With its long-awaited second volume, Linda Medley's witty and sublimely drawn fantasy eases into a relaxed comedy of manners as Lady Jain settles into her new life in Castle Waiting.
Unexpected visitors result in the discovery and exploration of a secret passageway, not to mention an epic bowling tournament. A quest for ladies' underpants, the identity of Pindar's father, the education of Simon, Rackham and Chess arguing about the "manly arts," and an escape-prone goat are just a few of the elements in this delightful new volume.
The book also includes many flashbacks that deepen the stories behind the characters, including Jain's earliest romantic entanglements and conflicts with her bratty older sisters, the horrific past of the enigmatic Dr. Fell, and more.
Originally released in a slightly shorter version when the series ceased publication, this new edition includes over 60 pages' worth of brand new additional story and epilogue, and the entire book has been re-lettered in a livelier, more inviting style for an even more engaging reading experience.
comiXology and Fantagraphics bring another classic cartoonist to the digital screen in Weird Horrors & Daring Adventures: The Joe Kurbert Archives Vol. 1. Joe Kubert sealed his reputation as one of the greatest American comicbook cartoonists of all time with the four-color adventures of Sgt. Rock of Easy Company, Enemy Ace, and Tarzan, all done for DC Comics during the 1960s and 1970s (themselves already the subject of archival editions)... but he had been working in comics since the 1940s. In fact, young Kubert produced an exciting, significant body of work as a freelance artist for a variety of comic book publishers in the postwar era, in a glorious variety of non-super hero genres: horror, crime, science fiction, western, romance, humor, and more. For the first time since the printe edition, 33 of the best of these stories have been collected in one full-color volume, with a special emphasis on horror and crime.
Drawn in the pre-Comics Code era, they are more thrilling, violent and sexy (by contemporary standards) than much of his later work. And just the titles of the comic books from which these stories are taken are wonderfully evocative of a bygone era of four-color fun: Cowpuncher, Abbott and Costello Comics, Three Stooges, Eerie, Planet Comics, Meet Miss Pepper, Strange Terrors, Green Hornet Comics, Whack, Jesse James, Out of This World, Crime Does Not Pay, Weird Thrillers, Police Lineup, and Hollywood Confessions. With an extensive set of historical notes and an essay by the book's editor Bill Schelly, author of the Art of Joe Kubert art book and Man of Rock Kubert biography. For $24.99, this thick volume of comics takes up no space on your shelf but will no doubt fill your brain with images, keeping you up until the wee hours.
"Schelly and the always sterling Fantagraphics production team do a nice job of preserving the look and feel of these comics…the master cartoonist was equally at home doing broad humor as intense action/adventure as well as lighter, Archie-style teen humor."–Jason Sacks, Comics Bulletin
"Best known for Sgt. Rock, Tarzan, and Hawkman in the 1960s and 70s, this anthology of Kubert's 1940s work reveals his versatility in a variety of genres, including horror, humor, and romance." -Mark Frauenfelder, Boing Boing
Assembled from work done in Anders Nilsen’s sketchbooks over the course of the year following the death of his fiancée in 2005, The End is a collection of short strips about loss, paralysis, waiting, and transformation.
It is a concept album in different styles, a meditation on paying attention, an abstracted autobiography and a travelogue, reflecting the progress of his struggle to reconcile the great upheaval of a death, and finding a new life on the other side.
The book blends Nilsen's disparate styles, from the iconic simplicity and collaged drawings of his Monologues for the Coming Plague to the finely rendered Dogs and Water and Big Questions.
Originally released in magazine form in 2007 (which received an Ignatz Award nomination for Outstanding Story), The End has now been expanded to more than twice its original length, including 16 pages of full color.
April 23, 2013 – Seattle, WA. One of America’s most provocative cartoonists and animators will appear at Fantagraphics Bookstore & Gallery. Dash Shaw will discuss his work, screen animated shorts, and sign copies of new publications at a reception on Saturday, May 4 at 6:00 PM at Fantagraphics’ lively space at 1201 S. Vale St. in Georgetown.
The artist will discuss his work and screen short animations including Seraph, which premiered at the recent Sundance Film Festival. He’ll sign copies of his new comic book 3 New Stories and his ambitious hardcover graphic novel New School.
This event coincides with Free Comic Book Day, a national promotion intended to expose new audiences to the joys of comix. Fantagraphics Bookstore will issue an exclusive 16-page Freak Comic Book mini featuring a stellar cast of local alternative artists. Edited by Intruder contributor Marc Palm, the book includes new works by Max Clotfelter, Kelly Froh, Eroyn Franklin, Tom Van Deusen, Ben Horak, Darin Shuler, David Lasky, Aidan Fitzgerald, Pat Moriarity, John Ohannesian, Max Badger, and James Stanton. As May 4 is also widely recognized as “Star Wars Day” – (ahem, “May the Fourth Be With You”) – the mini concludes with touching tributes to Yoda by Peter Bagge, Ellen Forney, Jim Woodring, and Kazimir Stzrepek. Freak Comic Book is limited to 100 copies. Many of the contributing artists will be in attendance to sign their work. “This is the comic you’re looking for.”
Saturday, May 4, 6:00 - 8:00 PM Dash Shaw screening animated shorts and book signing May 4 is Free Comic Book Day. Drop by for an exclusive minicomic by local cartoonists
320-page black & white (with some color) 11" x 6.75" hardcover • $35.00 ISBN: 978-1-60699-522-8
The beloved comic strip is finally given the Fantagraphics treatment. Barnaby’s deft balance of fantasy, political commentary, sophisticated wit, and elegantly spare images expanded our sense of what comic strips can do.
Due to arrive in about 4-6 weeks. Click the thumbnails for larger versions; get more info, see more previews and pre-order your copy here:
Most Seattlelites recognize the cartoons of Steven Weissman since he's been drawing I, Anonymous for the Seattle Stranger for quite awhile. In this weekly letter column, he pens the diatribes of the angry, bitter, self-loathing and oblivious. Last month's was a favorite of mine, a huge fan of the C-word, handled with the utmost care (see above). Weissman's love of duotone, gray shading and dot-matrix-heavy shading makes his drawings perfect for print and they look hella fine on the web too. Weissman was sweet enough to answer some questions about how he approaches the weekly illustrations.
Q: Do the letters appear on your doorstep in a huge sack just steeped in vitriol?
A: [Art Director] Aaron Huffman sends me a letter sometime between Wednesday and Friday each week after Stranger associate editor David Schmader or some shadowy 'they' pick the letters.
Q: What is your process like for a weekly drawing based on someone else's ideas?
A: I've usually scanned the letter once by Friday. I'll print it out on Sunday night, underline key phrases and make a couple of sketches. By Monday morning, I have a pretty clear idea of what I'm drawing.
Sometimes the Seattle-specific letters can be puzzling (I'm in Los Angeles), but I can only think of one where I was completely stumped, and all I remember about that one is my solution being some guy eating a toaster waffle.
Q: Have you ever been contacted by the people who wrote the letters or the ones who figured out they were the subject?
A: I've sold drawings to people related to the letters before. They make great gifts for friends recovering from messy breakups (35% of I, Anonymous letters are breakups). Original art is also a great way to say "I'm sorry I gave you V.D."
• San Francisco, CA: Remember I See What You Say: Visual Stories and Narrative Art, that dreamy exhibit I told you about featuring work by Lilli Carré and Mome-veteran Eleanor Davis? Well, today they'll be holding their public reception at the Cartoon Art Museum, and while Lilli and Eleanor won't be there themselves, it's a fun chance to see their work while meeting lots of other nice artists and writers, like Lemony Snicket! (more info)
Our artists will be partaking in programming throughout the weekend, so check out their panels!
Saturday, April 27th
12:00-12:45 pm // Meathaus Reunion: Becky Cloonan, Brandon Graham, Farel Dalrymple and Dash Shaw: A reflective spotlight on Meathaus luminaries, Becky Cloonan, Brandon Graham, Farel Dalrymple and Dash Shaw whose work has appeared in various Meathaus anthologies since 2002. These artists have each maintained their own strong modern stylistic identity receiving both critical and commercial acclaim. Marc Arsenault (Alternative Comics) will introduce the panel with a look at the SVA art groups and graduates that led to the creation of the Meathaus comics collective. (Room B114)
1:00-1:45 pm // Angels and Demons: The Mythology of S. Clay Wilson: Mythology may be the key to understanding the work of highly influential underground cartoonist S. Clay Wilson, from the self-mythology that Wilson invented and polished over the years as a dashing and dangerous figure, to his personal inner landscape where his archetypal characters dwell when they arena gracing the pages of Zap Comix, Thrilling Murder, or Insect Fear, to the body of language and lore passed down from his hillbilly ancestors. With Patrick Rosenkranz. (Room B117)
2:00-2:45 pm // Two-Faced Artist Lives Double Life in Single Body!: The joys and perils of straddling the worlds of fine art and comics with cartoonists Jon McNaught, Julia Gfrörer, and Daniel Duford, moderated by Chloe Eudaly. Join us for a conversation with our panel of artists, each of whom are experienced in the realms of fine art and comics. We'll explore how they came to work in two seemingly disparate mediums, how their work in each converges with, diverges from, and influences the other, and the the sometimes arbitrary or artificial distinction between the two. (Room B117)
5:00-5:45 pm // Dylan Williams Tribute Panel: Share some time with the friends and colleagues of comics' best friend as we all recount our favorite stories about the late Sparkplug publisher's life and celebrate his philosophy and work as an artist, scholar and publisher. Time permitting, we will also attempt to make sense of his passion for unsettling any and everyone who dared point a camera at him at festivals like this one. Panelists include: T Edward Bak, Julia Gfrörer, Tim Goodyear, David Lasky, Tom Neely; moderated by Milo George. (Room B114)
Sunday, April 28th
1:00-1:45 pm // Submissions Do's and Don'ts: Jen Vaughn (Fantagraphics), Jamie Rich (formerly Oni Press), Bob Schreck (Legendary Comics), Allison Baker (Monkeybrains Comics), and Sina Grace (Image/Skybound) will share their experiences slogging through the submissions pile, everything from finding a diamond in the rough to bartering with the mailman to stop delivering submissions. Your questions? Answered! Your comics published? We'll see. (Room B114)
2:00-2:45 pm // Dash Shaw's New School: Dash Shaw is a cartoonist and animator whose graphic novel New School debuts at Stumptown from Fantagraphics Books. In this spotlight presentation, he will screen and discuss his animations, including his Sigur Ros video and Sundance short Seraph, and show slides of the process behind creating New School as well as some of his other comics. Moderated by Fantagraphics' Jen Vaughn. (Room B111)
4:00-4:45 pm // DIY Publishing: For many micropublishers, making good books is easy; it's the marketing and the selling that's hard. Panelists Tom Kaczynski (Uncivilized Books), Zack Soto (Study Group), Chloe Eudaly (Reading Frenzy), Jason Leivian (Floating World Comics), Keenan Keller (Drippy Bone), and moderator Milo George will look at different printing processes and their costs and compare notes on production/distribution issues including pricing and sustainability. (Room B111)
5:00-5:45 pm // Spain Tribute Panel: Spain Rodriguez, legendary underground cartoonist, tore his way into hearts of readers like the beloved motorcycles that grace the pages of his comics. Patrick Rosenkranz, Jen Vaughn, Eric Reynolds, and Charles Brownstein take you though the wild days of Spain's work from his groundbreaking ZAP anthology contributions to adapting the life of Che Guevara. Get acquainted with this revolutionary cartoonist and his award-winning work. (Room B117)
So, stop by the Fantagraphics Booth this weekend at Stumptown, Booth Q1 right down the aisle when you first walk in!
Before authoring one of the most beloved children’s book series of all time — Harold and the Purple Crayon — cartoonist Crockett Johnson created the comic strip Barnaby for over ten years (1942 to 1952). Its subtle ironies and playful allusions never won a broad following, but the adventures of 5-year-old Barnaby Baxter and his fairy godfather Jackeen J. O’Malley was and is a critical favorite.
Fantagraphics introduces the wonders of Barnaby to a new generation of children and parents alike. Co-edited by Johnson biographer Philip Nel (Dr. Seuss: American Icon) and Fantagraphics Associate Publisher Eric Reynolds, with art direction by graphic novelist Daniel Clowes (Ghost World), this five-volume Barnaby series will collect the entirety of the original newspaper strips from 1942-1952. The first volume collects all the strips from 1942 and 1943.
Barnaby revolved around a precocious five-year-old named Barnaby Baxter and his fairly godfather Jackeen J. O’Malley. Yet O’Malley, a cigar-chomping, bumbling con-artist and fast-talker, was not your typical protector. His grasp of magic was usually specious at best, limited to occasional flashes, often aided and abetted by his fellow members in The Elves, Leprechauns, Gnomes, and Little Men’s Chowder & Marching Society.
Barnaby’s deft balance of fantasy, political commentary, sophisticated wit, and elegantly spare images expanded our sense of what comic strips can do. With subtlety and economy, Barnaby proved that comics need not condescend to readers. Its small but influential readership took that message to heart.
"I think, and I’m trying to talk calmly, that Barnaby and his friends and oppressors are the most important additions to American arts and letters in Lord knows how many years." – Dorothy Parker
"One of the best comic strips of the 20th Century and one of the most beloved older strips for a generation of devoted adult comics fans, Barnaby had become in the last decade and a half the great unsigned strip collection." – The Comics Reporter
Get ready for a special presentation from Special Presentation, which is a monthly comedy series in New York City featuring, special... uh, performances.
Well, tonight's presentation is extra-special because it features our own Michael Kupperman! Join Michael tonight, Monday, April 22nd, at the UCB Theater in New York City as he presents what's sure to be a thrizziling A/V presentation at 8:00 PM. Reserve a ticket online here!