Peter Bagge and Steve Fisk's pop music combo "Can You Imagine?" will be opening for Harvey Danger at Seattle's Crocodile Club this Sat., Aug. 29th for what's being billed as HD's last performance (and they MEAN it this time!). They'll be performing at an earlier 5 pm show, where HD will be doing a "quiet" set -- a perfect time for fuddy-duddies who like to go to bed early!
Tickets are $20, and can be purchased online here:
Things have reached a chilling climax in this week's installment of Steven Weissman's in-progress pages from "Blue Jay," an epic 51-page story from Chocolate Cheeks, the next collection of the Yikes! gang's adventures....
Holy smokes -- collector alert! We had 8 great comics from past years that, due to record-keeping error, have not been available for sale for years but were really in stock all along! Now you can buy them again -- quantities are limited so act fast:
(1993) Before he killed Captain America, Eisner winner Brubaker racked up his first nomination for this tale, delineated in rich, realistic detail by Shanower. Was a teenage girl's death accidental, or obsession-fueled murder? $3.50
(1992) The second of the four-part authorized adaptation of Tod Browning's classic horror film, written by Woodring and drawn by Solano Lopez. In this issue, the seeds of jealousy and intrigue are sown among the circus folk. Highly recommended. (Issue 3 is also available.) $2.25
(1995) The voice without makeup, survival tips for real life, letting off steam, love songs to the one that got away. Girltalk publishes underground heroines and money-making illustrators along with diamonds in the rough. $3.50
(2002) Elegant society reveals its true nature with tales of deflowering demons, tea with a couple of Playboy Bunny virgins, a running commentary on Romanians, delinquent dolls, and what happened when Fashion Week met the apocalypse. $3.95
(1985) Classic Love and Rockets in full color! This miniseries reprinted the early, sci-fi adventure "Mechanics" stories with the addition of artful color embellishing. Plus in this issue, a Rocky & Fumble adventure! $2.00
(1991) Where it all began! The long-running, eye-opening series kicks off. Can you handle "Crazy Bitches," "Female Problems," and "Bitchy Bitch Gets Laid"? How about "Bitchy Bitch Goes to Fantagraphics"? Classic venom and hilarity! $2.50
(1988) Cop-turned-P.I. Alack Sinner takes on a shocking case from a young socialite that revolves around a questionable retirement home and discovers there's more to this whole affair than meets the eye! Plus a thought-provoking backup story. $2.95 (Issues 4 and 5 also available)
(1999) Everyone's favorite depraved child alcoholic stars in his own comic book. Let's eat some paste and rejoice! "Dumpy" offers advice on trash-digging, the "supporting" characters battle it out to see who's the biggest loser & more. $2.95
• Review: "As slim, smooth, and hard as its attractive, Adam Grano-designed album-style hardcover format, West Coast Blues is as strong a crime comic as you're likely to see this year (or until whenever the next Gipi Wish You Were Here Ignatz book comes out)... Tardi's art [is] a master class in spotted blacks and lines like garrote wire... This sucker's good." - Sean T. Collins
A few Online Commentary & Diversions links, all killer no filler:
• Feature: Chris Mautner of Robot 6 kicks off that site's new "Comics College" column by giving an introduction to Love and Rockets, "one of the seminal titles... in shaping the sensibilities of the nascent indie scene." This article is a great complement to our own "How to Read Love and Rockets" feature
• Review: "It's been awhile since I've seen Gilbert do a story as deliberately oblique and enigmatic as this, given that much of what he's done of late has been either wrapping up the fates of his American-based Palomar characters or whipping up over-the-top noir/pulp thrillers. For Jaime, his first stories in the new version of L&R have been a return of sorts to his early Mechanics roots, only even more steeped in the fantastic. At the same time, his commanding storytelling prowess and greater subtlety directly inform this story, leading to some surprisingly poignant moments amidst sci-fi twists and costumed mayhem." - Rob Clough
• Review: "...West Coast Blues is a tight, economical and forceful thriller shorn of the self-consciousness that frequently comes when American comics mosey into the same territory... It's a wicked little book." - Tom Spurgeon, The Comics Reporter
• Analysis: "Besides being a beautifully done work of artistry and imagination, among particular crowds [Abstract Comics: The Anthology] spurs the question 'If these are comics, then what "are comics"?'" - Neil Cohn
• Analysis: For Comics Comics, Dash Shaw pens an appreciation of the work of Tim Hensley: "It’s like what he chooses to draw in the environment (and what he chooses not to draw) is determined by some graphic Feng Shui. When his comics are at their most beautiful, these environments function both as the story’s world and abstractly... With his best dialogue, a line that you first read as being surreally disconnected on a second reading is funny and on a third reading reveals a wider scope of the story."
• Review: "Yes, both of these books are like kryptonite to good taste. But there are a couple of big differences between what Johnny Ryan is doing in Comics Are for Idiots!, his latest Blecky Yuckerella strip collection, and what he's doing in Prison Pit, his ultraviolent action-comic debut... The four-panel Blecky strips often feel like a breakneck race to the punchline through some kind of bizarre obstacle course requiring the basic premise of the gag to get more ridiculous with each panel... Ryan's rep as altcomix's premier overgrown juvenile delinquent is well deserved--and don't get me wrong, you can absolutely enjoy Prison Pit on that level--but the poetic savagery he depicts here is the work of a grown-ass man." - Sean T. Collins
• Review: "[Delphine], Richard Sala's contribution to Fantagraphics's prestigious Ignatz Series, is some of his strongest and most personal work yet... He sets his pop-cultural influences aside this time to lead us down a grimmer path... As for the art -- well, what can I say? It's recognizably Sala's, and at the top of his game, but taken to the next level, in that the usual precision of his black-and-white work is here inflected with sepia washes that give an added visual dimension to the murkiness of the hero's experience... The heavy dustjackets, with such gorgeous full-color art not only front and back but on both big inside flaps, deliver a lush visual and tactile experience that no bonus gallery in a collection will be able to duplicate... By whatever route you get here, I highly recommend this." - Curt Purcell, The Groovy Age of Horror
• Review: "Even when she's not especially inspired, Dame Darcy creates superior goth comics: cheerfully mean-spirited, idiosyncratically stylish, and oozing with surreal ichor... In [Meat Cake #17], Darcy indulges her goth tropes and her feminism: men are tormented, sisterhood is affirmed, and light-hearted squick is relished by all. And, as always, Darcy's eccentric drawing is a joy, with perspective, proportion, and visual logic all flattened out to fit into geometrically obscure but oddly elegant patterns." - Noah Berlatsky, The Comics Journal (reprinted at The Hooded Utilitarian)
• Plug: "The big story here [in The Comics Journal #299] is Bob Levin's spectacular essay on Michel Choquette and his never-completed comics anthology... Sadly, the project never got off the ground, and Levin details in his typical stellar fashion why and how. It's a fascinating tale, one well worth your $12." - Chris Mautner, Robot 6
• Plug: "This is a particularly excellent issue of TCJ, thanks to Bob Levin's magnificent 50-page... history of 'The Someday Funnies'... You really need to read it." - Douglas Wolk, Comics Alliance
• Interview: Seth continues discussing his design work for The Complete Peanuts in the final part of Brian Heater's interview at The Daily Cross Hatch: "Schulz’s work is right there in the book. Every line in those strips is his. But the design stuff is just design stuff. It’s a setting to put a gem in. The setting is not the gem."
• Things to see: At the Covered blog, Anthony Vukojevich does a Gilbert Hernandez Birdland cover
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