ryan's Angry Youth Comix. Now go away." – David Cross
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
"Oh man, so much great stuff to splurge on this week. Let's start withSpacehawk, Basil Wolverton's fabulous, fantabulous astronaut superhero from the alleged Golden Age. Lots of bizarre aliens and shifty-eyed villains in this one. Then there's the second volume of Ernie Bushmiller'sNancy (which I praised... the other week), and the second volume of Walt Kelly's Pogo Possum, Bona Fide Balderdash." – Chris Mautner, Robot 6
"It's a great book...a perfect book. In an ideal world, this is what you'd find in hotel rooms instead of Gideon Bibles. This is far better than what the world deserves...well, I deserve it, at any rate — I'm not sure about the rest of you. But you should get a copy anyway." – Mike Sterling
664-page black & white/color 11.5" x 9.5" x 3" two-volume slipcased hardcover set • $69.99 ISBN: 978-1-60699-629-4
"As is so often the case, my splurge would be from Fantagraphics: The second volume of Pogo: The Complete Syndicated Comic Strips, a steal at $39.99. I’m old enough to remember when Pogo ran in the Sunday paper, although I never understood it then. Later on, I picked up some of the paperbacks and really came to appreciate Walt Kelly’s sense of humor. I’d love to read them all." – Brigid Alverson, Robot 6
"Pogo certainly belongs on any informed list of the top 5 newspaper comic strips of all time. The artwork is stunning, the pacing is fast, the characters simply come alive on the page; the plot-lines are crazy and labyrinthine and above all hilarious. The dialog is pitch perfect – even the lettering ads to the strips characterizations and somehow, along the way, you will learn quite a bit about potent political satire especially as the specter of McCarthyism weighed down on life in 1950s America. The comics really are that good and Fantagraphics does the Kelly oeuvre proud with beautiful production values and insightful introductory material. Buy this book – or put it on your Christmas wish list." – Heroes Aren't Hard to Find "Staff Picks"
"Fans of lush cartooning and wordplay... — not really exclusive tribes there — can satiate themselves with Pogo - The Complete Syndicated Comic Strips Vol. 2: "Bona Fide Balderdash", which I'm told ain't malarkey." – Joe McCulloch, The Comics Journal
"I picked up Fantagraphics’ Spacehawk Halloween mini-comic this year and selfishly did not give it to a Trick or Treater, because I loved how strange and awesome Basil Wolverton’s pulpy space comic is. That’s why I’m splurging on the full Spacehawk collection ($39.99) this week." – Michael May, Robot 6
"All who hungered for an enormous 9.25" x 13" color softcover compiling the entirety of Basil Wolverton's Spacehawk will have their fill in this latecoming Best of 2012 Reprint Project, I'm not kidding." – Joe McCulloch, The Comics Journal
End the year in style with a trip to Georgetown on Sunday, December 30 from 2:00 to 4:00 PM as Fantagraphics Bookstore welcomes Brooklyn, NY cartoonist Nathan Bulmer back to his home town of Seattle. Bulmer will sign copies of his new comix collection, Eat More Bikes, from Canada's adventurous Koyama Press.
A recent graduate of New York's storied School of Visual Art, Bulmer made an immediate impact with his daily Eat More Bikes comix art blog. He returns to Seattle with a new anthology of these strips, as well as a handful of hilarious self-published minicomics. The festivities include music by Zachary David Jammin' and complimentary holiday refreshments. This event coincides with the "Only in Seattle Sundays" small business promotion of the City of Seattle Office of Economic Development.
Shop local at Fantagraphics Bookstore & Gallery, located at 1201 S. Vale Street (at Airport Way S.) in the heart of Seattle's lively Georgetown arts community. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Open until 4:00 PM on Christmas Eve and New Year’s Eve, closed on Christmas and New Year’s Day. Phone 206.658.0110.
Listing information:
Nathan Bulmer book signing with music by Zachary David Jammin' Sunday, December 30, 2:00 to 4:00 PM Fantagraphics Bookstore & Gallery 1201 S. Vale St., Georgetown, Seattle 206.658.0110 www.fantagraphics.com
It can be hard being a touring band on the road! When we couldn't manage to schedule a signing at the store with Ron Regé, Jr., we brought the books to him at last week's Lavender Diamondshow in Seattle. And while supplies last, you can get one of those autographed copies of The Cartoon Utopia exclusively at the Fantagraphics Bookstore & Gallery! It's a joyous holiday gift!
The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street in Seattle's Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone: (206) 658-0110.
Get ready to party it up like there's no tomorrow -- 'cause there isn't!
This Thursday, December 20th, it's the final event in the 12 Beers of the Apocalypse series, our collaboration with Elysian Brewing Company! And when we say final, we mean FINAL, 'cause y'know... apocalypse.
"Doom" has never tasted as good as this Golden Treacle Pale, available on draft, and in exclusive 22 oz. bottles with labels featuring the artwork of the great Charles Burns from his weirdly apocalyptic Black Hole series.
The official tapping begins at 6:00 PM, followed by Bryan's very last survival demo. At 8:30 PM, we'll toast the apocalypse, and then KEXP's DJ Riz will spin us into oblivion! Don't forget to bring your Apocalypse Beer Survival Guide to complete the mission!
The Elysian Brewing Company is located at 1221 E. Pike Street in Seattle. The end is HERE, and you know it's beer!
The 2013 Fantagraphics Ultimate Catalog of Comics is available now! Contact us to get your free copy, or download the PDF version (9 MB).
Preview upcoming releases in the Fantagraphics Spring/Summer 2013 Distributors Catalog. Read it here or download the PDF (26.8 MB). Note that all contents are subject to change.
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