|The Stranger polls its readers for Washington State Cartoonist Laureate|
|Written by Mike Baehr | Filed under Jim Woodring, Ellen Forney||25 Jan 2011 2:30 PM|
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Archive >> January 2011
With my home state of Vermont announcing that they've chosen a Cartoonist Laureate, The Stranger's Paul Constant polls Stranger blog readers for a hypothetical Washington State Cartoonist Laureate, offering a near-impossible choice of candidates: Ellen Forney, David Lasky and Jim Woodring. (Or "other." I'd decry the obvious omission of Peter Bagge, but maybe the political nature of much of his recent work would make him too divisive a candidate.)
200-page two-color 6.25" x 8" hardcover • $22.99
Ships in: March 2011 (subject to change) — Pre-Order Now
The biographical 21: The Story of Roberto Clemente is a human drama of courage, faith and dignity, inspired by the life of baseball star Roberto Clemente.
No other baseball player dominated the 1960s like Roberto Clemente and no other Latin American player achieved his numbers. Born in 1924 in Puerto Rico, Clemente excelled in track and field and loved baseball. By the age of 17 he was playing in the PR Winter league. Spotted by the big-league scouts because of his hitting, fielding, and throwing abilities, he joined the Pittsburgh Pirates in 1954. A fierce competitor, within two seasons he was hitting above .300 consistently. He played like a man possessed, fielding superbly, unleashing his rifle arm, and hitting in clutch situations. Despite his aesthetic brilliance, he faced prejudice throughout his career and was given his due only after his unexpected and tragic death in a 1972 plane crash.
Although baseball was his obsession, Clemente never lost sight of his dreams and his greater responsibilities outside the game. This sense of urgency is what came to define him beyond that of a grand athlete. His eventual success and accompanying celebrity gave him the opportunity to engage his conscience in public life. He died when his plane went down in the Caribbean Sea on a relief mission to earthquake-torn Nicaragua that he personally directed.
21 chronicles Clemente’s life from his early days growing up in rural Puerto Rico, the highlights of his career (including the 1960s World Series where he helped the Pirates win its first victory in 33 years, and his 3000th hit in 1972 during the last official at-bat of his life) as well as his private life and public mission off the field.
After his death, Major League Baseball declared September 18 to be “Roberto Clemente Day,” and in 1999, Pittsburgh’s Sixth Street Bridge was renamed the Roberto Clemente Bridge in honor of the greatest Latino ballplayer in history.
Wilfred Santiago captures the grit of Clemente’s rise from his impoverished Puerto Rican childhood, to the majesty of his performance on the field, to his fundamental decency as a human being in a drawing style that combines realistic attention to detail and expressive cartooning.
"Wilfred Santiago's 21 is brilliant and beautiful, challenging and lyrical ... which seems exactly right, as Roberto Clemente was all those things and more." – Rob Neyer, ESPN.com
"A kaleidoscopic look at the life of the great Clemente. Santiago's artwork is superb and the depth of his passion for the subject and incredible preparation comes through on every page." – Steven Goldman, author of Forging Genius: The Making of Casey Stengel and editor of Baseball Prospectus
"I'll admit, being a baseball player often feels like a comic book experience: the costumes, the origins, the battles for great victories and inspiration it conjures in our fellow man. This book captures the essence of one of our sport's greatest heroes, and it does so in a way that engages the imaginations as much as it reveals the heart, ink, color, style, and character; I can think of no better way to share a tale of a true legend." – Dirk Hayhurst, Toronto Blue Jays pitcher and author of The Bullpen Gospels
Video & Photo Slideshow Preview (view in new window):
• Jason's commentary on this page of sound effects lettering for the English edition of You Can't Get There from Here (now seen in Almost Silent) is hilarious; plus more early strips, illustrations and film reviews at his Cats Without Dogs blog
And more Things to See from the past week:
Today's Online Commentary & Diversions:
• List/Coming Attractions: On Publishers Weekly's "Spring 2011 Adult Announcements" preview, the following upcoming titles rank on The Top 10: Comics & Graphic Novels:
"Many recent comics biographies have been presented as educational material, but Wilfred Santiago's 21: The Story of Roberto Clemente uses a more expressionist style to tell the story of the baseball superstar who rose from poverty to the top of the game and died a hero's death. Long in the making, it arrives just in time for opening day."
"The comic strip gets a much needed new edition of the first volume of Walt Disney's Mickey Mouse, Vol. 1: Race to Death Valley. While perhaps an unexpected gem, Floyd Gottfredson's tough, bold mouse is a seasoned adventurer and these are driving, hard-boiled tales. After reading this volume, you'll never look at Mickey, the tuxedo-clad corporate spokesmouse, the same again."
• List: On WFMU's Beware of the Blog, radio host Noah Zark includes Destroy All Movies!!! The Complete Guide to Punks on Film on his Top 13 of 2010: "Those who know me know I have a real love for punk rock music and film. Destroy All Movies adoringly brings both worlds together in this well designed unholy writ!"
• List: Carve Your Name Comics' Greg Townley (a.k.a. "Johnny") names his top 20 favorite comics and graphic novels of 2010:
"14) Werewolves of Montpellier by Jason — Jason’s work is haunting and surreal. I love all his books, but this one earns high points for including a character based on Holly Golightly from Breakfast at Tiffany’s. [...] Jason’s allusion to the complex film icon really elevates this book."
"17) Wally Gropius by Tim Hensley — This book is like Richie Rich on acid – one of the most original, visually exciting books I’ve read this year."
"20) King of the Flies- 1. Hallorave by Mezzo and Pirus — King of the Flies, the first part of a proposed trilogy, is surreal and unsettling. It requires repeat readings to unearth the interwoven secrets at play."
• List: Meltcast co-host Chris Rosa's top 10 Best Comics of 2010 includes Werewolves of Montpellier by Jason at #7 and Fire & Water: Bill Everett, The Sub-Mariner and the Birth of Marvel Comics by Blake Bell at #10
• List: At his X-Ray Spex blog Will Pfeifer names Love and Rockets: New Stories #3 one of his Graphic Novels of the Year: "Gilbert's stuff is a lot of fun (and a lot of weird, too), but it's Jaime's shattering look back at Maggie's troubled past that elevates this book above even Love and Rockets' normally stellar standards. 'Browntown' is one of the best stories ever to appear in Love and Rockets, and if you know how brilliant the book is — easily one of the best comic series ever — you know that's high praise indeed."
• List: Also at X-Ray Spex, Pfeifer lists his best Books About Comics of the Year, including:
From Shadow to Light: The Life and Art of Mort Meskin by Steven Brower: "...[W]hen I started collecting in the late 1970s[,] Meskin's art stood out, mostly because his figures and compositions always seemed to explode off the page. And now there's an elaborate book that (a) examines his whole life (b) reprints lots of vintage art and (c) includes plenty of originals? Tell me this isn't the best time — ever — to be a comic book fan."
The Best American Comics Criticism, ed. by Ben Schwartz: "Some great reading between these covers even if, strictly speaking, it's not all 'comics criticism.'"
Four Color Fear: Forgotten Horror Comics of the 1950s: "...[T]his is a great collection, with vintage work from Basil Wolverton, Joe Kubert, Howard Nostrand, Bob Powell and especially Jack Cole, who delivers a couple of twisted masterpieces here. Also, there are fascinating, detailed end notes and a lurid collection of covers in the middle."
(The above 3 items via Sandy Bilus at I Love Rob Liefeld)
• Review: "Jacques Tardi’s It Was the War of the Trenches is pretty brutal. [...] It’s one thing to read about the brutality of trench warfare, another entirely to experience it in the way Tardi details it here. This wasn’t an easy read — I alternated between anger and horror the whole time — but it was a good one." – Brigid Alverson, Robot 6
• Review: "It's all very well told, with realistic details coming through even when the art takes such a cartoony style, but being the first half of a two-volume series, [Lucky in Love Book 1] is somewhat incomplete, setting up themes that will presumably be dealt with later. Still, it's quite good. However, there was one scene that I thought was excellent on its own and stood out in the memory the most. [...] War is hell, with effects reaching far outside and long beyond the actual conflict, and this scene manages to illustrate that rather effectively." – Matthew J. Brady, Warren Peace Sings the Blues
• Plug: "Ray Fenwick's Mascots is... narrated by Cthulu... I think. [...] What Fenwick paints is funny and punny, but also unexpectedly observant with just a little bit of metaphysical musing thrown in. I know that doesn't make too much sense as a combination, so just read these pages and maybe you'll understand." – Julia Pohl-Miranda, 211 Bernard (Librairie Drawn & Quarterly)
Paul Karasik requests that the word be spread:
"I am teaching at the Masters School in Angouleme and next Friday I will be making a presentation at the Festival on Friday at 4:30 about the process of adaptation in comics with a City of Glass focus... Since it is an event sponsored by the museum, it does not appear in any festival literature..."
The Comics Reporter, from whom I lifted this item, comments: "Since Karasik is one of the most thoughtful and articulate cartoonists going, this is bound to be a fun way to spend your time and if you make the time for it I'm betting you'll be rewarded."
Brooklyn! Catch Tony Millionaire signing his many books at Desert Island this Thursday evening at 7 PM! Gabe of DI will be printing up one of his consistently-excellent exclusive silkscreen prints for the occasion, so don't miss out on that. This of course is a prelude to Tony's art exhibit opening at Scott Eder Gallery the following night. Two nights of Tony = guaranteed fun!
Here's this week's Weissman, plus links to other strips from around the web (to which we have a couple of new hopefully semi-regular additions):
Today's Online Commentary & Diversions:
• Review: "Among the highlights of [Usagi Yojimbo:] The Special Edition is the ease of witnessing Sakai’s growth as a writer, artist and storyteller. While the illustration in the earliest chapters is already solid, Sakai’s linework grows visibly more assured and looser, giving the pages a liveliness not seen in many comics. Similarly, the layouts evolve to capture the quiet elegance of the Japanese countryside, the gut-turned terror of Jei (comics’ best villain) or the kinetic ballet of a samurai duel in pitch-perfect fashion. ...Fantagraphics makes Usagi look great with this collection. ...[F]or [hardcore] Usagi fans, The Special Edition is everything you could want. And anyway, with this series, everyone should be hardcore." – Michael C. Lorah, Newsarama
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