It's still over 8 months away but the Alternative Press Expo folks are wasting no time in announcing their first batch of special guests, including 3 Hernandez Brothers (Gilbert, Jaime & Mario), continuing their Love and Rockets 30th Anniversary U.S. Domination Tour (not the actual name of the tour), and the one and only Jim Woodring, debuting (knock on wood) his new book Problematic: Selected Sketchbook Drawings 2004-2011!
Mark your calendars for October 13-14 at the Concourse in San Francisco, and stay tuned for future news and updates!
On Saturday February 18th, Gary gives a special talk about the evolution of alternative comics in America and the history of Fantagraphics.
And on Sunday February 19th, Gary leads a live conversation with special guest of honor Robert Crumb for what promises to be an illuminating and entertaining look at the life and work of one of comics' all-time greats.
Will there be photos of Gary, Crumb and Drawn & Quarterly chief Chris Oliveros (also in attendance) sharing an elephant ride, as pondered by someone on the D&Q Twitter feed? We can dream. For the 0.65% of you who live in India (thanks, Google Analytics), this is the event of a lifetime!
Another all-original collection of full-color graphic novellas in the format of Low Moon, Athos in America takes its title from the lead story, a prequel of sorts to the graphic novel The Last Musketeer, in which the seemingly ageless swashbuckler turns up in a bar in 1920 New York and relates the tale of how he went to Hollywood to play himself in a film version of The Three Musketeers. Another tie-in with a previous Jason story occurs in “The Smiling Horse,” in which the characters from the story “&” in Low Moon attempt to kidnap a woman.
Also in this volume: “The Brain That Wouldn’t Virginia Woolf,” a mashup of The Brain That Wouldn’t Die and Who’s Afraid of Virginia Woolf, told in reverse chronological order; the Bukowski pastiche “A Cat From Heaven” in which Jason works on his comic, has a reading in a comic book store, gets drunk and makes a fool of himself; the dialogue-free (all the text occurs in thought balloons) “Tom Waits on the Moon,” in which we follow four people (one of them a scientist working on a teleportation machine) until something goes wrong; and “So Long Mary Ann,” a prison-escape love-triangle story.
Exclusive Savings: Buy Athos in America together with Jason's previous collection of original short stories Low Moon and save 20% (that's 10 bucks!) off the combined cover prices! Click here to order.
Tim Lane shares his breathtaking cover illustration for next week's Riverfront Times, which will feature his graphic feature narrative "Notes of a Second Class Citizen." You lucky St. Louisans will not want to miss out on getting your hands on a copy!
• Review: "Nearly every cover in this collection [Action! Mystery! Thrills! Comic Book Covers of the Golden Age 1933-45] sizzles like a good slice of breakfast bacon. Pop art and the peculiar modernist aesthetic that defined postwar American culture really started here, with the liberation of comics from the funny pages and their metamorphosis into this most dynamic and demented of mediums. As a result, every deli and newsstand in America became its own peculiar gallery exhibit, a nexus of transient mass culture. This magical and immersive communion is now a thing of the past, but flipping through the gory, scary, and often beautiful pages of this discerning and honest anthology is an intoxicating experience." – Publishers Weekly
• Review: "If you think you've seen all the best early comic covers, this'll make you think again.... I have a bias here myself...I helped Greg put parts of this together, with rare and fun covers from my own collection. Here you find the really cool and offbeat stuff... And Greg writes a concise bio of every cover and cover artist, putting each in perspective. I can't wait to show this to my Golden Age collecting buddies, it's a must-have book. You have my word on it." – Bud Plant
• Review: "...[N]o publisher has done more to preserve the Great American Newspaper Strip than the Seattle-based Fantagraphics, which has undertaken an audacious program of reprints in the last decade.... The most recent addition to the Fantagraphics line is the most anticipated: Walt Kelly’s unassailable funny-animal strip about Pogo the possum and his cadre of friends and antagonists in the Okefenokee Swamp. ...[I]f the company can pull off a complete edition of Kelly’s masterpiece — especially a full series as lovely as the first volume promises — ...it will be a publishing masterpiece of its own." – Matthew Everett, MetroPulse
• Review: "Is Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 the coolest book ever published? Yes, it is. Just out from the stellar Seattle publisher Fantagraphics, Listen, Whitey! is a gorgeously designed and smartly written coffee table book... Author Pat Thomas has done major archeological work to unearth albums from the era; for people like me who love classic record designs from the 1960s and ’70s, it’s heaven.... The book is a joy to leaf through.... Black music, art, and culture has been assimilated, and it’s made America a better, stronger place. Listen, Whitey! is an archival project, not a modern one. To which I, a white guy, can only say: Right on!" – Mark Judge, The Daily Caller
• Review: "The page in [The Cabbie Vol. 1] where the cabbie brings his father’s sewage covered remains home and puts them in what’s left of the coffin and then puts the coffin on top of his mother’s recently deceased body tells you everything you need to know. Unless you’re a Prince Valiant dude, this is the best reprint of the year. Impregnable would be the best word, EXCELLENT! will have to do." – Tucker Stone, Savage Critics
• Review: "Prince Valiant Vol. 4: 1943-1944 is not only a great book, I think it could also serve well as a good jumping-on point for those curious about the strip. By this point Foster has gotten a strong grip on his characters and the format of the strip, and with a new storyline beginning so early on in this volume you don’t have to worry about being lost. And while this volume doesn’t end at a conclusion for the last storyline (running a whopping 20 months in all, as it turns out, only the first 7 months are present here), there’s so much meat here that you’ll be eager for Prince Valiant Vol. 5 so you can find out how it ends. I, for one, can’t wait." – Greg McElhatton, Read About Comics
• Review: "Are you a fan of Ghost World? You might not have noticed that Seattle-based Fantagraphics has reduced the price of their Ghost World: Special Edition to a bargain-priced $25.... The Special Edition is packed with goodies sure to thrill the Ghost World geek.... It’s a great item to add to your Ghost World collection — or to get it started." – Gillian Gaar, Examiner.com
This week's comic shop shipment is slated to include the following new title. Read on to see what comics-blog commentators and web-savvy comic shops are saying about it (more to be added as they appear), check out our previews at the link, and contact your local shop to confirm availability.
208-page full-color 8" x 10.5" softcover • $29.99 ISBN: 978-1-60699-494-8
"If I had $30, I’d... pick up Action! Mystery! Thrills!, a colorful collection of comic book covers from the Golden Age edited by Greg Sadowski. It’s not as insightful as some of Sadowski’s other books like Supermen!, but it’s still a clever pop-candy tour through comics’ yesteryear." – Chris Mautner, Robot 6
"Meanwhile, Fantagraphics brings Action! Mystery! Thrills!: Comic Book Covers of the Golden Age 1933-1945, the latest Greg Sadowski joint, this time a 208-page collection of vintage comic book covers and historical notes on the various publishers and artists populating the scene; $29.99." – Joe McCulloch, The Comics Journal
"I can't think of another collection that gives such an excellent glimpse into the diversity of the Golden Age of comics. Sadowski edits a gorgeous collection of covers by artists like... Jack Cole, Will Eisner, Bill Everett, Walt Kelly, Jack Kirby, and many more." – Benn Ray (Atomic Books), Largehearted Boy
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