PShaw tipped me off to this and I think he's right on. Read this, paying close attention to the name of the robot -- 4-Playo 3000 -- and the general design of the robot, especially the head. And then as well the concept -- a marriage saving robot:
For extra credit, here's another. Again, check the name -- Spankio 3000 --and design:
Now, watch this Bud Light commerical created (but not aired) for the 2009 Superbowl:
A lot of folks keep asking me if we'll have a presence at the New York Comic-Con this weekend. We won't. It's a ridiculously expensive show to exhibit at and travel to, even in the best economy. It's a lousy time of year to travel cross-country, weather-wise. So we're staying home and throwing a great party for Esther Pearl Watson this weekend instead.
But if you are at NYCC, we've designated Paul Karasik our official representative and you should go say hi to him:
Sunday, 1:30pm, Panel Room 6 (1A18): Comics and the Language of Visual Symbolism Comics are able to communicate dense layers of narrative, emotion, and action in a manner that no other media is able. This panel will explore the way the cartoonists use pictures to tell their stories in a way that is unique to comics. Through the interrelation of art and text, comics makes a unique kind of storytelling possible. Four creators examine their own visual storytelling styles and discuss how their art influences the text of their work. Panelists: MoCCA Director Karl Erickson, Paul Karasik, Danica Novgorodoff, and Alex Robinson.
Tomorrow, February 3rd, Alexander Stewart and Lilli Carré will get to use the lobby at the Chicago Museum of Contemporary Art as a studio for 8 hours, from 11am till 7pm! They will have a multi-plane animation stand set up, and will be doing stop-motion animation for a new film as well as working on other things. They will also have a bunch of drawings and animation artifacts to look at. If you are in Chicago, stop on by!
Museum of Contemporary Art
220 East Chicago Avenue, Chicago, IL 60611
While there, check out Carré's new graphic novel, The Lagoon, at the MCA Store.
"In my opinion, Walt Kelly had only two peers in the pantheon department, Winsor McKay and George Herriman." - Garry Trudeau
Walt Kelly's Pogo Original Strips 1948-1972
Friday, February 6, 5-8pm Exhibition reception in conjunction with White River Junction's First Friday
CCS is proud to exhibit work by one of the greatest cartoonists of the 20th century. With Pogo, Walt Kelly (1913-1973) combined unparalleled brushwork, honed from years as a Disney animator, with superb storytelling acted out by an endearing cast of characters. Borrowing from various dialectical sources and his own fertile imagination, Kelly invented a unique and charming backwoods-patois to fit his cartoon swampland. Although Pogo stands on its own as a superbly-realized cartoon strip for the ages, it was perhaps Kelly's interjection of political and social satire into the work that was its greatest pioneering accomplishment - such commentary was simply not done in the genre of dailies in Kelly's time.
Many thanks to Garry Trudeau for his generous support for this exhibition and to The Herb Block Foundation.
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