As the final embers of the Yule log die down, that wad of Christmas cash is starting to feel mighty warm in your pocket, isn't it? We're here to help you avoid unsightly burn holes in your pants and get what you really wanted for Christmas by offering 20% OFF everything on our website (including our already-discounted clearance items and gift sets) Wednesday, December 26 through Saturday, December 29, 2012! Just use the coupon code FANTACLAUS when you check out and you'll receive 20% off everything in your order. (If you prefer to shop by phone, just mention this offer when you call — 1-800-657-1100 or 206-524-1967 outside the U.S., 9 AM to 5 PM Monday-Friday.) 20/20 Club members get a double-shot discount of 36%, so join up if you haven't already.
Thinking contemporary? Catch up with the Hernandez Brothers' latest Love and Rockets. Prepare for the President's second term with Steven Weissman's Barack Hussein Obama. Sail the bloody seas with Chris Wright's Blacklung. Meet the Great Emancipator in Noah Van Sciver's The Hypo. Take a chance on Lilli Carré's Heads or Tails — either way you win.
Fantagraphics Bookstore & Gallery curator Larry Reid joined Seattle Mayor Mike McGinn last Friday at the ribbon cutting ceremony marking the re-opening of the Airport Way Bridge at the north entrance to the Georgetown business district. While Reid had imagined wielding scissors on a Claes Oldenburg scale, the more modest pair did the job. So patrons again have an unobstructed route to the store. Following the snipping exercise, the Mayor dropped by the bookstore for some Christmas shopping. (To avoid tipping off the gift recipients, we won’t disclose his purchases – but he displayed excellent taste in comix.) Store is open until 4:00 PM on Christmas Eve and New Year’s Eve, closed for Christmas and New Year’s Day. Seasons greetings.
As with every year we've been diligently compiling our books' appearances on end-of-year lists and for your browsing and shopping reference we have created a handy page of 2012 Critics' Picks, listing books that are being chosen by critics, fellow artists, readers and other comics professionals as the Best of 2012. (See also the 2008, 2009, 2010, and 2011 lists — these lists can also be found under "Award Winners" in our "Browse Shop" navigation tab.) This page will continue expanding as the year winds down and into the new year and more lists are announced.
If you're a critic, blogger, pundit and/or enthusiast who's putting together your own Best of 2012 list and need to be reminded which of your favorite Fantagraphics titles were released this year (and there's a lot of them), by all means use our complete and up-to-date 2012 Releases section as your guide. (Note that this list includes multipacks which may contain previous years' releases.)
Ever since her performance at our Love and Rockets Anniversary Party, we've just been entranced by artist and musician Geneviève Castrée!
And for a limited time only, we have some of her comics and music for sale at the store, including this particularly exquisite album, recorded under the alias Woelv for K Records in 2007.
Not only does this record feature Geneviève's beautifully haunting music, but it also comes with a 60-page book of her lovely illustrations that exists to better understand the stories that are melodically expressed in her songs.
This entire record is sung in the French language, so if you're not Kim Thompson, you can read the translations of the lyrics included in the book, which is greatly recommended by Geneviève.
The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street in Seattle's Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone: (206) 658-0110. Open until 4:00 PM on Christmas Eve and New Year's Eve; closed on Christmas and New Year's Day.
Cate McGehee attended the 30th Anniversary party for Love and Rockets held at the Fantagraphics Bookstore and wrote about it in The Stranger. Gilbert and Jaime Hernandez were in attendance in addition to hundreds of people ready to see the brothers during their auspicious celebration. Flanked by a gorgeous wall of original art, punk show posters (draw by the brothers) and alt-weekly covers, curated by Larry Reid and editor Kristy Valenti, the room held more wonder than of those in The Mask of the Red Death!
Nearly thirty years of work is laid out on prismatic display (more not pictured). Why has Love and Rockets held up so long? The facts as stated in The Stranger: "It was one of the very first comics to include LGBT characters and people of color, to draw from an underground urban demographic, and to have kick-ass female leads." Or as Larry put it the comics "foreshadowed the contemporary multicultural society." With characters who age, die and get revisited via that time machine called comics, Gilbert and Jaime have created some of the most complex and human characters in the industry.
The article goes on to describe some of the more familiar faces to the Hernandez brothers off the bristol board, their returning fans. One man brought his future wife, who became the bigger fan eventually, then their baby who in turn grew up and "she said her mom couldn't make it, and then rolled up her sleeve to show Jaime her Love and Rockets tattoo." But success hasn't slowed the two cartoonists down, they can't imagine a life without comics or a life without Love and Rockets. And neither can we.
Pictures: Gilbert and Jaime pose with fan, the Love and Rockets Library collection and Gilbert signs for a fan in front of the wall.
Meet Ellen Forney and pick up a signed copy of her sensational New York Times bestseller Marbles, this Saturday, December 22 from 1:00 to 2:00 PM at Fantagraphics Bookstore & Gallery. The perfect occasion to complete your last minute holiday shopping. Add new meaning to "stocking stuffer" with a signed copy of Ellen's lovely Lust collection (though we're unsure ourselves what that new meaning might be.) We have exquisite gifts for everyone in every price range — many under $20!
While you're at the store, you can view our colorful exhibition celebrating 30 Years of Love & Rockets and check out new offerings from your favorite local alternative cartoonists, as well as international artists and classic comic strip collections.
Fantagraphics Bookstore is located in the historic Georgetown industrial arts colony at 1201 S. Vale Street, minutes south of downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Open until 4:00 PM on Christmas Eve and New Year's Eve, closed on Christmas and New Year's Day. Happy holidays.
The last peanut of a day of Online Commentaries & Diversions aka the news you missed while present shopping, latke eating and flying:
• Review: The Comics Journal and Rucker crack the two books focusing on Malcom McNeill and William S. Burrough's artistic collaboration, Observed While Falling (the memoir) and The Lost Art of Ah Pook is Here. (the art book) "The art is awesome, the memoir is engaging. . .Ah Pook is in a characteristic style of Burroughs’s middle period. He mixes a true-adventure story with bitter anti-establishment scenarios, gay sexual fantasies, science-fictional visualizations of chimerical mutants, and apocalyptic visions of a biological plague. . .The results are staggering—the best pictures of dicks that I’ve ever seen. . . ."
On the memoir "One of the pleasures of McNeill’s memoir, Observed While Falling, is reading about hear about his conversations with Burroughs. Old Bill laid down some tasty aphorisms. . . Ah Pook is a word/image virus. Study these new books and enjoy the disease."
• Interview:Jaime and Gilbert Hernandez of Love and Rockets are interviewed by Tim Hodler, Dan Nadel and Frank Santoro on The Comics Journal. Jaime talks about becoming more popular cartoonists, "So Gilbert and I kind of set up our own ground where we go. We go, you love Raw? Raw’s East Coast? Love and Rockets is West Coast. And they go, 'So West Coast is primitive and old-fashioned?' Fine. It’s not art school."
• Review:Comics Alliance features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On the Love and Rockets Library Collection, by Gilbert and Jaime Hernandez Andy Khouri states, “This indie comics mainstay has been going for nearly 30 years, making Love and Rockets as intimidating to some new readers as even the densest superhero mythologies. Luckily, Fantagraphics has made the Los Bros Hernandez saga about a massive cast of startlingly lifelike characters digestible in the form of affordable reprint volumes published in chronological order."
• Review: Douglas Wolk reviews Harvey Kurtzman’s EC stories in Corpse on the Imjin! for the New York Times. "Kurtzman’s writing could be bombastic — nearly all of these stories’ titles end in exclamation points — but, as the United States became mired in the Korean War, his reeling disgust at the horrors of war (and his thick, slashing brush strokes) made for shockingly bold rhetoric."
•Review:The Atlantic lists Mark Twain's Autobiography 1910-2010 by Michael Kupperman as one of The Best Books I Read This Year. Chris Heller says "Kupperman’s brilliance isn’t just in his humor, though. Mark Twain’s Autobiography is meant to be read in small doses, no more than half a dozen pages at a time. Trust me: You don’t want to gorge on a book that’s this weirdly amusing. But after a peek into Kupperman’s hysterically twisted mind, you’ll keep wanting to go back for more."
• Review:Comics Bulletin releases its 2012 Best Graphic Novel List and The Hypo by Noah Van Sciver makes it. "Van Sciver's toolkit includes the pens and pins of pathos and pain, self-doubt and angst, as much as it contains determination and fortitude. The Lincoln of The Hypo transcends his time, place, and even (or maybe especially) his name. . . It stands as a true example of the capabilities of this medium to deliver stories in a truly visceral manner," writes Daniel Elkin.
• Review:Unshelved comics review The Hypo by Noah Van Sciver. Gene Ambaum writes,"The mood of Lincoln’s life in Springfield, Illinois, is well-expressed via the rough-hewn, cross-hatched skies, floorboards, and backgrounds."
• Review: Tim Callahan has nothing but love for Spacehawkby Basil Wolverton on Comic Book Resources. He states, "Wolverton's world is a weird and ugly and beautifully innocently horrible charmingly delightful one, and it has more in common with the absurd genre riffs from something like Pendleton Ward's Adventure Time or Jesse Moynihan's Forming or Tom Gauld's Goliath than it does the bland superhero melodrama of 'Marvel Mystery Comics'."
• Review:Comics Bulletin's Favorite Reprints Books of 2012 include Gary Panter's Dal Tokyo and our Carl Barks reprints. In reference to Carl Barks' Uncle Scrooge and Donald Duck, "I would not hesitate to say that Fantagraphics’ reprints of Barks’ Duck comics may very well be the best collection series that any comic company is doing today! . . Each story is funny, smart and just plain fun and Fantagraphics treat each and every panel on the page with care and detail," states Nick Boisson. Jason Sacks writes "[Dal Tokyo is] a freaking godsend from the reprint editors at Fantagraphics because it unearthed an amazing, surreal, brilliant lost classic that's like an artifact from some amazing parallel dimension.. . Readers are asked to bring our perceptions to these pages, to bring our intelligence and passion and appreciation for abstraction and love for everything that feels different and yet the same as everyday life."
• Review:School Library Journal files Walt Disney's Donald Duck: A Christmas for Shacktownby Carl Barks in the Dewey (Huey and Louey) decimal of their hearts. J. Caleb Mozzocco says "[It] features another 200 pages of master cartooning from 'The Good Duck Artist' in a nicely produced bookshelf- or backpack-ready hardcover edition. . . the Barks books are great comics for kids and adult fans of the medium."
• Review: Uncle Scrooge: Only a Poor Old Man makes the Best of or Our Favorite Books of 2012 list on the Village Voice. Alan Scherstuhlstates, “Sprightly, inventive, wise, and more exciting than 60-year-old-duck tales should be, Barks's work already stands at the top of any list of history's greatest comics. It should also rank high among stories, period.”
• Review:Brooklyn Based thinks Sexytime edited by Jacques Boyreau is for youand suggests books for reading and giving. "This book is a journey into the aesthetic of porn," states Jon Reiss.
• Interview: Alex Dueben interviews Lilli Carré on Comic Book Resources about comics and animation. "I loved designing and arranging the [Heads or Tails]. Figuring out which pieces to include and the best order for them took quite a while, since I wanted each story to speak to the one before and after it, and to have a good flow despite the shift in styles. It was like making a high-stakes mix tape."
• Review: North Adams Transcript and John Seven look at Heads or Tails by Lilli Carré. "The multi-faceted Lilli Carre -- author, illustrator, animator -- presents stories that are as gentle as they are cryptic, in which the darkness of her themes meld perfectly with the sweetness of her style. . .Carre’s short work is collected and celebrated, revealing a creator of power, easily on the level with lauded types like Chris Ware."
• Review:Hooded Utilitarian makes it through Josh Simmons' The Furry Trap (probably with all the lights on in the house). James Romberger writes it is “packed cover to cover with shudders that cannot be anticipated, that grow worse as they progressively become less clearly defined. The last narrative is the most frightening because it is a straightforwardly articulated bit of cinematography on paper that, as with the most effective of suspenseful creations, gains in impact from what is never shown, the reader’s mind having already been prepared by the foregoing tales to expect the worst.”
• Review:Comics Alliance features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On The Complete Peanuts Collection box setsby Charles M Schulz. Andy Khouri writes, “Reprinted in chronological order with the highest production values, any one of these books would make an auspicious addition to any bookshelf.”
• Review:School Library Journal looks at Charlie Brown’s Christmas Stocking by Charles M. Schulz. J. Caleb Mozzocco says, "Schulz’s Peanuts has always been unique in its ability to speak to audiences of adults and children simultaneously. . . Nice then to have a comic that can speak to kids, adults and the little kids the adults used to be all at the same time—even if only for a quick 40 pages or so."
• Review: HeroesOnline looks at The Complete Syndicated Pogo Vol. 2 "Bona Fide Balderdash" by Walt Kelly. “Pogo certainly belongs on any informed list of the top 5 newspaper comic strips of all time. The artwork is stunning, the pacing is fast, the characters simply come alive on the page; the plot-lines are crazy and labyrinthine and above all hilarious . . . Fantagraphics does the Kelly oeuvre proud with beautiful production values and insightful introductory material,” states Andy Mansell.
• Review:Dungeon Quest 3 by Joe Daly is the Best ofYear 2012 on the Forbidden Planet International site.Clark Burscough writes, “Deceptively simple looking artwork contains hidden depths, and the mythology that Joe Daly is building up around these characters and their world is starting to get properly out there.. . And on top of that – it’s laugh out loud funny. I can’t go into precisely why, because it’s also laugh out loud filthy. Something for everyone in these books.”
• Interview:Comic Book Resources and Alex Dueben interview James Romberger on his collaboration of 7 Miles a Second (and Post York). On his love of New York-centric books, “It is strange that I'll get used to an aspect of the landscape, but so often, I will come out to find it gone and replaced with something completely different. Still, I also love that shifting quality and the multiculturalism of the city; it is my primary subject,” says Romberger.
• Review:Listen, Whitey!on NPR Music for its MUSIC compilation. Matt Sullivan, assistant to author Pat Thomas, talks to Michaelangeo Matos about the project to accompany the book. "There's no way that Sony or EMI were going to [automatically] say yes to the Bob Dylan or John & Yoko tracks, because they get those requests all day. Years ago, Pat went to Bob Dylan's office and got those guys to approve it. The same thing with Yoko. . ."
• Plug: Speaking of 2013, Johanna Draper Carlson of Comics Worth Reading can't wait for Pretty in Ink: American Women Cartoonists by Trina Robbins to come out!
The newly formatted, 600+ page Comics Journal proved a resounding success with 2011’s edition. 2012’s Volume 302 is sure to prove just as essential and exciting to comics readers worldwide.
This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th — and 21st — century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview (and one of the last before his death in 2012), Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning — and also, on the lighter side, about his love (and hate) of movies. And his unbridled comments on the political leadership of the previous decade have already garnered national media attention and controversy.
Sharing equal billing in this issue's flip-book format: Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi. The two explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more, focusing on Tardi's working methods (with step by step illustration), collaborations and other media (such as film and animation), and his fascination with World War I. Plus, Matthias Wivel examines Tardi's adaptation of Léo Malet's 120, Rue de la Gare.
Also in this issue, Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Bob Levin provides a revelatory investigation of the twisted history of the "Keep on Truckin’" litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a ground-breaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. R.C. Harvey looks at Bill Hume's Babysan and Donald Phelps examines Percy Crosby's Skippy. And a tribute to the late Dylan Williams from his peers and the artists he published.
Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), a new comic by Joe Sacco and one by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, Tom Crippen on Mort Weisinger and Superman, Rich Kreiner on "difficult comics," and a visual gallery of and commentary on proto-comics.
The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics.
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