|Written by Eric Reynolds | Filed under Cathy Malkasian, art||3 Apr 2008 9:24 AM|
A Cathy Malkasian sketch from Comicon 2007.
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Archive >> April 2008
The Collected Comics Library Podcast has a really fun and very informative interview with Todd DePastino, author of Bill Mauldin: A Life Up Front (W.W. Norton) and editor of Willie and Joe: The World War II Years (Fantagraphics). For decades Mauldin was the voice of the Greatest Generation through his cartoons, particularly with his most famous characters Willie and Joe, which DePastino discusses in-depth.
On Thursday, April 17, author David Hajdu will be at Town Hall to promote his new book, THE TEN CENT PLAGUE, detailing the Senate crackdown on comic books in the 1950s amidst fears of their contributing to juvenile delinquency. Fantagraphics didn't publish this book, but we like it so much that we're teaming up with Town Hall to promote the event. For you NEW YORKER readers out there, the current issue includes a review of THE TEN CENT PLAGUE (as well as a swell "Talk of the Town" piece by Lillian Ross about Drew Friedman's Friar's Club event to promote MORE OLD JEWISH COMEDIANS).
Anyway, we hope you'll join us for what promises to be a fascinating talk about one of the more curious and ignoble moments in American pop culture history, a period which put several comic book publishers out of business and threatened to destroy the industry completely. Here's the full description:
Conventional wisdom places rock 'n' roll at the dawn of American youth culture, but it was the comic books of the 1930s and '40s that first created a radical divide between the generations. David Hajdu looks at why Jews — such as Will Eisner, Jules Feiffer, and Stan Lee — dominated the comic book industry, and how they employed comics to express their Jewish experience. Music critic for The New Republic, Hajdu is the author of Positively 4th Street. His new book is The Ten-Cent Plague: The Great Comic Book Scare and How It Changed America. Presented by Nextbook: Public Programs on Jewish Literature, Culture and Ideas. Advance tickets are $8/$6 Town Hall members, students, and under 25 only at www.nextbook.org. Call 206/744-2289 for more information.
Thursday, April 17, 2008, 7:30 PM. Downstairs at Town Hall, enter on Seneca Street.
How does McNulty find time to read in between police work, boozing, and whoring? See more cool pics at the Atomic Books Flickr page, including a Bunny Colvin cameo for you fellow Wire-lovers.
It seems Mayor Michael Bloomberg has declared this Paul Hornschemeier week in New York City, beginning tomorrow! First up, we have this in the early evening:
ABOVE: Paul Hornschemeier, Dialectic on Preference, 2004
Dave Eggers curates
With works by Jean-Michel Basquiat, Leonard Cohen, David Berman, Ted Berrigan, Joe Brainard, Georges Braque, Jeffrey Brown, R. Crumb, Henry Darger, Marcel Duchamp, CM Evans, Shephard Fairey, David Godbold, Alasdair Gray, Philip Guston, Paul Hornschemeier, Jay Howell, Chris Johanson, Maira Kalman, Kenneth Koch, David Mamet, Quenton Miller, Tucker Nichols, Alice Notley, Ron Padgett, Raymond Pettibon, Dan Perjovschi, Amy Jean Porter, Steve Powers, Royal Art Lodge, Peter Saul, George Schneeman, Olga Scholten, David Shrigley, Shel Silverstein, Nedko Solakov, Ralph Steadman, William Steig, Saul Steinberg, Kurt Vonnegut. This show will explore a very small and specific type of artmaking exemplified by contemporary people like David Shrigley, Raymond Pettibon, Nedko Solakov, and Tucker Nichols. This kind of art, which we refuse to name, is somewhat crude, usually irreverent, and always funny. It exists somewhere between one-panel cartoons and text-based art. What we're talking about, basically, is a show of about 100 works that subscribe (unknowingly) to the following criteria: a) they're drawings, usually very basic or crude; b) these drawings are accompanied by hand-drawn text on the artwork, and this text refers to the drawing, much like a caption; c) this caption-text is funny. So in many ways you might say these are cartoons, because we've just listed the qualifications of a cartoon. But the works in this show are usually found in galleries, not newspapers or magazines, and so we have something interesting to think about: Is humor allowed in art, and in what forms? Are captions allowed in art, and why? And most importantly, why doesn't David Shrigley spell better?
All events are open to the public and free.
BUT WAIT, THERE'S MORE!
After the above event ends at 6PM, head out to Rocketship in Brooklyn for this at 7PM:
And, then that doesn't sate your Paul appetite, check out this the next day at Dartmouth:
Brooklyn Book Fest 2014
Join us at the Brooklyn Book Fest, September 21, 2014, in Brooklyn, NY. Click here for details!
2020 Club, 21, Abstract Comics, adam grano, Adventures in Slumberland, Aidan Koch, AJ Fosik, Al Columbia, Al Feldstein, Al Floogleman, Al Jaffee, Al Williamson, Alex Chun, Alex Toth, Alexander Theroux, Aline Kominsky-Crumb, Amazing Heroes, An Age of License, Anders Nilsen, Andrei Molotiu, Andrice Arp, animation, arbitrary cuteness, Archer Prewitt, Arf, Ariel Bordeaux, Arnold Roth, art, Art Chantry, Art Clokey, art shows, artists, audio, awards, B Krigstein, Barnaby, Barry Windsor-Smith, Basil Wolverton, Beasts, behind the scene, Ben Catmull, Ben Jones, Ben Schwartz, best american comics criticism, Best of 2009, Best of 2010, Best of 2011, Best of 2012, Bill Everett, Bill Griffith, Bill Mauldin, Bill Schelly, Bill Ward, Bill Wenzel, Bill Willingham, Blab, Blake Bell, Blazing Combat, Bob Fingerman, Bob Levin, Bob Staake, Boody Rogers, Brian Kane, Brian Ralph, Bumbershoot, Burne Hogarth, Camille Rose Garcia, Captain Easy, Carl Barks, Carl Richter, Carol Swain, Carol Tyler, Catalog No 439, Cathy Malkasian, CCI, Charles Burns, Charles Forsman, Charles M Schulz, Charles Rodrigues, Charles Schneider, Chip Kidd, Chris Ware, Chris Wright, Chuck Forsman, classics, Colleen Coover, comic strips, comics industry, comics journal, Coming Attractions, comiXology, Conor OKeefe, Conor Stechschulte, contests, Crag Hill, Craig Yoe, Critters, Crockett Johnson, Daily OCD, Dame Darcy, Dan DeCarlo, Dan Nadel, Daniel Clowes, Danny Bland, Dash Shaw, Dave Cooper, Dave McKean, David B, David Collier, David Greenberger, David Lasky, David Levine, david sandlin, David Wojnarowicz, Debbie Drechsler, Denis The Menace, Dennis the Menace, Derek Van Gieson, Design, Destroy All Movies, Diaflogue, Diamond, Diane Noomin, Dick Briefer, digital comics, Disney, DJ Bryant, Don Flowers, Don Rosa, Down with OPP, Drawing Power, Drew Friedman, Drew Weing, Drinky Crow Show, Ebay, EC Comics, EC Segar, Ed Luce, Ed Piskor, Editors Notes, Edward Gorey, Eisner, Eldon Dedini, Eleanor Davis, Ellen Forney, Emile Bravo, 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