...when FedEx drops off a big stack of Gilbert Hernandez artwork. Behold, the entirety of his next book, the "Fritz film adaptation" The Troublemakers. Drawn at size. Amazing. Our production maestro Paul Baresh will be scanning this tonight. Probably a late Fall/early Winter release. Cover painting by Rick Altergott.
• Review: "I’ve just finished the fourth Usagi Yojimbo trade and the fifth is sitting next to me... If you’re like me, throw away your preconceptions about anthropomorphic comics and get on board. As a fan of samurai fiction (to the point of having a Seven Samurai tattoo) and comics, I can’t recommend Stan Sakai’s beautifully drawn, note-perfect reinvention of the genre highly enough." - Kevin Church
• Review: "I Killed Adolf Hitler is a fun, silly and slightly creepy comic, a love story wrapped around a time travel paradox, dressed up with gun fighting. In short, it's a perfect comic book..." - Michael C. Lorah, Newsarama
• Review: "Sometimes the single panel of a political cartoon just isn’t a big enough space for a cartoonist to work with, especially if said cartoonist is interested in providing a detailed, nuanced discussion or honest-to-God reporting on a topic. That’s the sort of political cartooning Peter Bagge has been engaging in for Reason magazine, and a decade’s worth of examples are now available in trade-paperback collection Everybody Is Stupid Except for Me... Bagge is libertarian (as is Reason), and it shows, but one need not agree with his politics to enjoy his work here, perhaps because as a political cartoonist, Bagge’s a cartoonist first and political second." - J. Caleb Mozzocco, Las Vegas Weekly
We have a trio of new original graphic novels with coincidentally zoological titles, all now available for pre-order. All of them debuted to a great response at Comic-Con last month; they should be in stock here and ready to ship later this month, and in stores approximately 4 weeks after that. Click the links for each book below for more info and to access downloadable PDF excerpts!
Giraffes in My Hair: A Rock 'n' Roll Life by Bruce Paley & Carol Swain - A comics memoir of sex, drugs and rock 'n' roll, a life lived in the countercultural margins, from the optimism of the Summer of Love to the nihilism of the punk years, vividly brought to life with compelling visuals by the cartoonist Time Out called "the Raymond Carver of British comics."
The Red Monkey Double Happiness Book by Joe Daly - Set in sun-drenched Cape Town, South Africa, this book features two full-length stories, “The Leaking Cello Case” and “John Wesley Harding,” rife with mystery, suspense, action, adventure, conspiracy theories, cool cars and excellent weed. From the creator of the Eisner-nominated Scrublands.
The Squirrel Machine by Hans Rickheit - Meticulous, strange, and hauntingly beautiful, this evocative and enigmatic book will ensure the inquisitive reader a spleenful of cerebral serenity that will take exposure to vast quantities of mediocrity to dispel.
• Review: "Crude but powerful drawings; an eye-shattering color palette; helter-skelter plotting, often with anticlimactic, fall-off-a-cliff endings; unintentionally manifested author obsessions; stupendous indulgence of schadenfreude, terror and glee at the misery of humanity, salted with some token morality. Yes, that's the Fletcher Hanks formula for a unique, unforgettable, Golden Age comics masterpiece, and all these bizarro traits are indeed on glorious display here [in You Shall Die by Your Own Evil Creation!]..." - Paul Di Filippo, Sci Fi Wire
• Plug: "I'm very impressed with Fantagraphics's restart of this wonderful series [Prince Valiant]. The reproduction quality is much improved over their old softcover series; it's the best I've seen... This is the perfect series to introduce kids to great comics adventure." - Bud Plant
• Plug: "Abstract Comics: The Anthology: I'm one of those who considers the first two words of this title to be an oxymoron. That, ironically, probably makes me a good candidate for reading this book... You can’t argue with the list of contributors..." - J. Caleb Mozzocco, Newsarama
In this second big omnibus collection of his ongoing tales of the “Locas,” Jaime Hernandez continues telling stories featuring his main characters Maggie, Hopey and Ray. This volume picks up shortly after Maggie and Hopey’s long-awaited reunion at the end of the first Locas.
Even though her love life remains as chaotic as ever, Hopey takes her first few steps toward responsible adulthood with a real job (as a teacher), while a demoralized, divorced Maggie ends up as the manager of a fleabag apartment building where she continues to wrestle with the demons of her past — most prominently in the stunning centerpiece of the volume, the graphic-novel-length “Maggie” serial, with its stunning, hallucinatory dream finale.
Meanwhile, Ray still carries a major torch for Maggie, but falls in with the “Frogmouth,” the volatile bombshell whose ties to local thugs cause him no small amount of grief.
Of course, Maggie, Hopey, and Ray’s paths continue to intersect in Hernandez’s increasingly complex, intricate, and always vitally realized world.
This omnibus volume compiles stories originally printed in the pages of the comics Penny Century, the one-shot special Maggie & Hopey Color Fun (presented here in black and white), and Love and Rockets Vol. II, and was formerly collected in the volumes Dicks and Deedees, Locas in Love, Ghost of Hoppers and The Education of Hopey Glass.
Abstract comics? Don’t all comics tell stories? How can a comic be abstract? Well, as it happens, beginning with the experiments of Saul Steinberg, through some of the more psychedelic creations of R. Crumb and Victor Moscoso, and with increasing frequency in recent years, cartoonists and other artists have played with the possibility of comics whose panels contain little to no representational imagery, and which tell no stories other than those that result from the transformation and interaction of shapes across the layout of a comic page. Reduced to the most basic elements of comics — the panel grid, brushstrokes, and sometimes colors — abstract comics highlight the formal mechanisms that underlie all comics, such as the graphic dynamism that leads the eye (and the mind) from panel to panel or the aesthetically rich interplay between sequentiality and page layout.
Abstract Comics, edited by Andrei Molotiu, an art historian as well as one of the best-known contemporary abstract-comic creators, is the first collection devoted to this budding genre. It gathers the best abstract comics so far created, including early experiments in the form by cartoonists primarily known for other types of comics, such as Gary Panter, Patrick McDonnell, or Lewis Trondheim, and pieces by little-known pioneers such as Benoit Joly, Bill Boichel and Jeff Zenick, as well as by recent creators who have devoted a good part of their output to perfecting the form, such as Ibn al Rabin, Billy Mavreas, Mark Staff Brandl, and many others. It also features first attempts, commissioned specifically for this anthology, by well-known cartoonists such as James Kochalka, J.R. Williams and Warren Craghead. Comprehensive in scope, Abstract Comics gathers work not only from North America, but also from France, Switzerland, Great Britain, Australia, and New Zealand, showing the rise in popularity of the genre to be a true international phenomenon. In the process, the anthology highlights the wide variety of approaches taken to the combination of abstraction and sequential art — approaches resulting in work that is not only graphically bold, but also often proves to be surprisingly humorous or emotionally disturbing.
Another batch of photo previews for you: Mome Vol. 15 - Summer 2009, which just hit stores last week. Watch the preview in the slideshow player embedded below; if it's not visible to you, or to see it full-screen (recommended), click here; if you don't like slideshows, browse here.
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