|Lilli Carré for Tiny Showcase|
|Written by Mike Baehr | Filed under Lilli Carré||2 Feb 2010 11:30 PM|
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Archive >> February 2010
Your periodic roundup of visual stimuli, still in its embryonic stages:
Online Commentary & Diversions have seen their shadow:
• List: Our pal Bully the Little Stuffed Bull has started his annual Fun Fifty countdown. In the first installment, coming in at #46, Blazing Combat: "War, huh! What is it good for? Absolutely nothin'... aside from bringing us this gorgeous archive edition of a classic comic every war comics fan oughta have in their library."
• Review: "Back in the days of Factsheet Five, I used to order tons of minicomix. Most were mediocre, but a few were terrifically good and that made it worth the risk to send in the fifty cents or so that they cost. ... Fantagraphics just released a massively thick (900 pages!) anthology of minicomix called Newave! The Underground Mini Comix of the 1980s , and it's a treat." – Mark Frauenfelder, Boing Boing
• Review: "In Strange Suspense, Ditko already shines as a masterful designer of sinister mansions, ornate gateways and demonic doors and furnishings... And finally, there’s no mistaking those trademark Ditko faces, leering with evil or sweating and wide-eyed with terror, often lit or looking up from below. ... It is a pleasure to follow Ditko’s youthful artistic progression and there is a noticeable refining and streamlining of his drawing, going for greater clarity and impact. ... These morality fables are seldom subtle or surprising... but it’s Ditko’s artistry that elevates these mostly standard comic book nasties. ...[T]he $39.99 ticket is good value, and this is a weighty, hard-packed, deluxe package..." – Paul Gravett
• Review: "Successful art engenders powerful emotion in its observers. How do I know that Al Columbia's Pim & Francie is an amazing work of art? Because it seriously made me feel ill. Uncomfortable. It made me question my sense of aesthetics; played havoc with my expectations. It's unquestionably an amazing book. ... Rating: 8/10" – Jeremy Nisen, Under the Radar
• Commentary: At The Daily Cross Hatch, Box Brown reproduces the epochal letters page from Ivan Brunetti's Schizo #2 (reprinted in Misery Loves Comedy) as part of a new column on cartoonists' letters to cartoonists
144-page black & white 6.5" x 9.75" softcover • $16.99
Ships in March 2010 (subject to change) — Pre-Order Now
“Five six. Hundred twenty-eight pounds. Forty-three twenty-two thirty-six. High soft lisp. Genius level I.Q.” That’s how motivational speaker Mark Herrera sums up Rosalba “Fritz” Martinez, bombshell, former punkette, former psychiatrist, “Z” movie star — in this supremely sexy, constantly surprising graphic novel.
And Herrera should know, being only one of many to fall under Fritz’s “lithping” spell — others including slobbish rocker Scott “The Hog” and high school nerd turned obsessive bodybuilder Enrique Escobar (and that’s just her husbands).
Hernandez has taken this suite of stories (including the 48-page graphic novelette “High Soft Lisp”), originally serialized in Luba's Comics and Stories and the second volume of Love and Rockets, and fleshed them out with a dozen brand new pages, creating an original and inventive (and very steamy) volume that, through its connections to his main character Luba (Fritz is Luba’s half sister, and characters from the Luba stories pop up here), works both as a standalone graphic novel and a further exploration of Hernandez’s rich world.
Unsure how to build your Love and Rockets collection? See our handy guide on How to Read Love and Rockets.
Download an EXCLUSIVE 11-page PDF excerpt (762 KB).
Video & Photo Slideshow Preview (view in new window):
240-page black & white 7.5" x 9.25" softcover • $18.99
Picking up right after Perla La Loca, the third volume of the definitive “Maggie” series repackaging, this compilation of stories from Jaime Hernandez’s solo comic Penny Century and his subsequent return to Love and Rockets (Volume II) charts the further lives of his beloved “Locas.”
But first... wrestling! Penny Century starts off with a blast with “Whoa, Nellie!,” a unique graphic novelette in which Maggie, who has settled in with her pro-wrestler aunt for a while, experiences that wild and woolly world first-hand.
Then it’s back to chills and spills with the old cast of Hopey, Ray Dominguez, and Izzy Ortiz — including Maggie’s romantic dream fantasia “The Race” and the definitive Ray story, “Everybody Loves Me, Baby.”
Penny Century also features two major “flashback” stories: “Bay of Threes” finally reveals the full back story behind Beatriz “Penny Century” Garcia, Maggie’s long-time, bleached-blonde bombshell friend (who gives this volume its name and can be seen as a super-villainess in the first two issues of Love and Rockets: New Stories), while “Home School” is one of Hernandez’s popular looks at his characters’ lives from when they were little kids, drawn in an adorable simplified Dennis the Menace type style. This volume also includes the Maggie & Hopey Color Fun one-shot, reproduced here in glorious black and white.
Unsure how to build your Love and Rockets collection? See our handy guide on How to Read Love and Rockets.
Download an EXCLUSIVE 14-page PDF excerpt (823 KB).
Video & Photo Slideshow Preview (view in new window):
Hey look, some photos of the Newave! exhibit opening and book launch party last Saturday at Fantagraphics Bookstore & Gallery, nicked without permission from our pal (and Newave! contributor) J.R. Williams's Facebook page. We'll bring you more pics if/when they surface (got some? let us know!). Above, David Lasky and someone unidentified...
J.R. & Newave! editor Michael Dowers:
Mini comix pioneer Steve Willis & J.R.:
Peter & Joanne Bagge:
In the spirit of "show don't tell" (and making my workday ever more complicated), I've decided to break the "Things to see" category (comprising artwork and other visual goodies from the Fantagraphics roster of artists) from our Daily OCD posts out into their own posts, with images. Links will take you to original sources where full/larger images can be seen. These posts may not be daily depending on what's out there — for now they may be somewhat irregular until I figure out a good rhythm. Enough of my yammerin'...
• Speaking of Gabrielle, here's her new strip "New York"
Chock full o' Online Commentary & Diversions:
• Review: "The third volume of this comics anthology is a whirl-a-gig of vivid color, giddy fun, black angst, and hauntingly disturbing images... The volume brings together carefully crafted stories with eye-searing artwork, packed with scatological humor, violence, and disquieting sexual acts... Hotwire Comics 3 is not for the faint of heart, but those who love underground comics or want an introduction to that world as it stands today, will embrace the volume." – Publishers Weekly
• Review: "Classic kid comics are evoked with a weird, horror-inspired twist in [Chocolate Cheeks]... Weissman has a knack for combining the cute with the eerie and the unsettling, and the art—presented in both b&w and color—is outstanding." – Publishers Weekly (same link as above)
• Review: "But even Jaime devotees should be paying attention to Gilberto’s recent work; since he closed the books on Luba, he’s been flexing his muscles with some astonishingly effective genre exercises, the latest of which is The Troublemakers. A lurid pulp excursion featuring an appropriately leering cover by Rick Altergott, the book uses peripheral characters from Beto’s other works to craft a story about missing cash, hot sex, and two-timing that combines equal parts neo-noir and sleazy ’70s-throwback exploitation. But what elevates it from being a simple mélange of clever genre riffs is Beto’s determination to load it with uneasy surrealist images and clever symbolic elements. The Troublemakers doesn’t read entirely like anything he’s done before, but it may be his best work in years. [Grade] A-" – The A.V. Club
• Review: "[The] Troublemakers follows a cast of conmen as they double-cross one another until they run out of rope and hang themselves. It too features amazing cartooning. It’s very cinematic, but it’s not drawn with attention to realism like cinematic comics frequently tend to be... Instead, the storytelling relies on Hernandez’s masterful use of staging and talent with composition. His ability to spot blacks, place textures, and overall cartooning/drawing skills made this crime story a delight to read." – guest contributor Jim Rugg, Robot 6
• Review: "The end of [Thomas Ott's The Number 73304-23-4153-6-96-8] isn’t surprising, but the way that the logic is worked out to its predestined conclusion is nice, and the drawings are wonderful." – Journey to Perplexity
• Review: "If you are a student of the history of sequential art, Newave! feels like a must-have for your collection. It seems to be as perfect of a collection of mini-comix as you could ever find and it is informative as well as entertaining. It’s also the type of book that challenges your artistic side as well so that’s another bonus." – Chad Derdowski, Mania
• Interview: Publicola's Heidi Broadhead talks to Michael Dowers about the Newave! book and exhibit: "Well, there are still a handful of us who are completely driven. It is in the very cell walls of our mind, body, and soul. Some of these guys are about to hit 60 years old, me included, and we don’t know how to stop."
• Plugs: The Precocious/Manga Curmudgeon, David Welsh, recommends some Gilbert Hernandez books in recognition of Beto's birthday today: "For those of you who aren’t familiar with Palomar, it’s a small Central American town populated with interesting, complex people. It’s also populated with a variety of kinds of stories and tones, gritty realism one moment, magical realism the next. Hernandez really builds that web of community in these stories, exploring ties of family and friendship, lingering grudges, outside influences, sex, love and death."
• Plug: "...[Almost Silent] is all stellar material for the most part, especially [Tell Me] Something and You Can't [Get There from Here], which trade on Jason's perennial theme of love found and lost in rather odd settings. So if you weren't able to get these books when they first came out, I highly recommend doing so when this new edition comes out..." – Chris Mautner, Robot 6
• Plug/Contest: "Portable Grindhouse: The Lost Art Of The VHS Box is a dose of heavy design nostalgia for those of us who haunted (or worked in) video stores in the 80s and 90s. So many gloriously awful titles are given their due here..." – Kevin Church (Beaucoup Kevin), who's giving away a copy!
• Needling: Hey Spurge, I'll bet you 20 bucks that Gary doesn't get the joke
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The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St., Seattle WA 98108. Tel: 206-658-0110.