We'd like to thank everyone involved in making 2012 a spectacular success at Fantagraphics Bookstore & Gallery. Gifted artists, authors, musicians, and curators coalesced to create a stimulating cultural atmosphere at the space.
Thanks to artists Peter Bagge, Gabrielle Bell, Jeffrey Brown, Nathan Bulmer, Charles Burns, Art Chantry, Jack Davis, Michael Dougan, Ellen Forney, Camille Rose Garcia, Ruth Hayes, Gilbert Hernandez, Jaime Hernandez, Tom Kaczynski, David Lasky, Tony Millionaire, Gary Panter, Joe Sacco, Noah Van Sciver, Chris Ware, and Jim Woodring; authors Jim Demonakos, Susan Kirtley, Mark Long, Pat Thomas,and Nico Vassilakos; musicians Geneviève Castrée, Zachary David, Dennis Driscoll, Lori Goldston, Kyle Hanson,and Molly Nilsson; guest curators J. Michael Catron, Max Clotfelter, Michel Gagne, Ben Horak, Cathy Hillenbrand, Tim Miller, Kristy Valenti,and Jen Vaughn; bookstore interns Lillian Beatty and Lillian Morloch; bookstore staff Janice Headley and Russ Battaglia, as well as our retail partners at Georgetown Records.
Most of all we want to thank you - our wonderful patrons - for your enthusiasm and support over the past six years. Cheers!
Yesterday, the Fantagraphics Bookstore and Gallery hosted Koyama Press's Nathan Bulmer (born-and-bred Seattlite). With Zachary David Jammin' signing and laughing in the background, it was a beautiful time with I must say, a lower age median than usual. Larry Reid, Janice and excellent new intern Lilly hosted a great time. Nate's mother provided tasty tiny cookies so you could like, totally five and the platters still looked full.
Not one to cut in line just because I work at the company, I waited in line and undulated with the rest of the crowd to the music. My typical line at artist signings is "Jen with one 'n' – don't waste the ink." Lucky for all, Nate is a funny man at heart and pulled out a pencil instead of a pen. He proceeded to "waste lead like a boss." Sunday afternoons have never been more adorable.
Why are there so many cups?! It was party, please ignore the cups. Pick up your copy of Eat More Bikes at the Fantagraphics Bookstore or from Koyama Press.
Earlier this month we wrapped up what has been my favorite project I've ever worked on. I've been pretty lucky to work on some amazing books by many of my favorite cartoonists, but this... this is something else. This is Crockett Johnson's BARNABY . This has been my #1 dream project for well over a decade, and it's now real.
Which is all to say, I'm genuinely thrilled to be the first one to present this sneak peek at Vol. 1.
If you're unfamiliar with BARNABY, let me allow Chris Ware to set the stage. This is from his introduction to Vol. 1:
"I never thought I'd see this day, but the book you hold is, well... the last great comic strip. Yes, there are dozens of other strips worth rereading, but none are this Great; this is great like Beethoven, or Steinbeck, or Picasso. This is so great it lives in its own timeless bubble of oddness and truth..." — Chris Ware
BARNABY is the long-lost comic strip masterpiece by Crockett Johnson, legendary children's book author (Harold and the Purple Crayon) and illustrator (Ruth Krauss' The Carrot Seed).
Featuring the misadventures of five-year-old Barnaby Baxter and his cigar-chomping, bumbling con-artist of a Fairy Godfather, J.J. O'Malley, BARNABY deftly balanced fantasy, humor, politics and elegant cartooning in a strip that captured the imaginations of kids and intelligent adults alike, including Dorothy Parker, Charles Schulz, W.C. Fields, Gardner Rea and Milton Caniff. We will be collecting in five volumes the entire, original ten-year run from 1942-1952.
Speaking of BARNABY superfans, our books are being designed by Daniel Clowes, which would sound more inspired if he weren't really the only man ever considered for the job. Dan is the person who first introduced me to the work of Johnson over 15 years ago, and I know this series means as much to him as anyone. I couldn't be happier with his designs. You've seen Dan's final cover for Vol. 1 above. Here's Dan's initial thumbnail rough from his sketchboook earlier this year; as you can see, he pretty much nailed it on the first take:
Here's a similar peek at one of Dan's initial "storyboards" for the book, this time for the opening spread of Jeet Heer's introductory essay:
... and here's the final, more-or-less identical final version, executed by our own esteemed Tony Ong and Clowes:
Dan makes things easy.
Here's a teaser of the entire jacket:
I can't end this post without mentioning my series co-editor, Philip Nel. Phil knows more about Crockett Johnson than anyone. Period. If you like Barnaby, please read Nel's definitive bio: Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children's Literature from the University Press of Mississippi.
In addition to his invaluable help behind-the-scenes, Phil has provided two indispensible resources for our first volume: a comprehensive biographical essay on Johnson focusing on the creation of Barnaby, as well as "The Elves, Leprechauns, Gnomes, and Little Men's Chowder and Marching Society: A Handy Pocket Guide," a stunningly comprehensive glossary to everything referenced in BARNABY. He'll even explicate formulas like this:
Anyway, there's much more to be had in this first volume, but I'm honestly reluctant to tip our hand too much. I can't wait for people to see this book. Featuring the first two calendar years of the strip, 1942-1943, you're in for a dense, rewarding treat. Look for it in stores by late-March or early-April (we'll update you as we go).
And once you finish Vol. 1, look for Vol. 2* in Spring 2014:
The most returned sweater of Online Commentaries & Diversions:
• Interview: Tom Spurgeon of the Comics Reporter interviews cartoonist Carol Tyler about her You'll Never Know series about her father, WWII and family bonds. He starts of the interview right, "You've lived with these books for a very long time. How did it feel to get some closure on this work?". Click here for the answers and more.
• Review:Comics Bulletin looks at You'll Never Know Book 3: Soldier's Heart by Carol Tyler. Jason Sacks states "You'll Never Know is a breathtaking graphic novel because Carol Tyler is honest enough to know that stories are seldom as tidy nor as dysfunctional as they seem on TV…It's a tremendously real story straight from the heart, told by a master cartoonist."
• Plug:Comic Book Resources and Brian Cronin investigate the legend around the FBI examining Pogo comic strips searching for hidden messages.
• Plug: Geekosystem has suggestions for our 20% sale like Pogo by Walt Kelly. "Are you a Calvin and Hobbes fan, dear reader?…If you are a fan, we’d point you towards one of the strip’s inspirations, Walt Kelly’s classic Pogo cartoons. By turns razor-edged political satire and old-fashioned slapstick comedy gold, these strips are being given their due."
• Review:Reality Studio looks and relooks at Observed While Falling and The Lost Art of Ah Pook Is Here by Malcolm McNeill on his collaboration with William S. Burroughs. Jan Herman writes "Observed While Falling brings a fresh analytical eye to the familiar Burroughsian fixations — synchronicity and doppelgangers, control systems, the word as virus, the number 23 — that dominate this memoir, while still offering a straightforward chronicle of the author’s relationship with le maître. Luckily for us, McNeill is an artist who can write. Really write.…the hard work, the exhilaration and, ultimately, the frustration of a project that failed to achieve its original goal — is largely treated with brilliant introspection and loving grace."
• Review:Forbidden Planet International continues their Best of 2012 lists. Douglas Noble places Chris Wright's Blacklung on the list. "Unforgettable, and Wright's beautiful, scratchy art is a treat, like EC Segar working with Yuichi Yokoyama designs."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. On Walt Disney's Mickey Mouse: House of Seven Haunts by Floyd Gottfredson, Chris Sims writes, "They're one of the few things that I get excited about to the point of giddiness, and House of the Seven Haunts! was the best volume yet…It's one wild adventure after another, and they're all done with an incredible skill that still holds up almost 80 years later."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. The Furry Trap by Josh Simmons makes the list "The faux-Batman comic, which details the Bat's horrifically misanthropic ways, might be a reason to check out the contents of this hardcover collection of Simmons stories, but the entire volume is full of troubling tales worth your attention…The unexpected happens, consistently, and that's about the only thing you can be sure of," states Tim Callahan.
• Plug:NO releases its Best Comics of 2012 list and Sean Collins breathtakingly writes about The Furry Trap, "Josh Simmons shits in your heart, again and again in ways that grow exponentially more refined and chilling as the book progresses. A perfect statement of rancid intent."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. Designer Dylan Todd writes on Barack Hussein Obama by Steven Weissman. "There's something vaguely Peanuts-esque at work here, with a cast of recognizable characters… all with their own quirks and personalities, all delivering punchlines while the specter of death and soul-crushing doubt hangs over their heads. It's funny, but like any good comedy, it's tied up in uncomfortable and relatable truths…It's surreal, nonsensical, and a little depressing -- so, huh, maybe it's an accurate portrayal of political life in the 21st century after all."
• Review: Timothy Callahan of Comic Book Resources looks back on 2012 and Steven Weissman's Barack Hussein Obama is #20 on his Best Of list. "It's just such a fragmented work of narrative, but Weissman plays with repetition and transformation in a near-musical way, and that ends up mattering most…This comic is difficult to discuss without sounding ridiculous, but I can't stop thinking about its unsettling strangeness."
• Review:Paste Magazine's guest writers Nathan Bulmer and Kevin Huizenga pick out some of our books as the Best of 2012 including Steven Weissman's Barack Hussein Obama, Jason's Athos in America, and Chris Wright's Blacklung. Bulmer looks at Weissman, "I have so many feelings about this book. This, to me, is the most gorgeous book of the year and is one that I will be returning to often."
• Plug: Geekosystem has suggestions for our 20% sale like Athos in America by Jason. "Fact: New Jason books are weird, funny, and always bring something new and unexpected to the table. Conjecture: This book probably deserves a place on your shelf…"
• Review: KC Carlson of Comics Worth Reading dives not into a vault of money but Carl Barks' books. While reading Uncle Scrooge: "Only a Poor Old Man"she can't help but write,"One way or another, all of these stories are classics (if not masterpieces) of early comic book storytelling. And not just for kids." When flipping to Donald Duck: "A Christmas for Shacktown" Carlson notes,"It’s probably one of the least sentimental Christmas stories around (and thus a favorite of many fans). It features an early example of Scrooge’s lack of charity, counterbalanced by his steadfast work ethic…I can’t say enough about how much I love these new Fantagraphics collections of this 'should always be in print' Carl Barks material."
• Review: Andrew Wheeler over at Anticks Musings enjoys Peanuts Vol. 17: 1983-1984 by THE Charles M. Schulz. Wheeler states, "they're reliably funny and occasionally moving. The deep sadness that used to manifest in Charlie Brown now comes up, less rawly, . . . For work done by the same one man, day after day, more than thirty years after he started that project, that's not just impressive, it's amazing."
• Review (video): Jon Longhi in episode 2 of Having a Book Moment features Spacehawk by Basil Wolverton "who was an amazing underground cartoonist with exp, surrealist view of reality that created some of the I think, most unique comics ever invented. . ."
• Review:Robot 6 enjoys SpacehawkbyBasil Wolverton. Chris Mautner writes "Wolverton’s Spacehawk has a vitality — at times it practically throbs with life — that the more static Stardust simply does not have. Spacehawk not only the best reprint project of the year, it’s the best reprint project of the past several years. It’s a revelation."
• Review:Comics Alliance announced their Best Comics of 2012. Basil Wolverton's Spacehawk "remind[s] you of some kind of Buck Rogers Technicolor serial as designed by Robert Crumb…Spacehawk is the freakishly charming sideshow to the more popular main event, but everyone who's seen its wonders would find themselves bored with what the guy in the big hat in the center ring is babbling on about," writes Tim Callahan
• Review:Comics Bulletin and Jason Sacks give Spacehawk by Basil Wolverton a rating of 4.5 outta 5 stars. "This book is really fucking exhilarating and awesome and eye-popping, and you have to add it to your bookshelf if you loved I Shall Destroy All the Civilized Planets…Spacehawk is lunatic, manic genius."
• Review:Delphine by Richard Sala gets BoingBoinged. Mark Frauenfelder writes, "I've long admired the gothy work of cartoonist Richard Sala. He delicately balances the line between horror and humor as few can. His latest graphic novel, Delphine, is his darkest effort to date."
• Review: Comic Book Resources counts down the Top 100 Comics of 2012 and includes The Hypo by Noah Van Sciver at #54. Brian Cronin states "Van Sciver spotlights a fascinating time in Lincoln's life where he barely resembles the man who would one day become one of the most famous presidents in U.S. history…The artwork is strong, as is the research." Cronin's own Top 10 Comics of 2012 listed Van Sciver at #2.
• Review:Panel Patter lists the Favorite Graphic Novels of 2012 and Noah Van Sciver is #2 for The Hypo. Rob McMonigal writes "Given that Van Sciver specializes in characters who are at their wit's end and have horrible things going on in their lives, he's picture perfect in his presentation."
• Interview: Tom Spurgeon interviews editor and fan Marc Sobel on living life breathing Love and Rockets at the Comics Reporter. Sobel started writing, critiquing the Hernandez Brothers work, interviewing them that led to writing and co-editing The Love and Rockets Reader and The Love and Rockets Companion, coming out next year.Sobel pondered, "I decided to read Love & Rockets in its original format and blog about each issue as a way to teach myself about one of the medium's classics while still keeping active as a writer."
• Review:Comic Book Resources counts down the Top 100 Comics of 2012 and #35 is Love and Rockets: New Stories #5. "…the Bros turned in another installment of comics that are simultaneously agonizing to witness and darkly funny while they’re serving up stone-cold dramatic situations," writes Brian Warmoth
• Plug:Gilbert Hernandez receives some attention from Sean T. Collins at Carnival of Souls in regards to upcoming Julio's Day and D&Q's Marble Season. "A now-completed collection of work he serialized during Love & Rockets‘ second volume and a pseudoautobiography, these could send him in the direction of critical and audience reappraisal that the outré sex and violence of his recent comics have denied him."
• Interview (video): As part of the 30th Anniversary celebration, Vegas Seven posted a short interview with Gilbert and Jaime Hernandez conducted at Alternative Reality Comics in Las Vegas.
• Plug: Glyn Dillon writes the Best of the Year 2012 for Forbidden Planet International and shares the love for Jaime Hernandez's God and Science. "I'm not really a fan of the super hero genre, but he delivers it in such a fun way, it's hard to resist it's charm. It almost feels as though it's from an alternative universe, a universe where super hero comics are good."
• Review:The Chicago Tribune gets all fancy to read our EC Library Comics: Corpse on the Imjin by Harvey Kurtzman and Came the Dawn by Wallace Wood. "Kurtzman often evinces a grim humor in these war comics, they don't elicit laughs. His beautiful line-work — thick black strokes and quick black curves — captures the grit of battle and its aftermath: Corpses reach up from rubble, cones of fire erupt from gun barrels." Michael Robbins continues, "Wood's alternately claustrophobic and desolate brushwork lurches into life: spreading puddles and slanting rain, Rock Hudson jawlines and Jane Wyman curves, vertiginous angles, hallucinatory things with too many eyes."
•Plug:NO releases its Best Comics of 2012 list and Sean T Collins recommends Prison Pit 4 by Johnny Ryan. "Choose your monsters-transforming-and-pursuing-ultimate-murder poison: if you favour grossness, reality-breaking sci-fi and heavy manga inflections, go with Ryan."
• Plug:Michael Kupperman'sTales Designed to Thrizzle #8 is ranked 81 out of the Top 100 Comics of 2012 according to Comic Book Resources. "The latest 'Tales Designed to Thrizzle' very well might be the funniest edition of the annual comic yet! Kupperman's outrageously unpredictable sense of humor is on full force in this issue" states Brian Cronin. Cronin's own Top 10 Comics of 2012 listed Kupperman at #4.
• Review:Comic Attack bangs out the Best 15 All-Ages Titles of 2012. Hal Foster's Prince Valiant is on the list as Drew says "the detail and quality of the art alone along with the more literary form of narration provided the base and inspiration for dozens of artists and imitators after that, all these years still being just as entertaining as when first published, here from Fantagraphics never looking as good as collected before."
• Review: Nick Hanover of Comics Bulletin sits awhile with Tom Kaczynski's new book. Beta Testing the Apocalypse "is weird as all fuck and funny as all shit, a Singles Going Steady for the art comix crowd that merges Burroughs' cut-up commentary with Ballard's keen tech consumer insight and siliconic wit…is where we should be looking if we want to know what comes next, if we want to discern which hip priest had their ear closer to the ground."
• Interview:The Comics Journal's Tim Holder interviews Tom Kaczynski (cartoonist of Beta Testing the Apocalypse)on his comics and publishing endeavors.
• Plug: Jade at the D&Q Bookstore holds onto some serious love for Lilli Carré's Heads or Tails. "Her stories always incorporate some sense of magic realism, where bizarre occurrences are treated as if they were just another aspect of daily life. Equally impressive is Carré’s artistic versatility, always finding the appropriate style, palette and medium to tell her dreamy tales."
• Review:Cosmic Comix reviews The Crackle of the Frost by Mattotti and Zentner. "The story itself is amazing. It’s a story about loneliness, loss, and, most of all, fear…It’s a rare feat in which the words, although separate from the picture, are in perfect synch with it… If you are looking for a book that truly pushes the comics medium, then this is the book for you," writes David Lee.
•Review: Music magazine Ugly Things Issue 34 reviews Kevin Avery's book. Alan Bisbort writes "Everything is an Afterthought would, in another age, be considered 'essential reading' for anyone even remotely hip…these bokos remind us of how deeply some people cared for the music and its larger pop culture that many of us now take for granted."
• Plug: Geekosystem has suggestions for our 20% sale like Joe Sacco's book. "Safe Area Gorazde is a great introduction to his work and to the concept of comics journalism as a whole. This new special edition with notes from the author, updates on the characters, and a behind the scenes look at the creative process is must-own material.
• Plug: Geekosystem has suggestions for our 20% sale like I Shall Destroy All Civilized Planets by Fletcher Hanks. "Weirdness on the highest scale prevails in these collections…these delightfully strange relics deserve a place in the library of any comics art history completist or student of the medium."
• Plug: Filth and Fabulations looks at books for 2013 and The Astonishing Exploits of Lucien Brindavoine by Jacques Tardi is on there. "This book is perhaps a slightly less mature piece than some of Tardi's later self-authored work, but it is filled with a vibrancy and a dark humor that makes it a thing not to be missed, especially so for those who enjoy his amusing riffs on traditional genre pastiches, with a nice dose of violence and sarcasm thrown in". In addition to Goddamn this War! by Tardi and Jean-Pierre Verney. "It looks very promising, and seems to be more of a single narrative spanning the entirety of the war, rather than the looser vignette-style format of the earlier book."
Join us at Fantagraphics Bookstore & Gallery on Sunday, December 30 from 2:00 to 4:00 PM as we welcome Brooklyn cartoonist Nathan Bulmer back to his native Seattle. He’ll be signing copies of his new Eat More Bikes collection from Koyama Press, and other self-published comix.
Fantagraphics Bookstore is located at 1201 S. Vale Street (at Airport Way S.) only minutes south of downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Open on New Year’s Eve until 4:00 PM. Closed New Years Day. Phone 206.658.0110.
While trampsing around the suburbs and backwaters of Texas, I happened to find the majestic Webb Gallery in Waxahachie for there lay a treasure trove of Esther Pearl Watson paintings. With fading painted trim in still vibrant oranges and teals matched with iron statues and odd toys from people long since dead, it reminds you of an open range and that mix of culture which is a side-step from Southwestern.
Watson's paintings, unlike her Unlovable comics Fantagraphis printed, are deeply personal and autographical. As the daughter of the local color, Watson watched her father build several large-scale UFOs. Out on the lawn.
Bitter-sweet nostaglic scenes in dirty brown skies and abandoned women's clinics, Watson paints a darker time in her childhood. But that ever-hovering presence, the idea of 'what-if', the UFO. (They Might Be Giants might have called it her 'hovering sombrero')
Compared to Watson's Unloveable, which also runs in Bust Magazine, the unapolagetic Tammy Pierce is nearly the opposite of these quiet moments with tension bubbling under the surface. Each canvas, most of them wooden, are akin to a diary page created in paint, dirt and the occasional glitter patch instead of words. Notes are scribbled in the corners of most of the paintings to enhance or detail the scene. Often a new town, a new landscape to explore.
Details of the paintings. They practically vibrate.
So all these gorgeous paintings hang on the high-ceilinged walls of the Webb Gallery amongst their antique carnival posters, including Coney Island originals. The perfect place for the painted recollections of hazy memories. Something almost most too incredible to believe.
The Webb Gallery is open Saturdays and Sundays from 1-5 or by appointment, (972) 938-8085. A quick 30 minute drive from downtown Dallas or 2 hours up from Austin, be sure to see it! 209 West Franklin Street Waxahachie, TX 75165. The current exhibition by Esther Pearl Watson will be up through January 20th, 2013.
The 30th anniversary Love and Rockets celebration continues with this third of three volumes. Perla La Loca collects the adventures of the spunky Maggie; her annoying, pixie-ish best friend and sometime lover Hopey; and their circle of friends. As usual, Jaime Hernandez spotlights a wide range of headstrong female characters found in previous volumes Maggie the Mechanic and The Girl from H.O.P.P.E.R.S.
Perla begins with the "Wigwam Bam" story, arguably Jaime Hernandez's definitive statement on the post-punk culture (what a good song too!). As Maggie, Hopey, and the rest of the Locas prowl Los Angeles, the East Coast, and parts in between trying to recapture the carefree spirit of those early days. "Wigwam Bam" brings us up to date on all the members of Jaime's extensive cast of characters and then drops a narrative bomb on Hopey (and us) in the very last pages. Split up from Hopey yet again, Maggie bounces back and forth between a one-laundromat town in Texas (the "Chester Square" that serves as the title of two of the strongest stories in the book), where she has to contend with both her own inner demons and a murderous hooker, and Camp Vicki, where she has to fend off her aunt Vicki's attempts to make her a professional wrestler and the unwanted advances of the amorous wrestling champ-to-be, Gina.
"'Wigwam Bam' [is] one of the medium's all-time high points..." – The Onion A.V. Club
"For a relatively inexpensive introduction to the joys of Jaime's good stuff, ...I recommend Perla la Loca, a paperback reprint of a 1990-1996 sequence that kicks off with the fantastic ensemble tragicomedy 'Wigwam Bam,' throws in a bunch of wrestling and decline-and-fall-of-punk business that he draws with obvious, infectious relish, and ends with the mistaken-identity tour de force 'Bob Richardson.'" – Douglas Wolk, TIME/Techland
Coming in late February/early March, Messages in a Bottle collects the best work by Bernard Krigstein, a singular draftsman and one of the most graphically sophisticated comics illustrators of all time, whose too-brief career in the 1940s and '50s included work for EC and Atlas Comics. For those who have been awaiting a new edition of our long-out-of-print B. Krigstein: Comics, this book contains every story from that volume plus several more. It is our great privilege to have had a number of these stories specially recolored by the great Marie Severin; the remainder have been painstakingly restored from the original comic books by acclaimed editor Greg Sadowski. Read a free 22-page excerpt with 3 complete stories, and pre-order a copy, right here.
"As a graphic artist, Carré carries forward the design tradition that stems from the gossamer surrealism of Cocteau; as a verbal artist, she may be the most successful prose poet going. . . Her Wanda Gág–meets–Gene Deitch drawing style and new-weirdness literary bent make her work acutely interesting to both read and scrutinize." —Ray Olson
"Wright shows he’s got a deep arsenal of storytelling weapons at his command. Unsettling, upsetting, and strangely touching, Wright’s story arrives at something humane and emotionally true through a sea of aberrance and terror." —Ian Chipman
"Spacehawk's stories may be absurd concoctions of primitive space opera and already-established tropes of the nascent superhero genre, but Wolverton's solid,elemental drawings-already evincing his distinctive use of stippling-combined with his intuitive design sense have a raw power that is rare among comic books of the era and impresses even today." —Gordon Flagg
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