The last thing you'll read before the San Diego PR Storm 2013:

• Review: The AV Club looks at Ulli Lust's Today is the Last Day of the Rest of Your Life. Noel Murray writes, "Today Is The Last Day Of The Rest Of Your Life takes the form of a post-apocalyptic horror story, wherein the heroine ekes out a meager existence by day and then fights off monsters by night.…Lust takes readers inside her experiences, letting them feel how high hopes can devolve into raw survival."

• Review: Ulli Lust's Today is the Last Day of the Rest of Your Life is reviewed in the New York Times by Douglas Wolk. "the book ripples with exuberance:… Lust’s pen-and-ink work (augmented by the pale green tint of European paperbacks) depicts the stretched and crimped features of the people from whom she bummed change, the architecture of St. Peter’s Basilica and the chaos of a Clash concert with equally manic panache, and her line is as seemingly unkempt but as deliberately molded as her younger self’s punk-rock shock of hair."

• Plug: Whitney Matheson on USA Today's Pop Candy thinks Ulli Lust's new book, Today is the Last Day of the Rest of Your Life, is right for you. "This epic memoir from the Austrian cartoonist (now translated into English) tells the story of her crazy travels through Italy as a true punk-rock girl in the '80s."

• Review: Booklist Online spends the day with Donald Duck: The Old Castle's Secret by Carl Barks. "The applause-worthy effort… Oodles of shorter pieces provide more evidence yet that this series is an essential addition to any serious (or just plain fun) comics collection" writes Ian Chipman.

• Review: The New York Journal of Books reads Donald Duck: The Old Castle's Secret by Carl Barks. "There is no tantrum like a Donald Duck tantrum…Every single page of this new collection of classic Donald Duck stories is filled with silliness and slapstick and adventure…Try not smiling at Carl Barks’ work. It’s impossible," says Mark Squirek.

• Interview: Zak Sally on The Comics Journal interviews on Peter Bagge and The Beat follows up. Bagge states, "I like the way [a pamphlet or floppy comic] feel. To me it's an ideal format, the traditional comic book format. It's the perfect amount of material to read in one sitting." 

• Commentary: The Beat and Hannah Means-Shannon discuss the humor panel from HeroesCon 2013 featuring Peter Bagge (there promoting his new book, Other Stuff). When asked advice from a younger cartoonist Bagge replied, “If you’re goal is to be a starving artist, it’s an easy road ahead." 

• Review: Dead Canary Comics look at Prison Pit series by Johnny Ryan. "It's so extremely excessive in its hilarity it draws stifled belly laughs from your gut on packed trains as parents and politicians glance witheringly at images of monsters shitting themselves, ghouls eviscerating ghouls... in an age when we've got more X Men titles than people on the planet it's refreshing to just have a comic book that's all about entertainment!"

• Plug: Speaking of Johnny Ryan, show off how you don't fucking mess around with a PRISON PIT patch! Only $5 (plus shipping). 

• Review: Brian Heater of BoingBoing looks at Leslie Stein's Eye of the Majestic Creature Vol. 2."It’s a sort of childlike forgiveness of life’s darker corners, which carries on into grown up stories…Stein's is a welcomingly unique take on the well-trod world of autobiographical comics, and once you've excepted her rhythms as your own, it can be a hard world to step away from." 

• Review (audio): NPR's Pop Culture Happy Hour enjoy Dash Shaw's New School. Glen Weldon states, "Instead of a tidy narrative, [New School] is about art, about the art that's in the book itself…There's stuff going on at other levels, the intuitive, the leve of the unconscious, the subconscious I guess you could say.…This book is just fascinating."

• Review: Booklist Online reviews Goddamn This War by Jacques Tardi and Jean-Pierre Verney. "…six years of hopelessly indistinguishable trenches, explosions, corpses, mud, and maggots, all of it depicted via three panoramic panels per page rendered in smoky grays and foggy blues—with blood accents… The pages are strewn with images of dead bodies and midexplosion terrors, but the unforgettable centerpiece is two wordless pages of disfigured postwar faces"

• Review: About.com looks at Anders Nilsen's The End. Jeff Alford writes "these pages come from such a raw emotional place that they'll reverberate like an echo from a well....It's a message we've heard before, but its majestic delivery and the difficult path that led to this revelation make The End all the more exceptional."

• Review: Comic Pusher looks at Anders Nilsen's The End. "This isn't a non-fictional description of grief written after the fact, this is grief, unfiltered and complete…The best sequences are where Nilsen breaks away from the heartbreaking emotional literalism and opens out into almost abstract expressions of the nature of grief."

• Review: Johanna Draper Carlson of Comics Worth Reading unpacks Walt Disney's Mickey Mouse Color Sundays by Floyd Gottfredson. "The lighter approach makes this book a better choice to share with your young ones. They should love the timeless highjinks of the mouse and his friends. And anyone can appreciate the skilled cartooning and astounding art, so well-done it almost seems to move on paper."

• Commentary: Heidi MacDonald of The Beat talks about Lorenzo Mattotti at BEA. "In Italy Mattotti is pretty much an all around art and design god, and he's known here for his New Yorker covers, and Fantagraphics has been putting out his recent work in Englias." 

 • Review: Wandering Son Vol. 4 by Shimura Takako gets reviewed by Read Comic Books. "…what continues to make Wandering Son a fantastic read is the frankness it presents developmental sexual identity…Few comics will challenge you like Wandering Son. It covers a topic not widely written about or discussed, and does so in a tactful, warm, embracing manner," concludes Nick Rowe.

• Review: The Smithsonian Asian Pacific American Center gives Wandering Son Vol. 4 a whirl.  Terry Hong comments," ‘Fresh' is exactly the right word to describe this gentle gender-bender series…Creator Shimura Takako is a compassionate, empathetic storyteller without judgment or guile. Her young characters face their inescapable maturity as best as they can in a brave new world of ‘gender-fluid'."

• Review (audio): It Has Come to My Attention recorded a short 7-minute review of Barnaby Vol. 1 by Crockett Johnson. "Fantagraphics deserves a Nobel Prize in Literature for their efforts to reprint complete runs of classic American comic strips… There is rarely an attempt at more than 2-dimensions but that flatness provides a late art deco elegance to [Barnaby].…This strip is fun, funny, I'm so glad its back and Fantagraphics is giving it their usual top-notch presentation,"

• Review: Letterer Todd Klein looks at Pogo Vol. 2 Through the Wild Blue Yonder  by Walt Kelly. "…this strip is perhaps the opposite of 'Peanuts,' which went with a minimalist approach. 'Pogo' is maximalist! Both are great fun and often quite funny.…There’s really not a single thing to fault in this fine book"

• Review: Jack Davis' new collection 'Tain't the Meat reviewed on Sound on Sight. "It's entertaining in the juvenile delight it takes in grossing out readers. You also get to witness Davis' style as it improves with every story: his lines get sharper, there's more detail and contrast in the panels… It might also provide a good trip down memory lane for some, reminding them of late nights spent with smuggled comics contraband and a flashlight under the sheets. It's a good introduction as well to a genre that may today seem corny and hackneyed, but I'll be damned if it still ain't pretty creepy, bad puns an all," writes Chris Auman. 

• Review: Broad Street Review gazes upon 50 Girls 50 by Al Williamson with love. Bob Levin pens, "Williamson's art could infuse aliens and monsters, no matter how hideous, with sympathetic personalities that reinforced Feldstein's feelings about brotherhood and tolerance.…His delicate line, intricately constructed panels and gossamer-like space-station cities and landscapes are fully on display in this book."

• Review: Comics Bulletin on Came the Dawn by Wallace Wood.  "…the true delight and fascination of Came the Dawn will be seeing again Wood's sublime understanding, indeed his enrichment of, the comics language, from panel and page composition to the pacing, direction, of capturing and conveying of mood…Let's face it: No one draws an emaciated corpse - especially in zombie form - better than Wood," pens Eric Hoffman.

• Review: The Last Vispo edited by Crag Hill and Nico Vassilakis is reviewed on Ler BD.

• Plug: The Love and Rockets Library  makes it onto Robot 6's latest edition of Shelf Porn ....with a kitty! Pictures and shelf ownership by Guido Cuadros.

• Commentary: MTV Geek talks about the awesomeness of CAKE and artists like Kim Deitch and Noah Van Sciver appearing to sign books. 

• Commentary: Aside from eating some suspect local food, Noah Van Sciver does great with The Hypo and his one-man anthology BLAMMO at Denver Comic Con on The Beat.

• Plug: Jim Woodring's first beer in the Oddland Series was included in the Best Labels of the week. 

We know you've really been wondering what the interior of Love and Rockets: The Covers looks like... how it's laid out, what the recoloring looks like, what it includes. This PDF excerpt should answer your questions, particularly the Editor's Note:

It's a spectacular and dee-luxe production and we want to be sure we're getting everything just right at the printer, so we're taking a little extra time with it and it's now scheduled for September release. Here's a sample of the clear overlay that wraps around the front cover:

Read the first three chapters of In Case We Die by Danny Bland below or here. (Note that there is NSFW material.) We'll wait...

OK, now that you're hooked, pre-order the book. First taste is free. (You'll also get a free download of the full audiobook when it's released, as a bonus for ordering direct from us. Details TK.)

In celebration of the arrival of the inaugural class of MFA in Comics graduate students, the California College of the Arts in San Francisco will host a summer guest speaker series featuring some of comics' most talented creators.

On Friday, July 5th, CCA kicks off the series with a bang, with special guest Cathy Malkasian! Cathy will be discussing her work in the animation industry, as well as her most recent book, Wake Up, Percy Gloom!

This lecture will take place on CCA's San Francisco campus in the Graduate Writers Studio at 195 De Haro Street. 

And then on Friday, July 26th, CCA closes out the month-long series with Dash Shaw! Dash's discussions on his work and his latest book, New School, are not to be missed. 

Dash's discussion will take place on CCA's San Francisco campus in the Timken Lecture Hall on 1111 Eighth Street.

Both lectures begin at 6:00 PM! More information about the MFA in Comics program available at cca.edu/mfacomics.

It's our great pleasure to add another member of the fabulous Friedman family to our roster. Kipp Friedman's forthcoming memoir Barracuda in the Attic boasts this loving portrait by Kipp's big brother Drew (with hand-lettering by our own Jacob Covey), a foreword by father Bruce Jay and an afterword by brother Josh. In the book's pages you'll find true tales of the colorful clan's hijinks from New York to Hollywood and beyond, hobnobbing with the literati, mobsters, and at least one Marx brother.

We're taking pre-orders now; look for the book to hit shelves in early Fall, and if you know us you know we have more previews and sneak peeks on the way. 

Danny Bland's debut novel In Case We Die hits shelves in September. The book and jacket were designed by our guru Jacob Covey. Dig those silver & day-glo inks. Some of Danny's music-scene compadres have already read the book and had this to say about it:

"Our anti-hero is floating in a tiny lifeboat made of heroin, graveyard shifts & rock music. His companions are two fabulous women; a bombshell who robs banks & a beautifully pale rock violinist who can barely dodge suicide. ICWD is much funnier & more satisfying than any other junkie rock'n'roll tragedy." – John Doe (X)

"Bland is a brutally funny and bravely honest writer. A perfect guide through the bloodshot streets and desperate bedrooms of the underground wilderness." – Dave Alvin (Blasters)

"In Case We Die is a poetic and elegant journey ... straight to the gutter." – Wayne Kramer (MC5)

"Beautiful, literary redemption." – Exene Cervenka (X)

"A great piece of work — full of filth and heart." - Steve Earle

"A suitably Peckinpah finale. Bravo. It has been like a traveling dream state and sometimes familiar look into the abyss." – Greg Dulli (Afghan Whigs)

"I am a believer in what Bland has to say. He writes with eloquence, candor, darkness, and humor....the good stuff!" – Duff McKagan (Guns N' Roses)

We'll be making a few sample chapters available for you to read soon. And hey, if you pre-order the book from us, when the book is released you'll receive a code for a FREE download of the audiobook from Local 638 Records, with chapters read by a mind-blowing all-star lineup of music and cultural luminaries, including some of the folks above. Stay tuned for more details about this exclusive offer — all pre-orders are eligible, so there's no reason to put it off! 

Just arrived and shipping now from our mail-order department: 

Zippy: The Dingburg Diaries
by Bill Griffith

232-page black & white/color 8" x 10" softcover • $29.99
ISBN: 978-1-60699-641-6

See Previews / Order Now

Comprising a full two and a half years' worth of dailies and full-color Sundays, The Dingburg Diaries is the third Zippy book featuring tales of "Dingburg, the City Inhabited Entirely by Pinheads" — Zippy’s home town. There’s even a long series of "Historical Dingburg" strips, chronicling the pinhead population through the years, from 1840, when Dingburg’s "Town Fool" accidentally invented disco, to 1958 when Dingburg Beatniks flourished in the town’s Bohemian neighborhood. Like, Yowl, man.

God also has his own chapter (and verse). In the guise of a clip art "authority figure," he dispenses unwanted advice and conditional love upon the citizens of Dingburg. His tendency to cross-dress reaches new heights when he appears in a performance of "Swine Lake," wearing a tutu. Sacrilegious, yet sensitive.

There are large chunks of Mr. The Toad, Zerbina, Little Zippy and the rest of Griffith's cast of characters throughout this expanded collection. Published in a larger 8" by 10" format, The Dingburg Diaries also features a big color section, showcasing Griffith's inventive palette. There are parodies of the paintings of Edward Hopper and Film Noir, and "Griffy’s Top Ten List On Comics and Their Creation," a semi-serious mini-tutorial on everything (well, ten things) he’s learned in over forty years at the drawing board.

Just arrived and shipping now from our mail-order department:

New School
by Dash Shaw

340-page full-color 8.75" x 11.25" hardcover • $39.99
ISBN: 978-1-60699-644-7

See Previews / Order Now  

In this brand new graphic novel from the acclaimed author of Bottomless Belly Button and BodyWorld, Dash Shaw dramatizes the story of a boy moving to an exotic country and his infatuation with an unfamiliar culture that quickly shifts to disillusionment. A sense of "being different" grows to alienation, until he angrily blames this once-enchanting land for his feelings of isolation.

All of this is told through the fantastical eyes of young Danny, a boy growing up in the '90s fed on dramatic adventure stories like Jurassic Park and X-Men. Danny's older brother, Luke, travels to a remote island to teach English to the employees of ClockWorld, an ambitious new amusement park that recreates historical events. When Luke doesn’t return after two years, Danny travels to ClockWorld to convince Luke to return to America. But Luke has made a new life, new family, and even a new personality for himself on ClockWorld, rendering him almost unrecognizable to his own brother. Danny comes of age as he explores the island, ClockWorld, and fights to bring his brother home.

New School is unlike anything in the history of the comics medium: at once funny and deadly serious, easily readable while wildly artistic, personal and political, familiar and completely new.