32-page black & white/color 6.75" x 10.25" comic book • $4.99
Available for sale and shipping to comic shops on December 21, 2011
Celebrating 10 years of Jason being published in the US, this comic-book-format one-shot is a Jason fan’s dream, with lots of previously unpublished Jason strips and artwork, an interview with Jason’s colorist Hubert, a checklist of all Jason’s books, a Q&A with the man himself, and a visual tributes gallery by several American cartoonists to the towering, taciturn Norwegian genius including Michael Allred, Kim Deitch, and Rich Tommaso.
Tim Kreider, who plies his trade as an essayist a bit more than as a cartoonist these days, has four recent unpublished pieces available to read and disseminate on his website: three on the Occupy movement and one on the end of the Iraq War. Access all three and read Tim's brief introduction here. Here's a good money quote: "It’s past time that the Right and the Left both noticed that our traditional nemeses — Big Government and Big Business, respectively — are literally the same people."
Every so often I'm asked whatever became of Fantagraphics old delivery van, which was vandalized — I mean decorated — by masters of alternative comix during a 1991 signing at Fallout. (Crumb, Clowes, Bagge, Bros., Mavrides, Woodring, etc.) We spoke to the Georgetown owner last summer and he assured us restoration was underway. On Friday, Georgetown Records unearthed a cache of vintage Rocket magazines. The April '91 issue contained a sidebar on this rolling masterpiece.
• List:FEARnet's Joseph McCabe names Richard Sala's The Hidden to their Best of 2011: Books and Comics: "Sala's unique brand of creepy quirk combines Edward Gorey, Chester Gould, and Charles Adams with his own unclassifiable magic. The Hidden, from Fantagraphics Books, is his most ambitious work -- an intimate apocalypse."
• List:The SF Site's Rick Klaw ranks 21: The Story of Roberto Clemente at #4 on his top graphic novels of 2011: "In this emotionally moving biography, the Puerto Rican Wilfred Santiago magnificently chronicles the often tragic life of this icon.... Santiago expertly traverses Clemente's tribulations, losses, and success with ease and skill. His portrayal of the baseball games rank among the finest ever attempted in this medium. Under the masterful hands of Santiago, 21 evolves into far more than just a biography of a sports figure. It showcases a life worth emulating."
• Review: "I’ve been eagerly anticipating Wilfred Santiago’s graphic biography 21: The Story of Roberto Clemente since I first heard it was the works... Santiago uses black and white and some yellow-orange fill-ins, but really that’s all he needs. His style is clean, ranging in depiction of Clemente throughout the years to religious leaders to baseball action scenes, which he often depicts in a seemingly photo-realistic style with ballplayers drawn against what appears to be a collaged photo background of a baseball setting but is instead a note perfect drawing. ...Santiago does Clemente proud with 21." – David A. Kirschenbaum, Boog City (PDF download)
• Review: "Looking for someone to turn lemons into lemonade? In his own distinctive way, Alexander Theroux might be your man.... In Estonia: A Ramble Through the Periphery, he mines his disappointment and catalogs his discontents to impressively crotchety effect. ...[L]ike the country's many invaders—Russians and Germans, and, before them, Swedes and Danes—Mr. Theroux largely uses Estonia as a space for his own purposes, transforming this admirable country into a grotesque but clever caricature perfect for use as... a stage for Mr. Theroux's verbal pyrotechnics and some fine jokes... I laughed a lot, but guiltily." – Andrew Stuttaford, The Wall Street Journal
• Review: "After years and years and years, Fantagraphics has finally started their deluxe reprint series of Walt Kelly's comic strip Pogo. The first volume is available right now, and it's absolutely beautiful, a big comic book with real heft and majesty.... Pogo always felt, to me, like a strip you should read like a novel, a continuing sitcom about the personality-heavy critters who live in a swamp. This collection proves that I was right. This isn't a book you read so much as sink into: Kelly's brilliant ear for dialect and voice lulls you along, and then you're lost in his beautiful artwork.... The whole book is... a series of packed — but crystal clear — panels that grow together to establish a world of curious characters whose misunderstandings lead to great adventures. If I had to make one complaint about this Pogo collection, it'd be that it ends too soon.... If you like comics, or if you know any kids who read comic strip collections, this is the Christmas book for you." – Paul Constant, The Stranger
• Review: "[My] gripes are minor in relation to the beauty and quality of this book presentation, as well as the stories themselves.... The stories, of course, are outstanding. Most of the long adventure tales are classics in their own right.... Plus, Barks comes up with some of the most brilliant schemes and swindles — most perpetrated against Donald for comedic effect. The super-compressed plotting makes everything more frenetic — and more funny! Walt Disney’s Donald Duck: Lost in the Andes is an excellent start to Fantagraphics’ Carl Barks Library." – K.C. Carlson, Comics Worth Reading
• Review: "It was the best of Momes, it was the worst of Momes. Alright, that’s not quite accurate, and not quite fair, either. But this unwittingly penultimate issue of Fantagraphics’ long-running alternative-comics anthology — page for page the longest-running such enterprise in American history! — is a hit-or-miss affair in the mighty Mome manner. ...[T]he hits... are strong enough to make the book worth checking out.... You gotta take the rough to find the diamonds." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "The ability to make me cry is not generally something I praise in a book.... But in Special Exits Joyce Farmer pulls off something much more difficult — she takes a true story and plays it straight without any overly dramatic embellishment. Her frank honesty lays bare the emotional core of the story.... Farmer’s black and white line drawings are detailed and expressive, but never flashy. Her art is straightforward, as befits the story.... The end product is as honest and unembellished as a personal journal and we’re lucky Farmer’s chosen to share it with us." – Andrew Fuerste-Henry, No Flying No Tights
• Review: "Despite [Taking Punk to the Masses'] coffee table book appearance, McMurray tries to keep the punk rock do-it-yourself ethic by letting the artifacts and punk denizens speak for themselves.... The quotes from the publisher/artists who created them and musicians who were featured weave together nicely to give a sense of moment. And sometimes the creator and object merge, such as the Nirvana show posters hand-drawn by Kurt Cobain." – Ian S. Wilder, Boog City (PDF download)
• Interview: At Heeb, Eli Valley chats with Drew Friedman about old Jewish comedians and Old Jewish Comedians: "A lot of these guys, they get to a point where they’re angry they’re not getting the attention they used to get. I guess that’s true for anybody getting old who used to be in the limelight. I wanted to capture that. 'Pay attention to me, I’m old but I’m still funny and I want you to pay attention to me.' These guys are still in your face, they never slow down, but basically it’s over. There’s no more work. A lot of them would just be happy to receive an award for their work. You just don’t want to be forgotten."
We were sorry to hear yesterday of the death of Christopher Hitchens, who wrote an excellent introduction to Joe Sacco's Safe Area Gorazde. Tom Spurgeon pointed out at The Comics Reporter this morning that the introduction (which also appeared as an essay in the Los Angeles Times) is posted online in its entirety at the Gorazde Info website. (I don't think we granted permission, but we'll let it slide.) I'm hoping to get Gary to write a little something on his encounter with Hitchens.
And this Saturday, December 17th, you can satisfy your sinister curiosity with a slideshow presentation and talk with Flora archivist Irwin Chusid!
Irwin will present a talk about the artist's life, accompanied by a digital projection of over 100 spectacular works from the Flora collection. The wine begins pouring at 4:00 pm, with the presentation starting at 5:00 pm sharp. Admission is free, but seating is limited, so arrive early!
untitled tempera, early 1940s
The Dorian Grey Gallery is located at 437 East 9th Street (between 1st and A) in New York City. The exhibit runs through January 8th.
When we contemplate a memorable old comic book, the first thing that comes to mind is its cover, and that was no accident. Publishers realized fairly quickly that if they spent a little extra to hire a good cover artist, they could fill the insides with mediocrity and still make a sizable profit — that all it took was a striking cover to entice thousands of kids to fork over their dimes.
Even today, covers drive the collectors’ market. Apart from number-one issues and first appearances, the strength of a comic book’s cover is the first consideration in determining its value. Indeed, it is now common practice to entomb the book between slabs of sealed plastic — with only the cover visible — as if the interior pages’ sole purpose was to provide a place to secure the staples.
In order to locate the best possible examples, collectors from around the world have been enlisted to share their rare and valuable comic books. The scores of cover artists represented include Carl Barks, Charles Biro, Dick Briefer, L.B. Cole, Jack Cole, Reed Crandall, Will Eisner, Bill Everett, Lou Fine, Walt Kelly, Jack Kirby, Mac Raboy, and Alex Schomburg. Every comic book genre will be explored, from superhero to detective to Western to funny animal.
Majestic, iconic, chaotic, or downright weird, a classic comic book cover has an undeniable appeal, and Action! Mystery! Thrills! celebrates in spades this unique cultural icon. The covers are printed full-sized on glossy paper to most faithfully replicate the originals, and arranged chronologically to give the reader a sense of the sweeping trends and stylistic developments throughout the medium’s first decade, as inexorable waves of dazzling imagery battled monthly for newsstand attention. This long-overdue collection also includes extensive historical commentary by editor/designer Greg Sadowski (Four Color Fear, Supermen!).
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