The best looping GIF of Online Commentaries & Diversions:
• Review: Publishers Weekly gives a Starred Review to Messages in a Bottle by B. Krigstein. "Krigstein’s stories are sometimes epic and sprawling, sometimes compressed and confined…His mastery of chiaroscuro, and his dramatic composition and layout, applied across a very wide range of subject matter, are what make this gorgeous collection so essential."
• Review:The AV Club also shows extreme love for the comics of B. Krigstein in his new collection Messages in a Bottle. Noel Murray writes, "Krigstein treated each assignment as a chance to put theory into practice, and even among EC’s formidable roster of stylists, Krigstein stands out as one for whom the words around the pictures almost don’t matter, because the art’s so mesmerizing that it’s hard to pay attention to anything else…"
• Review: The Advocate warms up to the reading of Gilbert Hernandez's Julio's Day. Jacob Anderson-Minshall writes "Hernandez is able to illustrate that those events had a global reach and dramatically impacted the lives of everyone — including the people in Julio’s life…A remarkable accomplishment that is likely to find its way on numerous Best of 2013 lists and garner Hernandez more well deserved awards and accolades, Julio’s Day is, at its heart, a gay story."
• Plug:Philip Nel plugs our latest volume of The Comics Journal #302 and it's interview -- the last interview-- with children's book author and illustrator Maurice Sendak. "Above all, in reading Groth’s interview, it’s great to hear Maurice’s voice — his salty, funny, grumpy, insightful, irascible voice — just one last time."
• Review: Neal Wyatt of the Library Journal looks at the new books coming out this year from Fantagraphics. "Browsing the Fantagraphics spring catalog underscores the myriad of styles and literary approaches that graphic novelists and artists explore—be it Anders Nilsen’s near metaphorical images or Dash Shaw’s crowded and kaleidoscopic landscapes." He singles out Good Dog by Graham Chaffee, The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley by Kim Deitch, Lost Cat by Jason, New School by Dash Shaw ("Known for his frenetic and inventive artwork…") and The End by Anders Nilson.
• Plug: Dash Shaw appeared on Tumblr's Editorial Tumblr. He looks very nice, all working hard on comics and such.
• Plug: The Austin Public Library highlighted two of our books on their blog. On Jordan Crane's The Last Lonely Saturday, Betsey Blanche described as "The artwork is simple – drawn in mostly red and yellow – but full and effective." They also pulled out Lilli Carré's The Lagoon: "It’s another haunting but beautiful book about a family, mysteries, and the power of legends."
• Review:The Comicbook Pusherman looks at 21: The Story of Roberto Clemente by Wilfred Santiago. "…as a comic it absolutely crackles. The art is stunning. Santiago clearly captures baseball's (and Clemente's) unique energy and the Americas of the '50s and '60s and most distinctly the Puerto Rico of the 30s and 40s," says Jeffrey O. Gustafson.
• Plug: Get ready, MoCCA tablers. Gary Groth is on the esteemed jury for the Awards of Excellence starting up this year so reported by The Beat. Bring your A-game books printed on some uncoated paper.
• Plug (video): Our own Publicity Director, Jacq Cohen, is captured on film at Comic Con India on the Wandering Violinist talking about Joe Sacco's Palestine.
• Plug: Peter Bagge writes an article on cartoonist Al Capp at Reason.
• Plug: Bob Temuka and the Tearoom of Despair pick the perfect albeit spoiler of a panel from Hate by Peter Bagge.
Order this book and receive the Jack Davis's Tales from the Crypt Halloween mini-comic shown here as a FREE bonus! Limit one per customer while supplies last.
With its pitch-perfect blend of laughs, terror, and gore, as delineated by some of the finest cartoonists to ever draw a rotting, reanimated corpse, Tales from the Crypt (1950-1955, R.I.P.) remains the quintessential horror comic of all time.
And no cartoonist better encapsulated the grand-guignol spirit of Tales from the Crypt than Jack Davis, who, even at the earliest stage of what would become a six-decade career, possessed a level of skill that would elude most other cartoonists during their lifetimes. His maniacs were more homicidal, his victims more terrified, his dismemberments bloodier, and his werewolves more feral than anyone else's.
'Tain’t the Meat... It's the Humanity and Other Stories collects all of Davis's Tales from the Crypt classics, from EC's wicked revenge fantasies ("The Trophy!" and "Well Cooked Hams!") through the outright supernatural (the voodoo yarn "Drawn and Quartered!" and "Concerto for Violin and Werewolf") to the origin of the Crypt-Keeper ("Lower Berth") — and the legendary splatter gross-out of the title story.
This volume also includes biographical notes and essays, and an ultra-rare EC bonus: Davis's completely redrawn 3-D version of "The Trophy!" — back in print for the first time since its original appearance 60 years ago (and for the first time in regular, easy-on-the-eyes 2-D).
"...I have a spot in my heart for Jack Davis. I mean, that guy just makes me laugh. Even when he's drawing a gross-out, he just makes me laugh. I love his shoes, the way he draws shoes, and knuckles... there's just something about Jack Davis' stuff that blows me away." – George A. Romero
Residents of the Pacific Northwest are in for a pop culture bonanza this weekend at Emerald City Comicon. The action begins on Friday with an appearance by the legendary Peter Bagge, signing from 4:00 to 6:00 PM at booth 510. Fans in attendance will be the first in the country to get advance copies of Peter Bagge's Other Stuff, as well as the exclusive Buddy Does Emerald City tee shirt at a premium price. Bagge was largely responsible for creating the atmosphere that attracted dozens of aspiring cartoonists to Seattle in the 1990s. Come celebrate that legacy with us.
The action continues on Saturday at 11:00 AM with comix scholar Bill Schelly signing copies of his three volumes on the late Joe Kubert, who we lost last year after a stellar career that began at the age of 12! Bill has an amazing grasp of comix history and is a wonderful conversationalist. Featured guest Peter Bagge returns to the booth from 1:00 to 3:00 PM, followed by Ellen Forney, signing copies of her runaway bestseller Marbles and other books. Cartoonist and archivist Michel Gagné rounds out the entertainment from 5:00 to 6:00 PM.
Come meet our knowledgeable staff and mingle with pop culture personalities like Carrie Fisher, Patrick Stewart,Gillian Anderson, Adam West, Burt Ward,Wil Wheaton, and countless others. See you in Seattle at Booth 510. Cheers!
The wait is finally over! Fantagraphics and comiXology are bringing you JASON comics starting with his 2008 Eisner Award-winner I Killed Adolf Hitler. A hitman is hired to travel back in time to kill Hitler in 1939… but things go very wrong. Hitler escapes to the present, leaving the killer stranded in the past. This surprising thriller unfolds with Jason's wickedly dry humor.
A hitman is hired to travel back in time to kill Hitler in 1939... but things go very wrong. Hitler escapes to the present, leaving the killer stranded in the past. This surprising thriller unfolds with Jason's wickedly dry humor. - See more at: http://www.fantagraphics.com/index.php?keyword=adolf+hitler&search_type=titles&Search=Search&Itemid=62&option=com_virtuemart&page=shop.browse#sthash.SLYIesCf.dpuf
In this full-color graphic novel, Jason posits a strange, violent world in which contract killers can be hired to rub out pests, be they dysfunctional relatives, abusive co-workers, loud neighbors, or just annoyances in general — and as you might imagine, their services are in heavy demand. One such killer is given the unique job of traveling back in time to kill Adolf Hitler in 1939... but things go spectacularly wrong. - See more at: http://www.fantagraphics.com/browse-shop/i-killed-adolf-hitler-2nd-printing.html#sthash.CufQsEPv.dpuf
A hitman is hired to travel back in time to kill Hitler in 1939... but things go very wrong. Hitler escapes to the present, leaving the killer stranded in the past. This surprising thriller unfolds with Jason's wickedly dry humor. - See more at: http://www.fantagraphics.com/index.php?keyword=adolf+hitler&search_type=titles&Search=Search&Itemid=62&option=com_virtuemart&page=shop.browse#sthash.HyMswmoR.dpuf
A hitman is hired to travel back in time to kill Hitler in 1939... but things go very wrong. Hitler escapes to the present, leaving the killer stranded in the past. This surprising thriller unfolds with Jason's wickedly dry humor. - See more at: http://www.fantagraphics.com/index.php?keyword=adolf+hitler&search_type=titles&Search=Search&Itemid=62&option=com_virtuemart&page=shop.browse#sthash.HyMswmoR.dpuf
As always, I Killed Adolf Hitler is rendered in Jason's crisp deadpan neo-clear-line style, once again augmented by lovely, understated coloring. - See more at: http://www.comixology.com/I-Killed-Adolf-Hitler/digital-comic/MAY073456#sthash.gghYpwtF.dpuf
For 50 pages, this $9.99 new classic is rendered in Jason's crisp deadpan neo-clear-line style, one again augmented by lovely understated coloring.
In this full-color graphic novel, Jason posits a strange, violent world in which contract killers can be hired to rub out pests, be they dysfunctional relatives, abusive co-workers, loud neighbors, or just annoyances in general — and as you might imagine, their services are in heavy demand. One such killer is given the unique job of traveling back in time to kill Adolf Hitler in 1939... but things go spectacularly wrong. - See more at: http://www.fantagraphics.com/browse-shop/i-killed-adolf-hitler-2nd-printing.html#sthash.CufQsEPv.dpuf
"Dryly riotous... Jason's minimal drawings, dominated by empty space, and his laconic pacing imply that nothing particularly significant is going on, although there is near-constant gunplay, Hitler is on the loose in present-day Berlin, and World War II is about to be eradicated from history. The effect is something like Grindhouse as rewritten by Harold Pinter." – Douglas Wolk, The New York Times
"...I'm reading Jason's I Killed Adolf Hitler, and I'm doing this thing that I do whenever I read new stuff from Jason which is just freaking out because he's so good at what he does." – Comic Book Resources
Order this book and receive the Jack Davis's Tales from the Crypt Halloween mini-comic shown here as a FREE bonus! Limit one per customer while supplies last.
Barely old enough to drink when he joined the EC Comics stable, Al Williamson may have been the new kid on the block, but a lifetime of studying such classic adventure cartoonists as Alex Raymond (Flash Gordon) and Hal Foster (Prince Valiant) had made him a kid to reckon with — as he proved again and again in the stories he created for EC's legendary "New Trend" comics, in particular Weird Science and Weird Fantasy.
As a result of Williamson's focus, it's possible to compile all of Williamson's "New Trend" EC work into one book — which Fantagraphics is finally doing here. Sci-fi aficionados should note that although most of the stories were written by Al Feldstein, 50 Girls 50 features three of EC's legendary Ray Bradbury adaptations, including "I, Rocket" and "A Sound of Thunder" — and a unique curiosity, a strip adapted from a short story submitted by a teen-aged Harlan Ellison.
Williamson ran with a gang of like-minded young Turks dubbed the "Fleagle Gang," who would help one another out on assignments. Thus this book includes three stories upon which Williamson was joined by the legendary Frank Frazetta, and one story ("Food for Thought") where Roy Krenkel provided his exquisite alien landscapes, to make it one of the most gorgeous EC stories ever printed. As a supplementary bonus, 50 Girls 50 includes three stories drawn by Fleagles sans Williamson: Frazetta's Shock SuspenStories short "Squeeze Play"; Krenkel's meticulous "Time to Leave"; and Angelo Torres's "An Eye for an Eye," an EC story that famously fell prey to censorship and was not released until the 1970s. As with other Fantagraphics EC titles, 50 Girls 50 also includes extensive story notes by EC experts.
Hey gang, we just got advance copies of Peter Bagge's Other Stuff! This handy volume collects Pete's collaborations (with Clowes, Crumb, Tomine, the Hernandezes, Alan Moore, etc.) from the back pages of Hate, stories from Hate Annual, and other odds 'n' ends. It's a must-have for Baggeliebers (huh?) and all lovers of hilarious satire.
Lucky attendees at Emerald City Comicon this weekend will have first crack at buying copies (and getting 'em signed and personalized by Pete himself) — everybody else will have to wait a couple months before it hits shelves. But you can get a taste with our 20-page excerpt, readable right here.
James Romberger, artist of 7 Miles a Second, will be giving a slide show presentation tonight TONIGHT at the NY Comics and Picture-story Symposium on his collaboration with David Wojnarowicz and Marguerite Van Cook in addition to his new book Post York, out from Uncivilized Books. 7pm, 7 Miles a Second pretty easy to remember. Music accompaniment by Crosby. The thirty-fourth meeting of the NY Comics & Picture-story Symposium will be held on Monday, February 25, 2013 at 7:00 pm at Parsons The New School, 2 West 13th Street in The Bark Room (off lobby). See you there!
The half-day of school in Online Commentaries & Diversions:
• Review: Nick Gazin of VICE reads God and Science by Jaime Hernandez. "I think it's cool that Jaime will make a comic with no sci-fi or fantasy elements for decades and suddenly remind us that the world his comic is set in is capable of housing superheroes. I own all of Jaime's stuff."
• Plug: Bob Temuka tries to make you break down into tears at your desk but DAMMIT you didn't let him, didja? Tearoom of Despair lives up to its name by remembering the 'Death of Speedy' story available in The Girl From H.O.P.P.E.R.S. by Jaime Hernandez.
• Plug: Speaking of Jaime, that man is a special guest at new comic show Autoptic August 18th, 2013 in Minneapolis, MN.
• Plug: Opening March 8th is a must-see show of Harvey Kurtzman artwork at the Society of Illustrators in New York. The preview is on Boing Boing and Mark Frauenfelder included the cover page from the story Corpse on the Imjin! (as the title of our current Kurtzman EC collection). "Kurtzman's thoughtful, more realistic and human depictions of war were in stark contrast with the competing gung-ho war comics of the day that glorified war."
In 2010 it was our distinct privilege to bring you the English edition of Jacques Tardi's World War I tale It Was the War of the Trenches, widely acknowledged by readers, critics, and award committees as a comics masterpiece. In just 3 months or so we'll be following that up with Tardi's second WWI masterwork, Goddamn This War!
Tracing the "progress" of the war year by year, from the perspective of an unnamed soldier, Goddamn unflinchingly chronicles the horror, boredom, frustration and despair of war for its ground-level participants as they grind through the gears of history. Providing further historical context is an extensive text section written by Tardi's reserach partner, the historian Jean-Pierre Verney.
Production on the book is wrapping and it's off to the printer for release in about 3 months, and this is your first look at the final cover design. We're taking pre-orders right now (as well as for a specially discounted set of Goddamn and Trenches together).
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