Like a Velvet Glove... collects all 10 chapters of Eightball's terrifying and fascinating journey into madness that makes Twin Peaks look like Teletubbies. As Clay Loudermilk attempts to unravel the mysteries behind a snuff film, he finds himself involved with an increasingly bizarre cast of characters, including a pair of sadistic cops who carve a strange symbol into the heel of Clay's foot; a horny over-the-hill suburban woman whose sexual encounter with a mysterious water creature produced a grotesquely misshapen, but no less horny, mutant daughter; a dog with no orifices whatsoever (it has to be fed by injection); two ominous victims of extremely bad hair implants; a charismatic Manson-like cult leader who plans to kidnap a famous advice columnist and many more! This edition has a brand new cover, new title and end pages — PLUS — Clowes being the perfectionist that he is, there are tweaked and re-drawn panels that really make this a transcendent piece of storytelling art!
Download and read the complete first chapter in a 13-page PDF excerpt (2.2 MB).
On the occasion of our impending release of Nancy Is Happy: Complete Dailies 1943-1945 by Ernie Bushmiller, our pal and colleague Ben Schwartz has penned an excellent essay on the strip for the current issue of Bookforum. Do get a copy if you can; click the scan above for a larger, legible version and we've taken the liberty of excerpting the parts where he heaps praise on the book below:
"In this, the reading public has a rare opportunity. No, make that a rare challenge — to read Bushmiller without the benefit of recontextualization of any sort. The fact that you laugh at a Nancy gag — and you will — is all on you. There will be no downtown doyenne to comfort you in the know ledge that the gag about, oh, bathroom plungers, or cotton candy, or squirt guns, is an ironically loaded statement on anything at all. No, you'll be stuck in a room alone with Ernie Bushmiller, who will force you to confront your inner stoopid like no other American artist. Indeed, it is genuine, nonironic praise to say of Bushmiller that if you don't get a Nancy joke, you are a moron.... Now, Nancy Is Happy arrives after three decades of pro-Nancy revival and mainstream humor often as archly silly and unreal as Bushmiller's — Letterman, Conan, Pee-wee Herman, The Mighty Boosh, or the grown-up fan base of Yo Gabba Gabba! It bodes well for Bushmiller's legacy that there's finally an audience educated enough to appreciate his brand of dumb."
• Review: "And now, Fantagraphics has packaged some of the best movie parodies in this ripely-colored book [The Sincerest Form of Parody]. But these aren't Mad comics. They're the imitators which popped up on newsstands in the 1950s -- comic books like Whack, Nuts!, Crazy, Bughouse and Unsane.... Most of the comics in the pages of this book are understandably dated for today's web-weaned generation who may have never heard of I, Jury ('My Gun Is the Jury by Melvie Splane'), What's My Line? ('What's My Crime?'), or Come Back, Little Sheba ('Come Back Bathsheba'), but that doesn't drain these parodies of their punch." – David Abrams, The Quivering Pen
• Plug: "Most of the 21 stories in this great new book collection [Young Romance] haven't been compiled before, and if you're not familiar with them, you're in for thrill after melodramatic thrill. My favorite: 'Norma, Queen of the Hot Dogs.'" – Michael Galucci, Cleveland Scene
• Interview:Mark Kalesniko talks about his latest graphic novel Freeway at the FLIP animation blog; that site's Steve Moore says "Mark Kalesniko’s graphic novel Freeway is a truly brilliant, hilarious look at the hunched and goofy lifestyle in our industry's ground zero. His humor is wickedly honest, his storytelling unflinching."
Swarte collectors will want to buy their copy of Is That All There Is? directly from us, as every mail-order copy ordered from Fantagraphics will be accompanied by "Actually, That Wasn't All There Was," the FBI•MINI giveaway featuring a half-dozen hilarious Jurassic-era Swarte comics stories that have not been in print for over 40 years, and have never been seen in English! (Even I was totally unfamiliar with them.) I'd hate to pick favorites, but this may be the most collectible FBI•MINI of them all, showcasing Swarte's earliest, pre-Hergé-pastiche, more underground-y style. A revelation!
And if you've already pre-ordered your copy of Is That All There Is? from another source, remember that any FBI•MINI can also be obtained by simply placing an order for $50 or more with Fantagraphics (for any of our books) and picking it as your freebie.
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
208-page full-color 7.75" x 10" hardcover • $29.99 ISBN: 978-1-60699-502-0
"Usually the splurge category is where I go for thick, colorful books of classic comics, and... this looks like a Fantagraphics week, with two compilations that span opposite ends of the love spectrum: Young Romance: The Best of Simon & Kirby’s Romance Comics ($29.99), and The Life and Death of Fritz the Cat ($19.99). That’s a whole lotta reading for $50." – Brigid Alverson, Robot 6
"On the historical front, Fantagraphics continues its excellent classic reprints with Young Romance: The Best of Simon & Kirby’s Romance Comics. Jack Kirby and Joe Simon created the genre, and this book is reported to include 21 stories, 200 pages of 'never-before reprinted material.'" – Johanna Draper Carlson, Comics Worth Reading
"Joe Simon and Jack Kirby invented the romance comic book with 1947's Young Romance #1, and cranked them out together for the next twelve years. This collection, edited by Michael Gagné, surveys stories from Young Romance, Young Love and the shorter-lived genre-hybrid titles Western Love and Real West Romances. (Gagné notes that he deliberately didn't include any material that would have overlapped with the 1988 collection Real Love: The Best of the Simon and Kirby Romance Comics.)" – Douglas Wolk, ComicsAlliance
"Casual Robert Crumb fans might be interested in The Life and Death of Fritz the Cat. Jack Kirby fans will definitely be interested in Young Romance, a collection of heartthrob tales from Simon and Kirby (see my review)." – Chris Mautner, Robot 6
"...The Life and Death of Fritz the Cat returns one the artist’s best-known creations to the comprehensive format, now in hardcover; $19.99. Also hard as nails is Young Romance: The Best of Simon and Kirby’s Romance Comics, a 208-page Michel Gagné-edited compilation of turmoil and ecstasy from the pre- and post-Code eras by a pair of genre architects you might recognize; $29.99." – Joe McCulloch, The Comics Journal
"Work you probably have in one form or another. If you don't have [it], you should probably want [it]. The Fritz book is handsome; I haven't cracked my copy yet.... I have a decided lack of reading experience with romance comics, so I'm hoping the Young Romance book is effectively curated." – Tom Spurgeon, The Comics Reporter
"Joe Simon and Jack Kirby doing romance comics. That’s all you need to know. ...Simon and Kirby redefined comics with their tales of romance which opened up the audience far beyond young boys who wanted to wear towels and punch each other. With talents like these on any comics, you are guaranteed that they are going to be well written and beautifully drawn." – Geeks of Doom
By appropriating and subverting Tintin creator Hergé’s classic “clear line” style, Joost Swarte revitalized European alternative comics in the 1970s with a series of satirical, musically elegant, supremely beautifully drawn short stories — often featuring his innocent, magnificently-quiffed Jopo de Pojo, or his orotund scientist character, Anton Makassar.
Under Swarte’s own exacting supervision, Is That All There Is? will collect virtually all of his alternative comics work from 1972 to date, including the RAW magazine stories that brought him fame among American comics aficionados in the 1980s. Especially great pains will be taken to match Swarte’s superb coloring, which includes stories executed in watercolor, comics printed in retro duotones, fiendishly clever use of Zip-a-Tone screens, and much more. (There’s even a story about how to color comics art using those screens, with Makassar as the teacher.)
Other noteworthy stories include Swarte’s take on an episode from Hergé’s early days, a Fats Domino story, a tribute to the legendary “Upside-Downs” strip, and a story titled simply “Modern Art.”
“I’ve loved Joost Swarte’s perfect cartoons, drawings and designs for decades and it’s nothing short of ridiculous that a comprehensive edition of this brilliant artist’s work has never been available in America until now. Swarte is considered a national treasure in his native Holland, and if you open this book, you’ll understand why.” — Chris Ware
The 1939 creation of the Sub-Mariner for the first issue of Marvel Comics assures Bill Everett a place in history. Co-creating Daredevil, the Man Without Fear, for Marvel Comics in 1964 gave Everett a link to one of the most popular superheroes of the past 50 years. And producing over 400 additional pages of superhero-related work in the very early days of the Golden Age of Comics (1938-42) makes Bill Everett a legend.
This book collects over 200 pages of this never-before-reprinted work from titles such as Amazing Mystery Funnies (1938), Amazing-Man Comics (1939), Target Comics (1940), Heroic Comics (1940), and Blue Bolt Comics (1940). These titles feature an endless array of great vintage Everett characters such as Amazing-Man, Hydroman, Skyrocket Steele, Sub-Zero, The Chameleon, and many more, all produced by Everett’s shop Funnies, Inc. for such clients as Centaur, Novelty Press, and Eastern Color, and all displaying Everett’s brilliant cartooning and energetic storytelling.
Edited and compiled by best-selling author and comic-book historian Blake Bell (Strange and Stranger: The World of Steve Ditko), Amazing Mysteries: The Bill Everett Archives is a stunning companion to Bell’s 2010 critically acclaimed Everett biography and art book, Fire and Water: Bill Everett, The Sub-Mariner and the Birth of Marvel Comics. This volume follows the format of Bell’s Steve Ditko Archives series (see page 54 of this catalog); never-before-reprinted, beautifully restored, full-color stories from one of comic books’ greatest visionaries and most accomplished artists. Also includes an introduction by Bell that delves even deeper into Everett’s life, fiery personality, and the history of the era. The resultant package enhances Everett’s place in history as one of the first and best comic-book creators of all time.
• Interview: At The Believer's blog, part 3 of Ross Simonini's 2008 chat with Jim Woodring: "[Frank]’s an agent representing my interests, my perspective. The world is never a settled matter to him. He’s always trying to discover what is really going on, and when he does find out, he gets a terrible jolt. Sometimes he is driven beyond the limits of sanity. As William Burroughs said: a schizophrenic is a guy who has just discovered what is really going on. That’s a paraphrase."
• Review: "The Peanuts of 1981 was an utterly professional entertainment machine, and still the pure product of Charles Schulz's own pen and mind. But its pleasures in the '80s were like those of watching a late-season baseball game between two teams out of contention: it doesn't mean anything, and won't have any real effect on anything, but it's a quite agreeable way to spend a few hours." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
Our friends at PictureBox report, Gary Panter and longtime collaborator Joshua White are debuting their largest collaborative project to date this Friday, February 10th at the Museum of Contemporary Art Detroit!
The Joshua White and Gary Panter’s Light Showwill occupy nearly all of the Museum’s 22,000 square foot area. Oh my GOD. MoCAD illuminates (heh) the exhibit: "As intended by White and Panter, the exhibition will serve as a platform for performances by guests working in a variety of media and disciplines, including musicians, video artists, comedians and engineers, who are invited to interact with the work and activate the space."
Gary's been sending iPhone pics to Dan over at PictureBox, and apparently, a lot of the paintings in the show use a paint only visible under blacklights. Visit his blog to see more of these pics, but here's one I couldn't resist, of a bunny:
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