Your daily dose of Online Commentary & Diversions:
• Profile: The Oklahoma Gazette dedicates a cover feature (pictured above) to native son Boody Rogers, talking to Yoe, Nadel and Spiegelman about his work. Of our collection of his comics they say "Boody: The Bizarre Comics of Boody Rogers reprints 13 of Boody Rogers' comic-book stories between 1948 and 1950. Although they have fallen into the public domain, publisher Fantagraphics has restored the color and images to its typical standards of quality ... not to mention standards of unapologetic weirdness."
• Review: "...Terr'ble Thompson is... playful fun... [Gene] Deitch’s upbeat mangling of the English language and silly twists will keep readers of many ages entertained." - Michael C. Lorah, Newsarama
International comics star Jason will appear at Fantagraphics Bookstore & Gallery in Seattle on Saturday, June 13 to launch his Low Moon collection with a signing and exhibition of original art. To commemorate the occasion, Fantagraphics graphics beast Jacob Covey designed a sweet Jason silkscreen print. A signed edition of 75 posters will be exclusively available at the bookstore beginning June 13 for the insanely affordable price of $20. See you all there.
IFC.COM TO PREMIERE ANIMATED WEB SERIES OF DASH SHAW'S NEW BOOK THE UNCLOTHED MAN IN THE 35TH CENTURY A.D.
THE UNCLOTHED MAN IN THE 35th CENTURY A.D., by DASH SHAW, will be promoted at the 2009 Book Expo America in New York City, May 29-31, with an appearance by the author on Friday, May 29, at 1:00PM at the Fantagraphics Booth and 4:00PM in the Autographing Area.
New York, NY - May 27, 2009 -IFC.com announced today that it will premiere an original animated web series based on graphic novelist and comic book artist Dash Shaw's latest book The Unclothed Man in the 35th Century A.D., set for release mid-November, 2009 with the web series following. Shaw's animation has been widely praised for its eclectic style, innovative design and emotional depth.
Each short episode of this five-part web series chronicles Rebel X-6, a man who works for a well-funded anti-droid organization. The fifth episode will provide behind-the-scenes footage of the making of the series. The premiere on IFC.com marks Dash Shaw's first animated series and will be based on a story line he has developed for several years. Seattle's Fantagraphics Books is set to publish a book by the same name and characters.
"Dash Shaw is a known entity in the comic book realm with a cult following. We're excited to bring him, his art and his fans to IFC.com, a platform that recognizes and broadens the reach of up-and-coming, independent content makers," said Craig Parks, vice president of digital media at IFC. "Shaw's work on IFC.com will offer a fresh and completely unique take on the animation genre; the type of approach that defines our brand."
The series features an animated hero, Rebel X-6, and his quest to bring out change in the 35th century A.D.. Rebel X-6 works for an anti-droid organization that opposes the use of droids in all sectors of modern society. An artist guild that opposes the use of droids in art class hires Rebel X-6. They believe living people should model for life drawings. Rebel X-6's assignment is to enter Art School 46 posing as "Model-Droid #343." Model droids appear life-like but do not laugh, cry, swear or exhibit other human shortcomings. His mission is to subvert the school's ban on drawings of real humans by tricking the students into drawing him.
About the Creator Dash Shaw (born April 6, 1983) is a U.S. (Brooklyn, NY) writer and artist of comic books. His comic short stories have appeared in many different anthologies, newspapers and magazines and his graphic novels have received critical acclaim. His breakthrough graphic novel wasBottomless Belly Buttonwhich was named Publishers Weekly best graphic novel of 2008, one of Entertainment Weekly's top ten books of 2008, and one of Amazon.com's top ten graphic novels of the year among many other accolades. The Unclothed Man in the 35th Century A.D. will also collect his acclaimed short stories from Fantagraphics' award-winning anthology MOME, and his next graphic novel, BodyWorld, will be published by Pantheon in Spring 2010.
About IFC Operating under the mantra "always, uncut," IFC (The Independent Film Channel) recommends and creates genre-bending content that indulges the alternative culture obsessions of our influential audience and makes it available across multiple platforms: on-air, online and On Demand. In pursuit of what's new, next and relevant, IFC creates original non-traditional comedies like The Whitest Kids U' Know and Z Rock and irreverent non-fiction such as The IFC Media Project. IFC's original programming airs alongside a comprehensive independent film library of award-winning titles and cult classics, as well as content inspired by music, web, gaming, animation, news, culture and more. IFC broadens the audience for independent culture through its exclusive live coverage of notable film and music events like the Independent Spirit Awards and South by Southwest. The network's On Demand offering, IFC Free, gives audiences the opportunity to watch premieres of all of IFC's original series before they air on the linear network. IFC Media Lab Studios offers financing, professional development and distribution opportunities for aspiring film makers. IFC is a subsidiary of Rainbow Media Holdings LLC.
About Fantagraphics Books Fantagraphics Books ( www.fantagraphics.com ) has been the world's leading publisher of comics and graphic novels since 1976. The work of artists such as R. Crumb, Peter Bagge, Gilbert and Jaime Hernandez, Daniel Clowes, Joe Sacco, Jason, Chris Ware, Dash Shaw and others has continued to gain commercial momentum and critical recognition over the last 20 years by combining the social relevance of the previous generation of underground comix artists, attention to personal and psychologal veracity, and formal experimentation and innovation.
Rainbow Media Holdings LLC Rainbow Media Holdings LLC is a subsidiary of Cablevision Systems Corporation (NYSE: CVC). Rainbow Media is a leading producer of targeted, multi-platform content for global distribution, creating and managing some of the world's most compelling and dynamic entertainment brands, including AMC, IFC, WE tv, Sundance Channel, LIFESKOOL, SPORTSKOOL, and VOOM HD Networks. Through IFC Entertainment, Rainbow Media also owns and manages the following: IFC Films, a leading distribution company for independent film; IFC Productions, a feature film production company that provides financing for select independent film projects; and IFC Center, a three screen, state-of-the-art cinema in the heart of New York's Greenwich Village. Rainbow Media also operates Rainbow Advertising Sales Corporation, its advertising sales company; Rainbow Network Communications, its full service network programming origination and distribution company; and 11 Penn TV, a company that manages Rainbow Media's NYC studios and post-production facilities.
It's the big, shocking reveal in this week's installment of Steven Weissman's in-progress pages from "Blue Jay," an epic 51-page story from Chocolate Cheeks, the next collection of the Yikes! gang's adventures....
Let's catch up on our Online Commentary & Diversions:
• Review: "...Monologues [for Calculating the Density of Black Holes is] spare and scratchy where [Anders Nilsen's] other work was detailed; loose and spontaneous where his other work was considered; and funny where his other work was melancholy. It's interesting to see the many influences that inform Monologues; there's a bit of absurdists like Ionesco, elements of Tom Stoppard's wit and philosophical musings, stream of consciousness dada in the style of Tristan Tzara, and oblique New Yorker type gags with the scratchy looseness of James Thurber and Saul Steinberg." - Rob Clough
• Review: "...[O]nce again, I’m engaged in Blazing Combat. What a thrill! And the art!... Highly recommended. Don’t argue! Just buy it!" - David McDonnell, Starlog
• Review: "This collection of the 1965-66 Blazing Combat war comic magazine is a stellar publication... It's a master class on how to tell a short story, and I highly recommend checking it out." - Sandy Bilus, I Love Rob Liefeld
• Review: "Blazing Combat, a new hardcover collection from Fantagraphics, showcases some truly fantastic work from a multitude of comics greats... The collection itself is sharp as a tack... Fantagraphics really packages it nicely..." - Litany of Schist
• Review: "This omnibus of all 11 issues of Humbug is equal parts giddy genius and period piece. The satire is razor-sharp... [T]here are such subtleties here and such rapier wit that the line is clearly visible from the Algonquin Round Table to Kurtzman to Crumb to Ralph Bakshi to Mr. Show to The Colbert Report." - Byron Kerman, PLAYBACK:stl
• Review: "In his way, [Michael] Kupperman's just as concerned with making comics' formal aspects work for him as Chris Ware. In his way he's every bit as effective. Goddammit this book [Tales Designed to Thrizzle #5] is funny." - Sean T. Collins
• Review: "[Beasts! Book 1] is captivating, wistful, funny and truly extraordinary - a Bestiary of the traditionally fantastic for the dreary 21st century where imagination and wonder have been formularised as crypto-zoology... a vivid package of sheer fantasy and artistic excellence..." - Win Wiacek, Now Read This!
• Review: "Now, with Low Moon, [Jason] has clenched his fist around me and won’t let me go - this is easily my favorite of his works to date... Top to bottom, I enjoyed Low Moon very much... A worthy addition to one’s bookshelf." - Marc Mason, Comics Waiting Room
• Review: "[In Abandoned Cars] Tim Lane presents a personal study of what he calls 'The Great American Mythological Drama,' a fog of events / thoughts / dreams / disappointments in music / literature / North American life... Lane leads to something more introspective and extremely sad." - Churrasco la Naje (from Google translation)
• Review: "...[A]lmost nothing is casual in Bottomless Belly Button and almost nothing is superficial in its narrative structure, nor its authorial intentions... [Dash] Shaw's work delves into the interior of the personal relationships of its protagonists, but also in the basic foundations of linear narrative... Shaw transcends the sphere of intellectual narrative to enter the much more epidermal level of physical sensations... Dash Shaw has composed a monumental work, sometimes puzzling, sometimes bordering on melodrama, but always strong and brave, a work full of qualities and findings that will, we believe, be a reference for future comics. His experimentation, his daring and his solutions can't help but remind us of an equally ambitious and dense work, Jimmy Corrigan... Do not miss this." - Little Nemo's Kat (from Google translation)
• Plug: Jonathan Ross gives us ("the company that flies the flag for independent, ground-breaking comics"), and The Comics Journal ("the only widely read and serious publication of comic-book criticism"), a nice shout-out in The Times
• Interview: The Daily Cross Hatch continues their conversation with Michael Kupperman. Sample quote: "I think the artist I feel closest with is Tony Millionaire, because he really lives in those comics. He could never be anything else."
Not only will Dame Darcy be appearing at our table at MoCCA, she's got a group art show, a lecture, a doll-crafting workshop, and several musical performances (including on the vaunted WFMU) out on the East Coast (mostly NYC) all throughout the month of June. Check the Dame's blog for the full schedule.
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