Now available for preview and pre-order: Low Moon by Jason. This hardcover volume collects the titular serial strip from the New York Times Magazine, plus 4 more all-new short stories featuring murder, cavemen, sex, and alien abduction, all with Jason's trademark wry, deadpan sensibility. This book is scheduled to debut at the MoCCA Art Festival in NYC in June; it should be in stock and ready to ship in late June and in stores approximately 4 weeks after that.
View a photo & video slideshow preview embedded here. Click here if it is not visible, and/or to view it larger in a new window (recommended). And at our product info page, download a 12-page PDF excerpt!
Plus, as an extra bonus, decorate your computer screen or mobile phone with this exclusive free desktop wallpaper based on the back cover art! Select the size that matches your screen resolution:
• Review: "...Supermen!: The First Wave Of Comic Book Heroes 1939-41 pulls together some of the goofiest, most innocent, most violent superhero comics ever penned... The forematter (a lovely, insightful, nostalgic essay by Jonathan Lethem) and the afterword (a collection of bibliographic and historical notes on each strip) make perfect bookends for the hot stuff in the middle. This is pure and unadulterated Id, the kind of thing that inspired a moral panic about the corruption of the young. It's every bit as potent today." - Cory Doctorow, Boing Boing
• Review: "Miss Lasko-Gross takes us into the skankiest basement makeout sessions of our teenage despair in [A Mess of Everything]... Her fictional stand-in figures out how to work the system and achieves redemption through beautifully ugly comics that aptly capture the darker hallucinogenic melodramas of teenage geekdom." - Richard Gehr, The Village Voice
• Review: "[A] wild and woolly collection of pre-Superman supermen... As Jonathan Lethem notes in his introduction, our appreciation for the bizarre otherness of these characters in retrospect suggests that our contemporary icons might well appear no less 'totally opaque and infinitely awkward' to future readers." - Richard Gehr, The Village Voice (same link as above)
• Review: "Rory Hayes was nuts. I mean, really, truly insane... Hayes was tapping into a rich vein of paranoia and insanity that was truly disturbing... Rory Hayes work has the authentic voice of a true outsider artist, a genuine madman in a world full of posers... Where Demented Wented... is a fascinating collection and well presented. Recommended." - Colin Upton, Inkstuds
In more "Mome-artist-with-a-new-t-shirt" news, Jon Vermilyea debuts this "goopy," Basil Wolverton-inspired new print and shirt design (in combo or separately, with a "3-D" print option) produced by Nakatomi, available in limited supply for this month only. There's more info here, and an interview with Jon here. Nakatomi looks like a company to keep an eye on; their last limited offering was from Mark Todd.
This blog post is to announce the television broadcast premiere of Snake'N'Bacon the TV show. The pilot is going to be broadcast as part of Cartoon Network's Adult Swim block of programming, on May 10th at 12:45 AM. The cast includes Kristin Schaal, Dan Bakkedahl, Bill Hader, Peter Serafinowicz, James Urbaniak, Brian Stack, and David Rakoff, in live-action and animated segments based on Michael Kupperman's riotous comic books.
Please tell your grandpa, tell your senator, tell your adversaries, and tell yourself to watch!
For your viewing pleasure, here is a video and photo slideshow preview of the brand-new edition of Usagi Yojimbo Book 7: Gen's Story, which we just got in stock last week. This is a newly redesigned edition of this all-ages classic, and the final Fantagraphics Usagi volume to be given the new design treatment, so now you can complete your collection! This book is in stock now, and is scheduled to be in stores approximately 4 weeks from now. Click here if the slideshow embedded above is not visible, and/or to view it larger in a new window (recommended).
You’ll Never Know is the first graphic novel from C. Tyler (Late Bloomer) and sure to be one of the most acclaimed books of the year. It tells the story of the 50-something author’s relationship with her World War II veteran father, and how his war experience shaped her childhood and affected her relationships in adulthood. “You’ll Never Know” refers not only to the title of her parents’ courtship song from that era, but also to the many challenges the author encountered in uncovering the difficult and painful truths about her Dad’s service — challenges exacerbated by her own tumultuous family life.
You’ll Never Know is Tyler’s first first full-fledged graphic novel (after two volumes of short stories). Unlike many other graphic memoirs which have opted for simple, stylized drawings and limited color or black and white, You’ll Never Know makes full use of Tyler’s virtuosity as a cartoonist: stunningly rendered in detailed inks and subtle watercolors, it plunges the reader headlong into the diverse locales: her father’s wartime experiences and courtship, her own childhood and adolescence, and contemporary life. The unique landscape format, and the lush variety of design choices and rendering techniques, make perusing You’ll Never Know like reading a family album — but one with a strong, compelling, sharply told story.
You’ll Never Know’s release schedule and format emulate those of Chris Ware’s Acme Novelty Library: three beautifully designed, large-format hardcover volumes released annually to complete a trilogy of astonishing breadth, depth, and sensitivity.
For over thirty years Nell Brinkley’s beautiful girls pirouetted, waltzed, Charlestoned, vamped and shimmied their way through the pages of William Randolph Hearst’s newspapers, captivating the American public with their innocent sexuality. This sumptuously designed oversized hardcover collects Brinkley’s breathtakingly spectacular, exquisitely colored full page art from 1913 to 1940. Here are her earliest silent movie serial-inspired adventure series, “Golden Eyes and Her Hero, Bill;” her almost too romantic series, “Betty and Billy and Their Love Through the Ages;” her snappy flapper comics from the 1920s; her 1937 pulp magazine-inspired “Heroines of Today.” Included are photos of Nell, reproductions of her hitherto unpublished paintings, and an informative introduction by the book’s editor, Trina Robbins.
In 1907, at the tender age of 22, Nell Brinkley came to New York to draw for the Hearst syndicate. Within a year, she had become a household name. Flo Ziegfeld dressed his dancers as “Brinkley Girls,” in the Ziegfeld Follies. Three popular songs were written about her. Women, aspiring to the masses of curly hair with which Nell adorned her fetching and idealized creations, could buy Nell Brinkley Hair Curlers for ten cents a card. Young girls cut out and saved her drawings, copied them, colored them, and pasted them in scrapbooks. The Brinkley Girls took over from the Gibson Girls.
Nell Brinkley widened her scope to include pen and ink depictions of working women. Brinkley used her fame to campaign for better working conditions and higher pay for women who had joined in the war effort, and who were suffering economic and social dislocation due to acting on their patriotism. Unlike most of her contemporaries, she drew women of different races and cultures.
Except among a small group of avid collectors, she has been unjustly forgotten... until now.