Mark your calendars for the big Blab! art show at the Society of Illustrators in NYC — it goes up March 24 and the opening reception is on March 26. More info here. (And for all the latest Blabby updates, join the BLABworld Facebook page.)

Pics & links ahoy:

• Paul Hornschemeier is once again drawing things for money. Get yourself something nice!

• "This Already Happened" part 7 by Steven Weissman at What Things Do

• It's Laura Park's first Geek Love illustration for the Picture Book Report project

• Say, I didn't know ¡Journalista!'s Dirk Deppey could draw. He's looking for some artistic advice, if you have it

Neverending Online Commentary & Diversions:

• List: Only the Cinema's Ed Howard concludes counting down The Best Comics of the Decade: the top 20 includes "The Lute String" (available in Mome Vols. 9 & 10) by Jim Woodring at #16 ("It's moving, funny, and as with all of Woodring's work it demands a close reading"), Alias the Cat (originally The Stuff of Dreams) by Kim Deitch at #14 ("It's funny, goofy, exciting and far-ranging in its imaginative nonsense accumulations, and throughout it all Deitch's fond sense of nostalgia for a world that never quite was lends emotional heft to the story's elaborate twists and turns"), Dash Shaw's Bottomless Belly Button and Mome stories (collected in The Unclothed Man in the 35th Century A.D.) at #13 ("Dash Shaw is an utterly brilliant young cartoonist who has, in a few short years, advanced from the academic experiments of his earlier work... into a formalist genius whose skills encompass both a natural gift for color and a feel for subtle, indirect characterization"), Safe Area Gorazde by Joe Sacco at #7 ("Joe Sacco is a unique figure in modern comics: there is no one else who combines sheer cartooning chops with a newspaper reporter's sensibility and instincts in quite the same way. ... Safe Area Gorazde [is] an especially powerful document of the effects of war"), the comics of Kevin Huizenga at #4 ("Kevin Huizenga is the best young artist in comics. It's as simple as that. With his recent Fantagraphics series Ganges (part of the Ignatz line of high-quality pamphlets) Huizenga has matured into one of comics' finest formalists"), Jimbo in Purgatory by Gary Panter at #2 ("The denseness of Panter's references and cross-references makes the experience of reading this book a truly overwhelming experience; every line, every image, spirals into multiple other references and ideas, pulling in the whole wide expanse of world culture as a stomping ground for Jimbo's wanderings through the Purgatory of modern existence towards enlightenment"), and the Love and Rockets Vol. II work of Jaime Hernandez (as collected in Ghost of Hoppers and The Education of Hopey Glass) in the #1 slot ("There is no greater all-around artist in modern comics than Jaime Hernandez, and his recent work builds on his past successes so that his oeuvre as a whole is shaping up to be one of literature's best sustained stories about aging and the shifting of relationships over the course of a life").

• Review: "The best argument that the underground tradition is still alive is Hotwire Comics, edited by Glen Head (one of the most underrated cartoonists around, incidentally). Hotwire Comics is a visual assault, abrasive, confrontational, willing to poke and prod the audience: a real live wire that can shock. Everything a good underground comic book should be." – Jeet Heer, Comics Comics

• Review: "Strange Suspense is a handsome book generally, with a fun front cover and a nice, sturdy, feel. As far as my eye can tell the work is reproduced well; admittedly, I have one of the worst eyes in comics for that sort of thing. It's nice to have a bunch of comics from this time period, particularly the grittier pre-Code or Fear of Code-Like Crackdown work. There are some truly repulsive pieces of throwaway pulp in this book's pages, and Ditko was more than up to the task of illustrating them." – Tom Spurgeon, The Comics Reporter

• Review: "Mother, Come Home is a subtle, dark story about death and madness and fantasy, tied together by symbols and the voice of an older Thomas looking back on his childhood. It's not bleak, though; Thomas survives his traumatic childhood, and perhaps Hornschmeier's lesson is that we all can, if we try — if we step outside our rituals and fantasies and reach out to each other, we can make it through." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent. (via ¡Journalista!)

Just arrived in our warehouse and ready to ship:

Almost Silent
by Jason

304-page black & white/duotone 6.5" x 8.75" hardcover • $24.99
ISBN: 978-1-60699-315-6
Add to Cart • More Info & Previews

Almost Silent packages four original Jason graphic novels — three of them out of print since mid-2008 — into one compact, hardcover omnibus collection. (As the title indicates, this volume favors Jason’s pantomime works.)

“You Can’t Get There from Here,” the longest story of the book (and the only one to be printed in color — well, a color), tells the tale of a love triangle involving Frankenstein, Frankenstein’s Monster, and The Monster’s Bride: Jason cleverly alternates between totally silent sequences involving the three characters and scenes in which Frankenstein’s hunchbacked assistant discusses the day’s events with a fellow hunchbacked assistant to another mad scientist. (You didn’t know they had a union?)

“Tell Me Something” is a brisk (271 panels), near-totally-silent (just a few intertitles) graphic novelette about love lost and found again, told with a tricky mixture of forward- and back-flashing narrative. “Meow, Baby” is a collection of Jason’s short stories and gags, and finally, “The Living and the Dead” is a hilariously deadpan (and gory) take on the traditional Romero-style zombie thriller.

All of these yarns star Jason’s patented cast of tight-lipped (or -beaked) bird-, dog-, cat- and wolf-people, and show off his compassion and wry wit. Almost Silent is a perfect starting point for a new reader wanting to know what the fuss is all about, and a handsome, handy, inexpensive collection for the committed Jason fan.

Download an EXCLUSIVE 27-page PDF excerpt (840 KB) with 6 pages from each section (plus spacer pages separating the sections).

Uncovered Property by Carol Tyler from Doodybrains on Vimeo.

Here's a story of Carol's from Late Bloomer turned into a "motion comic" by  director Allen Colombo. Cool.

Click to see more better:

• A recent commission by Richard Sala

• Marco Corona draws a platypus for the launch of a new magazine by that name

• More sketches (above) and the resulting finished watercolor (not shown here) by Mark Kalesniko

• Steve Brodner's New Yorker ode to the Village Vanguard (with lots of preparatory sketches)

Bring on the Online Commentary & Diversions:

• List: Only the Cinema's Ed Howard begins counting down The Best Comics of the Decade: part 2 includes Black Hole by Charles Burns at #36 ("Few books do a better job of capturing the fear, and the excitement, of nascent desire and adolescent longing, as these diseased teens are driven mad by hormones and embarrassment"), Epileptic and Babel by David B. at #30 ("With his elegant style, dominated by striking blacks and contrasts, he invents numerous metaphors and visualizations for his brother's disease, treating the fight against the disease as a physical, mortal conflict"), Chimera #1 by Lorenzo Mattotti at #29 ("a rare pleasure from this elusive artist... a powerful work"), and The Squirrel Mother by Megan Kelso at #26 ("Kelso's work can be devastating in the way she pares down the excess to get at the essence of a particular moment or situation").

• Review: "…[A] fascinating treasure trove of an anthology... In addition to work by greats like Artie Romero, Rick Geary, and Mary Fleener, and 50 or so others, [Newave!] serves as the history of a movement." – Publishers Weekly

• Review: "Taken as a book that records a history, it’s pretty awesome. ... Newave! does include essays about minicomics and interviews with some of the creators. These are fun and provide a great look at how all of this came about." – Eden Miller, Comicsgirl (via Wow Cool)

• Review: "[Newave!] is really cool. ... It's great to see the kind of passion that was going on... when there was this explosion where people just wanted to do comics because they had a passion for drawing, for telling stories...  It's just a book full of passionate comics... I definitely recommend checking it out..." – Steampunk Willy's Mad Comix Ride - The Comic Book Podcast (via Wow Cool)

• Review: "[I Killed Adolf] Hitler mixes elements of classic time travel science fiction fare with personal melodrama and a strange sense of humor that's unlike anything else in comics today. ... Jason pulls off some nice storytelling tricks when you aren't looking. ... The pacing of his story is refreshing, never getting bogged down, never moving too fast." – Augie De Blieck Jr., Comic Book Resources

• Review: "Culled from the latest Fantagraphics anthology of comics, edited by Glenn Head, this engaging survey runs the gamut of style and story. ...  Even if most of the show is black-and-white, the collection confirms that some of today's most vigorous art comes from the hands of cartoonists." – Robert Shuster, The Village Voice, on the Hotwire Comics #3 art show at Scott Eder Gallery

• Interview: At Fatally Yours, Sarah Jahier has an enlightening Q&A with Dame Darcy: "My Dad is an artist, so is my uncle, brother, and a lot of my family. We are related to John Wilkes Booth and many of the guys in my family look like him (like a handsome villain). I [attribute] a lot of my family’s talent and good looks to Booth but also the craziness." I did not know that! (via The Beat)

• Profile: At Comix 411, Tom Mason profiles E.C. Segar's Popeye protegé, Bud Sagendorf

• Profile: This 2007 Brisbane Times profile of Jim Woodring popped up in my Google news alerts for some reason — why not give it another look?

On his blog, Paul Hornschemeier discloses that he will be teaching a course in "Writing the Graphic Novel" at the University of Chicago, and as his official howdy-do to academia, he will be giving an open-to-the-public, snack-availing talk tomorrow evening. More info.

So Michael Kupperman's Snake 'n' Bacon has been eliminated in that fast-food-sponsored Adult Swim pilot-season vote-off thing. BOOOO. But now you have a chance to vote for Ben Jones's Neon Knome! YAAAY!

Last minute notice! Jaime Hernandez will be giving a keynote address at University of Texas El Paso's second-annual “El Paso in the Comics” event, at 7 PM tonight! More info here. (Via The Comics Reporter)