Tim Kreider's first cartoon collection, The Pain — When Will It End? was one of the few bastions of sanity throughout the awful aberration in American history known as the Bush Administration. The end of his second volume of political cartoons, Why Do They Kill Me?, saw its author in despair over the 2004 election. In this new volume, Twilight of the Assholes, as reality gets ever bleaker, Kreider's humor becomes increasingly apocalyptic, deranged, and hilarious. He juxtaposes the Biblical Christ with His blonde, flag-draped, machine-gun-toting American incarnation in "Jesus vs. Jeezus," proposes a third political party that represents Americans' real values in "The Sex Party," draws the dead Saddam Hussein as a mischievous invisible imp still causing trouble, and envisions the officials of the Bush administration getting their comeuppance in the grisly fashion of Dick Tracy villains. And he finds two cartoons' worth of "Reasons to Look Forward to the Next Terrorist Attack." Also included is his infamous entry into Iran’s Holocaust cartoon contest, "Silver Linings of the Holocaust."
Kreider mocks not only the evil and hapless Bush but the fecklessness of progressives, the imbecile bigotry of radical Islam, and, most of all, the dumb bovine complacency of the American voter. His art has become even more dense with gags and his writing (most recently featured in The New York Times) has never been more astute and devastating. Twilight of the Assholes is an hysterical chronicle of the end of the Era of Darkness, and, believe it or not, a heartening document of one man’s loss and tentative restoration of faith in democracy.
"Tim Kreider is the funniest man alive." — Jenny Boylan (She’s Not There: A Life in Two Genders)
"[Tim Kreider] is to the satirical cartoon what Stanley Kubrick was to cinematic satire." — Mark Crispin Miller (Fooled Again: How the Right Stole the 2004 Election)
"He is funny and crazy and brave enough to proclaim as truths the things the rest of us are too chickenshit to say out loud." — Myla Goldberg (Bee Season)
"These cartoons are extremely, extremely fucking good." – David Foster Wallace
"Kreider's stuff is not all political, but most of what he does packs outrage: at oppressors, bigots, overlords, fools. Not for the squeamish, unless they’re too passive and need a wake-up call." — The New Haven Advocate
• Review: "Watch your step as we spiral further down the rabbit hole in the second volume in the King of the Flies trilogy, entitled The Origin of the World. [...] The unease that once crept through the residential basements now spreads vulture wings and takes flight. Volume 2 justifies the previous paranoia and displays it in full view... The Origin of the World's plots coil and ceaselessly shift; the characters tasting and testing one another with serpentine instincts. When the whole thing threatens to surrender under its bleakness, the last page morphs to resemble something akin to hope if the reader squints just right." – Alex Carr, Omnivoracious
• Review: "There is perhaps no better medium to capture the life of Roberto Clemente than graphic novel. After all his skill set when it came to playing the game of baseball was almost superhuman, highlighted by a throwing arm that would surely make the son of Jor-El jealous. As such, it is no surprise then that illustrator/author Wilfred Santiago’s 21 — The Story of Roberto Clemente is a must read for anyone awed by the beauty of the sport. […] This graphic novel seeks to give a proper sense of wonder and the fantastic to a player whose tragic ending is often a stark reminder or our own mortality. At that it succeeds terrifically." – Andy Smith, Bugs & Cranks
• Review: "Where Chris Ware draws a billion tiny boxes to retain his feces, [Johnny] Ryan draws borders mostly so the sewage will have something to overflow. In Prison Pit each body is a busted toilet whose stagnant water births some mangled abortion dragging its placenta over the edge of the porcelain to flop wetly on the cold tiles. [...] The protagonist fights ladydactyls, giant eye creatures, robots, toothy monsters wearing Nazi death-hosen, and his own mutinous oozing hand. But really his main enemy is Ryan himself, the artist as diabolous ex machina, squatting over his creation to spew an endless stream of venomous diarrhea." – Noah Berlatsky, The Hooded Utilitarian
• Interview:Robot 6's Chris Mautner writes: "Freeway is an impressive book from an underrated talent and I was happy for the opportunity to talk to [Mark] Kalesniko about the book and his working methods." A bit from Mark: "I used for inspiration the movie Slaughterhouse Five and how the main character, unstuck in time, bounced back and forth though out his life. Also the miniseries Singing Detective where the main character is bedridden with a skin disease and suffers from hallucinations and flashbacks. I also thought that the reader would relate to this because many of us have been stuck in traffic jams or other places where we can’t move but our mind is free to wander."
We recently got a fresh batch of signed bookplates back from Charles Burns for his classic albums Big Baby, El Borbah and Skin Deep — they're free with purchase of their respective books while supplies last! (And see here for our other books available with free signed bookplates!)
• List:X-Ray Spex's Will Pfeifer names his Pop Culture Books of the Year for 2010:
"This is the sort of book I love more than any other. It reveals a world I never knew existed — in this case, the bizarre world of elaborate, mean-spirited, downright dangerous lodge initiations — and does so with a real affection for and appreciation of the past. [Catalog No. 439:] Burlesque Paraphernalia is... the sort of book that makes you think life might've been tougher a long time ago, but it was probably a hell of a lot more interesting, too."
"All you need to know about Destroy All Movies is that it's such a complete guide to 'punks on film' (as the subtitle promises) that not only does it include Star Trek IV because of the scene with the punk on the bus, it interviews that guy. Also, the pink-and-black-and-white design theme of the book deserves some sort of award."
344-page black & white 8.5" x 7" hardcover • $28.99 ISBN: 978-1-60699-438-2
Ships in: March 2011 (subject to change) This item will be available for order on its release date. Stay tuned for updates.
Charles Schulz enters his fourth decade as the greatest cartoonist of his generation, and Peanuts remains as fresh and lively as it ever was.
(How do we know it’s 1980? Well, for one thing Peppermint Patty gets herself those Bo-Derek-in-“10” cornrows — Peanuts’ timelessness occasionally shows a crack!)
That said, The Complete Peanuts 1979-1980 includes a number of classic storylines, including the month-long sequence in which an ill Charlie Brown is hospitalized (including a particularly spooky moment when he wonders if he’s died and nobody’s told him yet), and an especially eventful trek with Snoopy, Woodstock, and the scout troop (now including a little girl bird, Harriet). And Snoopy is still trying on identities left and right, including the “world-famous surveyor,” the “world-famous census taker,” and Blackjack Snoopy, the riverboat gambler.
In other extended stories, Snoopy launches an ill-fated airline (with Lucy as the agent, Linus as the luggage handler, and Marcie as what it was still OK then to call the stewardess)… Peppermint Patty responds to being leaked upon by a ceiling by hiring a lawyer (unfortunately, she again picks Snoopy)… plus one of the great, forgotten romances of Peanuts that will startle even long-time Peanuts connoisseurs: Peppermint Patty and…“Pig-Pen”?!
Download an EXCLUSIVE 15-page PDF excerpt (651 KB) containing all the strips from January, 1979!
Stéphane Blanquet (France) Ivan Brunetti (USA- Chicago) Lilli Carré (USA- Chicago) Max Clotfelter (USA- Seattle) Al Columbia (USA) Ludovic Debeurme (France) Olivier Deprez (France) Nikki DeSautelle (USA- Detroit) Brecht Evens (Belgium) Andy Gabrysiak (USA- Detroit) Robert Goodin (USA- Pasadena) Dav Guedin (France) Gnot Guedin (France) Glenn Head (USA- New York City) Danny Hellman (USA- New York City) Paul Hornschemeier (USA- Chicago) Ian Huebert (USA- San Francisco) Kaz (USA- Los Angeles) Michael Kupperman (USA- New York City) Mats!? (USA- Oakland, CA) Fanny Michaëlis (France) James Moore (USA- New York City) Tom Neely (USA- Los Angeles) Mark Newgarden (USA- New York City) Paul Nudd (USA- Chicago) Onsmith (USA- Chicago) Emelie Östergren (Sweden) Paul Paetzel (Germany) David Paleo (Argentina) Bruno Richard (France) Martin Rowson (United Kingdom) Olivier Schrauwen (Belgium) Stephen Schudlich (USA- Detroit) Robert Sikoryak (USA- New York City) Brecht Vandenbroucke (Belgium) Wouter Vanhaelemeesch (Belgium) Jon Vermilyea (USA- New York City)
And original essays by: -Jeet Heer (Canada), on S. Clay Wilson -Bob Levin (USA- Berkeley, CA), on The Adventures of Phoebe Zeit-Geist by Michael O’Donoghue and Frank Springer -Ken Parille (USA- Greenville, NC), on humor in the work of Steve Ditko -Ryan Standfest (USA- Detroit), on Al Feldstein and “sick” humor at E.C. + interview with Al Feldstein
And a text by: Roland Topor (France), 100 Good Reasons To Kill Myself Right Now, translated into English for the first time by Edward Gauvin
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!