This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
320-page black & white (with some color) 11"x 6.75" hardcover • $35.00 ISBN: 978-1-60699-522-8
"Johnson combined low-impact serialized adventure with some gentle comedy based around the ways that adults and kids diverge in their perspectives. The result is a compulsively readable strip with a winningly off-kilter point-of-view-and a cultural treasure that's been long-overdue for this kind of prestige archival project... " –Noel Murray, The A.V. Club
"Fantagraphics deserves a Nobel Prize in Literature for their efforts to reprint complete runs of classic American comic strips... There is rarely an attempt at more than 2-dimensions but that flatness provides a late art deco elegance to [Barnaby]....This strip is fun, funny, I'm so glad its back and Fantagraphics is giving it their usual top-notch presentation," –Kevin Lauderdale, It Has Come To My Attention
We’re jumping from black and white to classic color — as Floyd Gottfredson's Mickey Mouse series makes its 1932-35 Sunday strip debut! Bright hues highlight our hero as he enjoys four years' worth of wild weekend epics... taking him from Uncle Mortimer’s Wild West ranch to the icy peak of frigid Mount Fishflake! And in this volume, Mickey is joined by a famous co-star: Donald Duck!
Floyd Gottfredson, artist of the Sunday Mickey Mouse from 1932-38, created the most famous Mickey tales ever told in print. These Sunday specials — many never before reprinted — also feature the work of later Donald Duck master Al Taliaferro. Collectively, they form a collection that fans have been seeking for a lifetime! Highlights include "Mickey’s Nephews," introducing Morty and Ferdie Fieldmouse, and "Dr. Oofgay’s Secret Serum," which turns Horace Horsecollar into a brainwashed wild mustang! Classic gag stories round out the book, offering manic Mouse mischief at a fever pitch.
Restored from Disney’s art sources and enhanced with a meticulous recreation of the strips' original color, Call of the Wild also brings you more than 30 pages of chromatic supplementary features! You’ll enjoy rare behind-the-scenes art, vintage publicity material, and fascinating commentary by a prismatic pack of Disney scholars, including an appreciation of Gottfredson by celebrated alternative cartoonist Kevin Huizenga.
The last thing you'll read before the San Diego PR Storm 2013:
• Review: The AV Club looks at Ulli Lust's Today is the Last Day of the Rest of Your Life. Noel Murray writes, "Today Is The Last Day Of The Rest Of Your Life takes the form of a post-apocalyptic horror story, wherein the heroine ekes out a meager existence by day and then fights off monsters by night.…Lust takes readers inside her experiences, letting them feel how high hopes can devolve into raw survival."
• Review: Ulli Lust's Today is the Last Day of the Rest of Your Life is reviewed in the New York Times by Douglas Wolk. "the book ripples with exuberance:…Lust’s pen-and-ink work (augmented by the pale green tint of European paperbacks) depicts the stretched and crimped features of the people from whom she bummed change, the architecture of St. Peter’s Basilica and the chaos of a Clash concert with equally manic panache, and her line is as seemingly unkempt but as deliberately molded as her younger self’s punk-rock shock of hair."
• Review:Booklist Online spends the day with Donald Duck: The Old Castle's Secret by Carl Barks. "The applause-worthy effort… Oodles of shorter pieces provide more evidence yet that this series is an essential addition to any serious (or just plain fun) comics collection" writes Ian Chipman.
• Review: The New York Journal of Books reads Donald Duck: The Old Castle's Secret by Carl Barks. "There is no tantrum like a Donald Duck tantrum…Every single page of this new collection of classic Donald Duck stories is filled with silliness and slapstick and adventure…Try not smiling at Carl Barks’ work. It’s impossible," says Mark Squirek.
• Interview: Zak Sally on The Comics Journal interviews on Peter Bagge and The Beat follows up. Bagge states, "I like the way [a pamphlet or floppy comic] feel. To me it's an ideal format, the traditional comic book format. It's the perfect amount of material to read in one sitting."
• Commentary:The Beatand Hannah Means-Shannon discuss the humor panel from HeroesCon 2013 featuringPeter Bagge(there promoting his new book, Other Stuff). When asked advice from a younger cartoonist Bagge replied, “If you’re goal is to be a starving artist, it’s an easy road ahead."
• Review:Dead Canary Comics look at Prison Pit series by Johnny Ryan. "It's so extremely excessive in its hilarity it draws stifled belly laughs from your gut on packed trains as parents and politicians glance witheringly at images of monsters shitting themselves, ghouls eviscerating ghouls... in an age when we've got more X Men titles than people on the planet it's refreshing to just have a comic book that's all about entertainment!"
• Plug: Speaking of Johnny Ryan, show off how you don't fucking mess around with a PRISON PIT patch! Only $5 (plus shipping).
• Review: Brian Heater of BoingBoing looks at Leslie Stein's Eye of the Majestic Creature Vol. 2."It’s a sort of childlike forgiveness of life’s darker corners, which carries on into grown up stories…Stein's is a welcomingly unique take on the well-trod world of autobiographical comics, and once you've excepted her rhythms as your own, it can be a hard world to step away from."
• Review (audio): NPR's Pop Culture Happy Hour enjoy Dash Shaw's New School. Glen Weldon states, "Instead of a tidy narrative, [New School] is about art, about the art that's in the book itself…There's stuff going on at other levels, the intuitive, the leve of the unconscious, the subconscious I guess you could say.…This book is just fascinating."
• Review:Booklist Online reviews Goddamn This War by Jacques Tardi and Jean-Pierre Verney. "…six years of hopelessly indistinguishable trenches, explosions, corpses, mud, and maggots, all of it depicted via three panoramic panels per page rendered in smoky grays and foggy blues—with blood accents… The pages are strewn with images of dead bodies and midexplosion terrors, but the unforgettable centerpiece is two wordless pages of disfigured postwar faces"
• Review:About.com looks at Anders Nilsen's The End. Jeff Alford writes "these pages come from such a raw emotional place that they'll reverberate like an echo from a well....It's a message we've heard before, but its majestic delivery and the difficult path that led to this revelation make The End all the more exceptional."
• Review:Comic Pusher looks at Anders Nilsen's The End. "This isn't a non-fictional description of grief written after the fact, this is grief, unfiltered and complete…The best sequences are where Nilsen breaks away from the heartbreaking emotional literalism and opens out into almost abstract expressions of the nature of grief."
• Review: Johanna Draper Carlson of Comics Worth Readingunpacks Walt Disney's Mickey Mouse Color Sundaysby Floyd Gottfredson. "The lighter approach makes this book a better choice to share with your young ones. They should love the timeless highjinks of the mouse and his friends. And anyone can appreciate the skilled cartooning and astounding art, so well-done it almost seems to move on paper."
• Commentary: Heidi MacDonald of The Beat talks about Lorenzo Mattotti at BEA. "In Italy Mattotti is pretty much an all around art and design god, and he's known here for his New Yorker covers, and Fantagraphics has been putting out his recent work in Englias."
• Review:Wandering Son Vol. 4 by Shimura Takako gets reviewed by Read Comic Books. "…what continues to make Wandering Son a fantastic read is the frankness it presents developmental sexual identity…Few comics will challenge you like Wandering Son. It covers a topic not widely written about or discussed, and does so in a tactful, warm, embracing manner," concludes Nick Rowe.
• Review: The Smithsonian Asian Pacific American Center gives Wandering Son Vol. 4 a whirl. Terry Hong comments," ‘Fresh' is exactly the right word to describe this gentle gender-bender series…Creator Shimura Takako is a compassionate, empathetic storyteller without judgment or guile. Her young characters face their inescapable maturity as best as they can in a brave new world of ‘gender-fluid'."
• Review (audio):It Has Come to My Attention recorded a short 7-minute review of Barnaby Vol. 1 by Crockett Johnson. "Fantagraphics deserves a Nobel Prize in Literature for their efforts to reprint complete runs of classic American comic strips… There is rarely an attempt at more than 2-dimensions but that flatness provides a late art deco elegance to [Barnaby].…This strip is fun, funny, I'm so glad its back and Fantagraphics is giving it their usual top-notch presentation,"
• Review: Letterer Todd Klein looks at Pogo Vol. 2Through the Wild Blue Yonder by Walt Kelly. "…this strip is perhaps the opposite of 'Peanuts,' which went with a minimalist approach. 'Pogo' is maximalist! Both are great fun and often quite funny.…There’s really not a single thing to fault in this fine book"
• Review: Jack Davis' new collection 'Tain't the Meat reviewed on Sound on Sight. "It's entertaining in the juvenile delight it takes in grossing out readers. You also get to witness Davis' style as it improves with every story: his lines get sharper, there's more detail and contrast in the panels… It might also provide a good trip down memory lane for some, reminding them of late nights spent with smuggled comics contraband and a flashlight under the sheets. It's a good introduction as well to a genre that may today seem corny and hackneyed, but I'll be damned if it still ain't pretty creepy, bad puns an all," writes Chris Auman.
• Review: Broad Street Review gazes upon 50 Girls 50 by Al Williamson with love. Bob Levin pens, "Williamson's art could infuse aliens and monsters, no matter how hideous, with sympathetic personalities that reinforced Feldstein's feelings about brotherhood and tolerance.…His delicate line, intricately constructed panels and gossamer-like space-station cities and landscapes are fully on display in this book."
• Review:Comics Bulletin on Came the Dawn by Wallace Wood. "…the true delight and fascination of Came the Dawn will be seeing again Wood's sublime understanding, indeed his enrichment of, the comics language, from panel and page composition to the pacing, direction, of capturing and conveying of mood…Let's face it: No one draws an emaciated corpse - especially in zombie form - better than Wood," pens Eric Hoffman.
The only thing that could make Al Columbia's Pim and Francie even more terrifying is to add color. Columbia recently sent Hi Fructose some exclusive new paintings they are featuring on their website that continue the horrorscape he created in 2009's Pim and Francie. Turn the lights down low, grab that gristle pie you made for lunch and enjoy these haunting illustations after the jump.
We know you've really been wondering what the interior of Love and Rockets: The Covers looks like... how it's laid out, what the recoloring looks like, what it includes. This PDF excerpt should answer your questions, particularly the Editor's Note:
It's a spectacular and dee-luxe production and we want to be sure we're getting everything just right at the printer, so we're taking a little extra time with it and it's now scheduled for September release. Here's a sample of the clear overlay that wraps around the front cover:
In celebration of the arrival of the inaugural class of MFA in Comics graduate students, the California College of the Arts in San Francisco will host a summer guest speaker series featuring some of comics' most talented creators.
On Friday, July 5th, CCA kicks off the series with a bang, with special guest Cathy Malkasian! Cathy will be discussing her work in the animation industry, as well as her most recent book, Wake Up, Percy Gloom!
Maakies and Sock Monkey cartonist, Tony Millionaire, continues to be funnier than you on paper, in person and on film. This weekend Funny or Die released the video The Edge of Alligiance featuring Millionaire as George Washington on Mount Rushmore. If this made you spit out your cuppa joe, check out the older Fun With Godwhere Millionaire plays who else but God? Keep your eyes peeled for our San Diego announcements so you know when Tony Millionaire will be signing books at our booth!
It's our great pleasure to add another member of the fabulous Friedman family to our roster. Kipp Friedman's forthcoming memoir Barracuda in the Attic boasts this loving portrait by Kipp's big brother Drew (with hand-lettering by our own Jacob Covey), a foreword by father Bruce Jay and an afterword by brother Josh. In the book's pages you'll find true tales of the colorful clan's hijinks from New York to Hollywood and beyond, hobnobbing with the literati, mobsters, and at least one Marx brother.
We're taking pre-orders now; look for the book to hit shelves in early Fall, and if you know us you know we have more previews and sneak peeks on the way.
Danny Bland's debut novel In Case We Die hits shelves in September. The book and jacket were designed by our guru Jacob Covey. Dig those silver & day-glo inks. Some of Danny's music-scene compadres have already read the book and had this to say about it:
"Our anti-hero is floating in a tiny lifeboat made of heroin, graveyard shifts & rock music. His companions are two fabulous women; a bombshell who robs banks & a beautifully pale rock violinist who can barely dodge suicide. ICWD is much funnier & more satisfying than any other junkie rock'n'roll tragedy." – John Doe (X)
"Bland is a brutally funny and bravely honest writer. A perfect guide through the bloodshot streets and desperate bedrooms of the underground wilderness." – Dave Alvin (Blasters)
"In Case We Die is a poetic and elegant journey ... straight to the gutter." – Wayne Kramer (MC5)
"A great piece of work — full of filth and heart." - Steve Earle
"A suitably Peckinpah finale. Bravo. It has been like a traveling dream state and sometimes familiar look into the abyss." – Greg Dulli (Afghan Whigs)
"I am a believer in what Bland has to say. He writes with eloquence, candor, darkness, and humor....the good stuff!" – Duff McKagan (Guns N' Roses)
We'll be making a few sample chapters available for you to read soon. And hey, if you pre-order the book from us, when the book is released you'll receive a code for a FREE download of the audiobook from Local 638 Records, with chapters read by a mind-blowing all-star lineup of music and cultural luminaries, including some of the folks above. Stay tuned for more details about this exclusive offer — all pre-orders are eligible, so there's no reason to put it off!
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