The Comics Reporter broke the news that the next volume of Mome, number 22, will be the last. CR's Tom Spurgeon commented and spoke to Mome editor Eric Reynolds about ending the long-running anthology; Rob Clough talked to Eric at TCJ.com; and Sean T. Collins comments at Robot 6. We thank the three of them and everyone else who has been a proponent of the series. I for one will miss the publication and abhor the vacuum its departure will leave, but look forward to Eric's future editorial efforts and future work from Mome's long list of contributors.

Pictured above, a Mome pinup created for the issue by Sergio Ponchione; below, artwork from the final issue recently posted by the contributors: from Tim Lane's "Belly Gunner" (see additional pages at his Jackie No-Name blog); from Kurt Wolfgang's "Nothing Eve" (taken from the New Bodega blog); from Derek Van Gieson's "Devil Doll" (see more pages and read his comments on his history with Mome at his These Days I Remain blog); from Nate Neal's "Death" (taken from his Flickr feed); pages in progress from Laura Park (taken from her Flickr feed); and from T. Edward Bak's "Wild Man" (see more pages at his °Ø° blog).

• Also working away on a new Mome story: Laura Park

Is this a panel from Ganges #4? Kevin Huizenga said that his preceding, now removed post specifically was not, so by inference… ? Or maybe it's a panel from something older that I can't immediately identify, which Kevin decided to post for his own inscrutable reasons. Good ol' Kevin "No Context" Huizenga. Sigh. Anyway, cool panel.

Presenting a brand new book from our good friends at Rosebud Archives: Skippy Vs. the Mob. "This important new book collects, for the first time, the only continuity Percy Crosby ever drew in his widely-syndicated Skippy comics, and features a comprehensive essay by the artist’s courageous daughter, chronicling an astonishing history of fraud, persecution, and betrayal. Here, for the first time, is a story ripped from the headlines — a spiraling saga that grew far too large for one man to handle." Rosebud's Jonathan Barli showed me a copy at the MoCCA fest last weekend and it is a beautifully produced package. Read more about the book and order your copy here. (And don't forget, you can order many Rosebud Archives products here on our website.)

Can Johnny Ryan's crack commando squad rescue a commercial pitch-man from the clutches of Satan's underworld? Find out at Vice Magazine. (And see more of Johnny's Vice comics in the new collection Take a Joke!)

At his Here There Be Monsters blog, Drew Weing has a nice little announcement about his acclaimed hit book Set to Sea going back to press for a second printing. So, if you're currently having a hard time finding the book (though we do still have mail-order copies), it should be widely available again before too long.

Photos of the Daniel Clowes exhibition that just opened at this year's Fumetto comics festival in Lucerne, Switzerland, by Erika Clowes at DanielClowes.com.

R. Crumb illustration of B.B. King, 2001, newly produced as a limited-edition etching by Wildwood Serigraphs. Already sold out, but still a feast for the eyes.

The latest Drew Friedman showbiz portrait available in a limited edition from Drew Friedman Fine Art Prints is of TV comedy pioneer Ernie Kovacs. As always, the description includes a finely-written bio of the subject by Irwin Chusid.

You can help Dash Shaw make his animated feature film The Ruined Cast and receive some great pledge gifts (including having your likeness drawn as an "extra" and having a private movie screening with co-producer/filmmaker John Cameron Mitchell if you're a richie-pants) by contributing funds via Kickstarter. Why does Dash need to raise money this way? So he can raise more money. He explains:

"We’re raising the resources to get the project in its best shape to present to production financiers. We’re making a movie that's difficult to compare to another, so the burden of proof is on us to illustrate it first. This takes funding for materials, production space and labor. We’ll be able to acquire the equipment and supplies to start creating elements of the film. As the teaser suggests, the movie will be painstakingly animated by hand — it requires paints for backgrounds, lots and lots of paper, lots of pens, scanners, and cameras to capture 'live' paintings. Your contributions will allow us to lay the groundwork to bring this to life."

Co-producer Howard Gertler says "Whether or not you can contribute, Dash, John, [co-producer] Biljana [Labovic] and I would love for you just to get to know the project better — it's only the beginning of the journey for a visionary film that's been a joy and honor to be working on." The video teaser and much more information can be seen on the Kickstarter page.