Let's see what kind of Online Commentary & Diversions the weekend held for us... a lot, apparently:
• Review: "Carol Tyler is a unique figure in the world of comics... She's now put together the first volume of what promises to be her masterwork, a 'graphic memoir' about her father's experiences in World War II that effortlessly mixes media in a charming, affecting, and devastating package. You'll Never Know goes beyond biography, autobiography and even as a means a therapy to ask a number of deeper questions that may well not have ready answers. It's a stunning achievement, a perfect marriage of form and content, and is my early contender for not only comic of the year, but comic of the decade." - Rob Clough
• Review: "Jordan Crane's Uptight series is a lo-fi throwback of a series... Crane's line is elegant but unfussy, with slightly scratchy character designs that have a grace and fluidity to them reminiscent of Jaime Hernandez." - Rob Clough
• Review: "Grotesque has been one of the most playful entries in the underappreciated Ignatz line. Sergio Ponchione has a very 'American' quality to his line in terms of his line (thick and rubbery) and character design (a series of homages to masters like EC Segar and more contemporary figures like Charles Burns)... Ponchione's sight gags in this issue were something to behold, like a dead baron's tombstone growing arms and legs and coming after his brothers." - Rob Clough (same link as above)
• Review: "Issue #4 of Delphine was the conclusion of the series, and it certainly did not disappoint... Delphine benefitted from the Ignatz format: big pages that let the backgrounds breathe, nice paper, and creepy one-tone color. It was a perfect format for a fairy tale gone horribly wrong." - Rob Clough (same link as above)
• Review: "When life is on the skids, there are those who just lean into it and those who try to drive their way out. Some get run over, some step on the gas. In Pop. 666 [by Francesca Ghermandi, serialized in Zero Zero], fortunes change at moment’s notice, and events are never anything short of bizarre... This weird and creepy sci-fi horror crime comic is a loopy piece of work, and it deserves to be experienced by more readers..." - Jamie S. Rich, Robot 6
• Review: "I realize as I was reading the book that I’d previously thought of Val as a bit of a wimp due to his hairstyle, but nothing could be farther from the truth. In the first volume he kills a giant crocodile, wears a false mustache, scares an ogre to death, enters a jousting tournament in disguise, gets drunk, falls in love with a girl who already has a fiance, pursues girl with said fiance when she is kidnapped by vikings, and fights off a horde of vikings single-handed. That Prince Valiant is a busy guy!... It is really great seeing an essential part of comics history like Prince Valiant being treated so respectfully in this new edition." - TangognaT
• Review: "Imagine a book publisher had released a retrospective on 'The Graphic Novel' in 1976, or that a cinema hosted a look back at France’s nouvelle vague in 1957, or that a gallery exhibit somewhere spotlighted American Abstract Expressionism in, say, 1946. The experience would have been not unlike reading Abstract Comics: The Anthology today." - Sean Rogers, The Walrus
• Review: "[The Wolverton Bible] is a fascinating testimony to the peculiar vision of the life of an original artist and a somewhat unorthodox view of the 'holy book' by a faithful believer." - Iconoctlán (translation from Google)
• Review: "Popeye Vol. 1 would be enthralling if only for the change in the Thimble Theatre order of things, letting the reader watch as a new character takes over and reshapes the strip into his own image. Fortunately, what it's turned into is a thoroughly fun adventure strip that made me eager for more... There are so many fun newspaper reprint projects going on right now that it's easy to miss a lot of them. Now that I know how good Popeye is, I'm making it a priority to read the rest." - Greg McElhatton, Read About Comics
• Review: "[Bottomless Belly Button is a] wonderful book that I strongly recommend for every comic fan... Dash Shaw is a name to remember." - Laurent De Maertelaer, freaky.be (translation from Google)
• Plugs: "Abstract Comics: ...[I]t's fascinating to see what you can do with comics when you're dealing with non-representational, non-narrative imagery, stretching the limits of the medium... Locas II: Oh man, it's another huge collection of Jaime Hernandez's amazing stories from Love and Rockets... Greatness." - Matthew J. Brady
• Plug: "Nobody else’s comics read like these [in You Shall Die By Your Own Evil Creation!]. They’re savage and brutal but have moments of eerie and unexpected beauty... And don’t read this stuff right before bed: strange dreams are a documented side-effect." - Matt Maxwell, Robot 6 (same link as above)
• Preview: Hans Rickheit has a peek at the hardcover of The Squirrel Machine
• Profile: "Michael Kupperman does funny very well... 'Right now, I'm working on two more short pieces for Marvel, one featuring the Avengers, and I'm going to try to get some of that Marvel spirit of the '70s, with the explosive, sound-effect laden fight scenes.'" - Gary C.W. Chun catches up with Kupperman in the Honolulu Star-Bulletin
• Interview: "I've greatly enjoyed Chicago-based cartoonist, artist and animator Lilli Carré's first few forays into the world of comics. Longer works such as Tales of Woodsman Pete and especially The Lagoon were stuffed with undeniably interesting formal techniques... There's a soulful element to Carré's writing that helps greatly to involve the reader in the surface narratives..." - Tom Spurgeon, introducing his Q&A with Lilli at The Comics Reporter
• Comic-Con Rhetorical Question of the Day: "...[H]ow many members of the 501st Stormtrooper Legion do you see at the Fantagraphics booth?" - Sean T. Collins (The Unneeded Answer: we had maybe 2 cosplayers, period, in the booth all week, and no Stormtroopers, although they are more than welcome.)
Picking up where we left off: you'll feel for Chubby as never before in this week's installment of Steven Weissman's in-progress pages from "Blue Jay," an epic 51-page story from Chocolate Cheeks, the next collection of the Yikes! gang's adventures....
Is July really over already? Hoo-ee, time sure flies when you're compiling Online Commentary & Diversions:
• Review: "Based on his research, interviews, and personal experiences in Palastinian Occupied Territories in 1991 and 92, [Joe Sacco]'s comic [Palestine] takes you there and gives you a first-hand account of the atrocities and suffering in the conflict with Israel. He gives you a close up visual rendering of the physical and emotional conditions of the people, who struggle daily for survival... Sacco has rendered the terrible conditions of life into a compelling and sympathetic artistic documentary. It is sad, but most good stories are sad... What’s better, his drawing is detailed and realistic, very approachable and interesting." - American in Auckland
• Review: "Either you think Michael Kupperman's stuff is hilarious or you don't. And if you don't, well, that's sad, because you suck and you have no friends... Kupperman has created a world with its own humor/"Dadaist" vibe, as he puts it in one meta-strip, and no critical breakdown can really relate its LOL-charm... Much of the charm resides in his art, heavily hatched, shadowed, stippled, and Benday-dotted in an old-fashioned style. He slams the retro up against his postmodern wisecracks, and it works nearly every time... This new omnibus of all four of his can't-miss gems from Fantagraphics not only makes it easy to get his out-of-print stuff, it's the only way to go—that's because the reprints are in color for the first time, and it just looks really nice." - Byron Kerman, PLAYBACK:stl
• Review: "The Wolverton Bible is a collection of drawings that Basil Wolverton did for Herbert Armstrong's Worldwide Church of God. I've been hoping for a collection of these drawings for ages... What a great collection. The drawings are nicely printed, very black, on nice white paper... The book is sturdy and feels good... This is a windfall. It's a wonderful additon to any art collection." - Garth Danielson, Primitive Screwheads
• Interview: "[Craig] Yoe revels in the hidden histories of comics, and not just because they’re money at the movies. In Boody: The Bizarre Comics of Boody Rogers, published by Fantagraphics earlier this year, the historian has helped uncover one of comics’ left-field treasures. 'Boody’s comics could survive a nuclear holocaust,' Yoe wisecracked. 'Silliness, sex and surrealism. Why can’t all so-called comic books be like this?'" - Scott Thill, Wired
• Things to see: Tom Kaczynski draws Zak Sally (and reports from the release party for Zak's new album Fear of Song)
• Comic-Con/Things to see: Rickey Purdin's Watchmen con sketchbook filled up with FBI artists (Johnny Ryan, Esther Pearl Watson, Jordan Crane) and friends (Mark Todd, Sammy Harkham & more) at San Diego (via Sean T. Collins)
The Pirates and the Mouse author Bob Levin tracks down the El Dorado of comics, a lost collection of unpublished strips by 190 of the world’s most important cartoonists, including Will Eisner, Vaughn Bodé, Jack Kirby, Harvey Kurtzman, Art Spiegelman, Arnold Roth, Bill Griffith, Ralph Steadman, Don Martin, Gahan Wilson, Jeff Jones, Guido Crepax — even William Burroughs, Tom Wolfe and Frank Zappa! The comics were assembled in the 1970s by Michel Choquette (creator with Neal Adams of National Lampoon’s Son o’ God comics) for a book called Someday Funnies, which never saw print. Levin and Choquette reveal for the first time the whole catastrophic story of what might have been the comics anthology of the century.
Also in this issue: Sean T. Collins interviews Skyscrapers of the Midwest’s Josh Cotter; Noah Van Sciver's cartoon interview with King Cat's John Porcellino; our classic comics section features Myron Waldman’s Eve, with an introduction by Mark Newgarden; our usual smattering of insightful and incisive columns; reviews of Kramers Ergot 7, The Times of Botchan, Chaykin, Clowes, Tezuka and many more!
We were thrilled to have Patton Oswalt (the Funniest Comedian in America -- I said it) provide the introduction to Ivan Brunetti's latest gag cartoon collection Ho!, and now Ivan returns the favor by providing the Chick tract-inspired cover art for Patton's new DVD/album My Weakness Is Strong. More info on Patton's website; hat tip to Robin of Inkstuds for pointing it out on his Twitter feed. Isn't it great when great things get together?
As a Comic Book Salesman at this year's Comic-Con it was impossible not to feel the crushing presence of the latest and greatest bullshit Hollywood and beyond had to offer and I'm not sure why. Why did this year feel any different from last year, or the year before? Maybe I've gone to one-too-many Comic-Cons thus forcing me into a downward spiral of delusion and dread? Or maybe the mainstream acceptance sought by the comics industry at large is really a Trojan Horse? Regardless the cause, there were far too many injustices committed at this year's Comic-Con and yes I will be pressing charges in future Flog posts.
On the other hand, as a Long Box Cretin this year's Comic-Con was unquestionably winsome! Thanks to the lack of Back Issue Fiends I had plenty of elbow room to find great deals (Herbie #12 for $2 are you crazy!?!) and the lack of competition for elusive issues of weird olde comics was a very welcomed change.
A quiet day for Online Commentary & Diversions in the wake of Comic-Con:
• Review: "...A Mess of Everything surprised me. It turned out to be quite worthy: funny, insightful, and at times, moving. It’s not a revolutionary book — it doesn’t stretch or redefine the bounds of its genre — but [Miss] Lasko-Gross reminded me that the beauty of her chosen genre is that everyone’s story is, in fact, different and unique. If the author is a skilled storyteller, it’s as good as a reason as any to read yet another graphic novel about growing up, even if you’ve already read many." - Jillian Steinhauer, The Daily Cross Hatch
Gary Groth just emailed me some copy regarding the forthcoming 300th issue of The Comics Journal and I simply want to run it verbatim, because it sounds pretty damn great:
We paired established, influential creators with rising stars and asked them to talk about the changes the comics medium has been going through during the eventful 33 years of the Journal's existence. Among the intergenerational dialogues to be overheard: alt wiz Kevin Huizenga and reigning Maus king Art Spiegelman; the most convention-shattering cartoonist/publishers of their respective hemispheres Kramers Ergot's Sammy Harkham and L'Association's Jean-Christophe Menu; celebrated Watchmen artist Dave Gibbons and award-winning All-Star Superman artist Frank Quitely; Asterios Polyp comeback auteur David Mazzucchelli and Bottomless Belly Button breakthrough auteur Dash Shaw; acclaimed Fun Home author Alison Bechdel and award-winning Slow Storm creator Danica Novgorodoff; Martin Luther King chronicler Ho Che Anderson and American Flagg creator Howard Chaykin; legendary writer/editor Denny O'Neil and fan-favorite indy and Iron Man writer Matt Fraction; indy comics publisher/cartoonist/musician Zak Sally and Love & Rockets co-creator Jaime Hernandez; inflammatory muckraker Ted Rall and editorial cartoonist Matt Bors; super-popular Zits! cartoonist Jim Borgman and newly syndicated Knight Life stripper Keith Knight; and Usagi Yojimbo creator Stan Sakai and Crogan's Vengeance author Chris Schweizer.
And that's not even mentioning all the other stuff in the mag. Whoa! This should be out by Oct. or so.
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