Dash Shaw has finished his online serialization of Bodyworld, which you can now read in its entirety, beginning here. Frank Santoro calls it "the most formally inventive comic being made today," and you know, I think he might be right. This is gonna be a Book of the Year candidate whenever it comes out (old hat to Dash by now), and probably a Book of the Decade frontrunner, too.
On behalf of everyone at Fantagraphics, I'd like to welcome Ulysses Kupperman Dougherty to the world. Ulysses was born on Monday night to our own Michael Kupperman and his lovely wife, Muire Dougherty. Luckily for comics fans, Michael turned in Tales Designed to Thrizzle #5 just before the big day. We can't wait to meet you, Ulysses.
I'm not usually prone to the doom-y flight of fancy, but my first thought upon seeing the photo above was: thank goodness a flaming meteor didn't hit that spot at that moment. L to R: Crumb, Ware, Clowes, Tomine, Buenaventura. Sauve, France, Jan. 27, 2009. Alvin Buenaventura has uploaded many more incredible photos such as above and below, from Sauve and Angoulême, to Flickr. Look for a guest appearance by our very own Jason T. Miles, who promises to post his own Angoulême pics soon.
View a brief photo slideshow preview embedded above. Click here if it is not visible, and/or to view it larger in a new window; there, Flickr users with safety filters set to "moderate" or higher will be able to view additional, R-rated images (including the front and back covers).
Book Expo America, the annual book festival that promotes virtually every major publisher in America, and most smaller ones, announced some changes yesterday: basically, that the show is going to be held in New York City exclusively for the forseeable future, and midweek beginning in 2010. The move was purportedly made to keep costs down for "the major publishers." Which is great if you're a giant corporation based in NYC, but ignores one salient fact: NYC is actually a more expensive place to visit than just about anywhere if you are a publisher or bookseller who doesn't already live in NY. And contrary to what Reed seems to think, there are plenty of us who fit that description.
Paul Constant tiptoes around some of this in a Stranger blog post this morning that I mostly agree with, but I'll spell it out more clearly: Chicago or Vegas (to give two examples) are actually way better level playing fields if the goal is to keep costs down for the industry as a whole, and not just Reed Business and those "major publishers" Reed seems so concerned about.
The BEA in NYC is often insufferable when it opens on a weekday, when every "major publisher" staffer and intern and freelancer who would otherwise never in a million years get sent to BEA in any official capacity is in attendance, either as an excuse to get out of the office or to simply acquire Free Shit. This is not a means to an efficient end.
If Reed wants to attract the widest possible base of all arms of the publishing and bookselling world, it should continue to move around. There are publishers you see at a Los Angeles BEA that you would never see at a NYC BEA, and vice-versa. I presume the BEA has always moved around because this was seen as a good thing, being as inclusive as possible.
This latest announcement is part of a recent trend by Reed Business to seemingly consolidate the entirety of North American publishing into a few major New York City corporations, as seen by its recent cancellation of Book Expo Canada, the largely uninspired New York Comicon, and the latest announcement that Vegas and D.C. are off the table for BEA.
I understand cost-cutting measures, but when seemingly every cost-cutting measure Reed engages in either costs a small publisher like us more money, or simply threatens the greater good of all, and then tries to spin it as a Good Thing, I bristle. We are constantly told we live in an increasingly borderless world, and yet as a publisher, it's sometimes hard to believe.
We'll still continue to exhibit at BEA, it's an important show for us, and New York is always a great place to visit (even if the Javits Center isn't) but let's be clear: this is not about cutting costs for anyone but Reed Business, and the result will do little but enable corporate hegemony at all levels of the book world.
UPDATE: "Enable" is probably too strong a word. "Facilitate"? Anyway, this isn't that big of a deal except I was simply annoyed to read today that BEA will be in the most expensive city in the country for the forseeable future so that Random House or Doubleday can save some money. That struck me as a very Bush administration way of addressing the new economic climate.
Due to a computer meltdown, we are currently unable to process orders placed via our Eros Comix website. You can still place your order, but there will be a delay in shipping while we get things fixed. We will update when things are back to normal, but in the meantime you may want to call our toll-free customer service line at 800-657-1100 (206-524-1967 outside the U.S.) to place your Eros Comix order. We apologize for any inconveniences.
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