|Covey's Beasts Unleashed|
|Written by Eric Reynolds | Filed under Beasts||2 Mar 2009 10:24 AM|
Search / Login
Sign up for our email newsletters for updates on new releases, events, special deals and more.
Folks lucky enough to make our public preview and book launch for HUMBUG this coming Saturday March 7th, will find themselves audience to the originals of the 2 covers by Arnold Roth & Al Jaffee for our newly published masterpiece. Behold...
The Arnold Roth originals we got for the show are unbelievable! Upon first spying them, most folks here at the office didn't think they were original drawings. They thought they were old stats. Roth's work is classy, precise and hilarioius. Sadly, for Roth, I think the full appreciation of his work is still yet to come. I predict HUMBUG readers will come away smitten with Roth.
The above image is of Al Jaffee's original painting for the cover with vellum overlay showing the potential space for title placement and credits. Early on in one of our editorial meetings, it was decided by Gary Groth (Editor), Adam Grano (Designer) and myself (Assitant Editor) that it'd more exciting to share the magnatude of Jaffee's hypnotic work sans credits. To my way of thinking, Jaffee is peerless when it comes to his painted work (runner's up include ALL of Jim Woodring's color work and Dan Clowes' cover paintings for EIGHTBALL #17, 18 and the first hardcover edition of GHOST WORLD). When Jaffee's painting, the decal like result hums flouescence and stikes some harmonic, vaudvillian chord replicated by none! Jaffee kills me.
HUMBUG Designer Adam Grano evades the camera.
I'm putting together the 15th issue of MOME (Summer 2009) right now and it features the final three chapters of Tim Hensley's spectacular "Wally Gropius, Teen Millionaire" which has appeared in MOME since our fifth issue (Fall 2006). I can't even tell you how proud I am to have published this comic. Hensley is such a singular talent. He's so good I'm almost at a loss to explain why. There's something transcendent about it. It looks like old 1950s teenage humor comics, specifically Mort Walker's proto-Beetle Bailey strip, Spider, as Adam Grano recently pointed out to me while laying out the upcoming Walker interview in The Comics Journal.
Here's a page from Wally:
I find his work beautiful to look at. It's as attractive as comics get for me. But his work is so much more than that. It's a satire of teen comics and celebrityhood and modern culture, but it's also great Art. His dialogue is witty, lyrical, sampled, dada, and elliptical. It's all in the service of a very bizarre story, a mystery of sorts. There's sex, violence, rock and roll, intrigue, betrayal -- but it's all told in Hensley's truly inimitable style. I've read each chapter many times and will be sorry to not have more coming in anymore. But not to worry, Tim's already hard at work on the Wally Gropious collection, which won't be out for over a year but will be well worth the wait!
And here's a sneak peak at the cover for MOME 15, featuring the end of Wally Gropius. This is an early treatment by Adam Grano, with art by Andrice Arp:
Oh, and read Tim's blog.
Now available for preview and pre-order: Drinky Crow's Maakies Treasury, the latest compilation of Maakies strips by Tony Millionaire. This volume, designed as a sequel to Premillennial Maakies (and to introduce fans of TV's The Drinky Crow Show to the source material), collects the second 5 years of the strip (previously reprinted in the volumes When We Were Very Maakies, The House at Maakies Corner and Der Struwwelmaakies) in a single thick volume splendidly designed by Chip Kidd. This book is scheduled to be in stock in early March and in stores approximately 4 weeks later.
View a photo & video slideshow preview embedded here. Click here if it is not visible, and/or to view it larger in a new window (recommended). And visit the product details page for a downloadable, 20-page PDF preview!