As the Seattle Mariners embark on another season of despair and sordid revelations of players on performance enhancing drugs continue to grab headlines, cartoonist Wilfred Santiago reminds us why we love the game of baseball. 21: The Story of Roberto Clemente documents the unlikely career of the Pittsburgh Pirates legend. Clemente's inspirational rise from the barrios of Puerto Rico to the highest levels of our national pastime was heroic enough. Not content with the fame and fortune brought by his baseball abilities, Clemente became a tireless advocate for social justice and the plight of the underclass throughout Latin America.
Over the course of his storied career, Clemente overcame the racial discrimination of the era to win awards in nearly every category, including the World Series MVP in 1971. Despite his success on the field, Clemente never forgot his roots, returning in the off-season to manage and play with minor league teams on the impoverished island.
For all his staggering athletic accomplishments, it was his unflinching humanitarianism that cemented Clemente into our culture's consciousness. While visiting Puerto Rico in 1972, Nicaragua experienced a devastating earthquake. Clemente immediately began a relief effort, sending planeloads of supplies to the beleaguered country. When he learned these shipments were being diverted by corrupt officials, he boarded a flight to Managua. The plane, overloaded with supplies, fell out of the sky after take off. His body was never found. Clemente remains a hero throughout the hemisphere. He has been posthumously awarded the Congressional Gold Medal and the Presidential Medal of Freedom, among countless others. Major League Baseball honors the player that best exemplifies his commitment to public service with the Roberto Clemente Award.
Clemente's cartoon biographer Wilfred Santiago will appear at Fantagraphics Bookstore & Gallery on Wednesday, May 4 at 6:00 PM. His sensitive portrayal of this amazing story is rendered seamlessly with cinematic verve. Santiago will discuss his graphic novel with bestselling author Rob Neyer, national baseball editor for SBNation.com, followed by an informal reception and book signing. Please join us for this momentous occasion.
Wilfred Santiago in conversation with Rob Neyer on 21: The Story of Roberto Clemente Wednesday, May 4, 6:00 - 8:00 PM Fantagraphics Bookstore & Gallery 1201 S. Vale Street. Seattle. Phone: 206.658.0110
I'm hoping to get a chance to do a post on my whole Stumptown Comics Fest haul, but one of the things we picked up was the Living Things series of lovely little pamphlet mini-art books from Little Otsu, including this one by Lilli Carré and other volumes by Hannah Waldron, Jo Dery, and Lizzy Stewart. You can order Lilli's here and find the others easily from there.
This week's comic shop shipment is slated to include the following new titles. (We're also seeing reports that Peter Bagge's Hate Annual #9 may be showing up in some comic shops in the East & Midwest, though it's not on this week's list.) See more about each book at the links, and contact your local shop to confirm availability.
128-page black & white/color 8.5" x 11" softcover • $19.99 ISBN: 978-1-56097-413-0
"It’s not a splurge for me since I already own them, but if you want to dip your toe into Robert Crumb waters, Fantagraphics has new editions of Vol. 13 and 15 ($19.99 each) in their Complete Crumb line. Both feature some really great works by the master." – Chris Mautner, Robot 6
"Those two Crumb volumes might actually be under-appreciated for as good as they are and for what people have decided is most valuable within Crumb's overall oeuvre." – Tom Spurgeon, The Comics Reporter
• Interview: At Torontoist, Courtney Clinton talks to Lorenzo Mattotti about The Raven and other topics in advance of his visit to the city for TCAF: "For me, it comes naturally to portray solitary characters. In the end we are all alone and at a certain point we have to confront this idea. Solitude can also be an inability to communicate with others. It’s probably something I as an artist feel more than most, even if I try to fight these feelings. On a positive note, in a moment of concentration solitude can help us see our own inner depth."
St. Louis! Are you ready for a calvacade of whimsy and wonder?!
Tomorrow night, Wednesday, April 20th, The Magic Dwindler, Esq. (aka Tim Lane!) kicks off a monthly series at Subterranean Books entitled The Whirling Gypsy Comicarouselesque Revue & Burlesque.
As he explains on his blog, it's "loosely based on traditional carousel comic performances, but are also meant to facilitate explorations and experimentation in inventive ways of bringing comics – or I should say pictures and words – into the realm of performance."
The Whirling Gypsy... will whirl every third Wednesday of the month at 7:00 pm at Subterranean [6275 Delmar Blvd.]. Don't miss it!
• List: In light of the impending end of the anthology, Robot 6's Chris Mautner names "The six best stories in Mome" (to date... there's one issue yet to go)
• Review: "Hernandez of Love and Rockets continues his obsessive study of faux Z-movies featuring L&R character Fritz, a lisping, freakishly large-chested post-ingenue. This latest offering [Love from the Shadows] is imaginatively staged, beautifully drawn and deftly dialogued, with odd discordant undertones and psychosexual notes that include incest and insanity." – Richard Pachter, The Miami Herald
• Review: "More stoner/fantasy silliness from Daly. There seems to be more of a focus on plot and creating lengthy action sequences than in previous. The jokes don’t seem as frequent, or at least are more subtle this time around. [...] Dungeon Quest Book Two is still a fun romp, especially if you’re at all familiar with the fantasy genre or role-playing games in particular." – Chris Mautner, Robot 6
• Review: "Crane's drawings are clear, simple, rounded. They combine perfectly with the primary colors used in printing newspapers. His characters were drawn more cartoonish than realistic, with free and lightweight lines, without much concern for details. In layout, Crane was able to explore the space of the entire page of the Captain Easy strip, alternating horizontal and vertical panels to get a more dynamic effect. The author also used horizontal panels to show beautiful panoramic images of fights and persecution." – Gustavo Guimaraes, Ambrosia (translated from Portuguese)
• Interview: At The Rumpus, Ted Wilson has a fun chat with Jim Woodring: "People sometimes avoid me but not because I am or am not a garbageman. I really have no idea what you are asking. Do people avoid garbagemen? Not in my experience. In fact I learned that some women simply cannot resist a man in any kind of a uniform. I’m not kidding."
• Interview:Paul Gravett presents a transcription of the Comica-sponsored conversation between Dave McKean and Lorenzo Mattotti which took place in London last month: "I had read Piersanti’s novels, When he was buying a portfolio of mine, we were introduced. A French publisher wanted a short comic for an anthology about religion, so I asked Claudio because I knew he was interested in philosophy and spiritual problems. He had the idea of a man who finds he has stigmata wounds on his hands and doesn’t know what to do." (via The Comics Reporter)
• Interview: At The Comics Journal, Ken Parille talks to Ivan Brunetti about teaching comics: "To me, art is not about talent, it’s about hard work. It’s about developing one’s intelligence, thoughtfulness, and sensitivity. To some degree, the potential for these things seems to vary, implying they are perhaps innate, but I think anything can be nurtured (or neglected). Something might not come easy, but it can be learned. It’s matter of will, desire, determination, and hard work."
• Feature: At the Drawing Words & Writing Pictures blog, Best American Comics series co-editor Matt Madden spotlights Alexey Sokolin's "Life, Interwoven" from the Abstract Comics anthology as a 2010 Notable Comic: "The comic is made entirely of hatching lines, scribbles, swooping lines, and, way down beneath it all, hints of representative imagery. It almost looks like what began as a conventional comic mutated as the marks and lines broke free of the images. It’s also interesting the way the comic can read either as a six page comic, a series of six drawings (a sextich?), or six iterations of the same page being increasingly overwhelmed with line."
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