• List:Hypergeek's Edward Kaye names The Best Original Graphic Novels of 2010, including (deep breath):
Werewolves of Montpellier: "Part lycanthropic thriller, part romantic comedy, and part existential drama, all told with Jason’s trademark anthropomorphic characters. The visuals are minimalistic and haunting, and the sparse dialogue is wry and delivered with deadpan execution. It’s one of the best things that Jason has ever written, and he continues to outdo himself with every new story."
Love and Rockets: New Stories #3: "Los Bros Hernandez return for a third volume of New Stories. The stories in this volume are fun, bizarre, wacky, and at times profoundly moving. The brothers have been at this for 28 years now, and are still telling stories brimming with originality, and illustrated in inimitable and unparalleled fashion. A true watermark of the series thus far!"
Prison Pit Book 2: "Johnny Ryan has outdone himself on this one. It's intensely violent, horrific, grotesque, sickening, and just plain fucked up! That being said, I thoroughly enjoyed every minute of it! You should buy this book and give it to all of your friends that think that comics are for kids. It will make them cry!"
Weathercraft: "I only discovered Jim Woodring this year, on a recommendation. I was so impressed by this enchanting, silent masterpiece that I went out and purchased everything else I could find with his name on it, which as it turns out is surprisingly little. It's a beautiful and spellbinding book, with otherworldy illustrations that take you to another place. It's hard to adequately describe this story, it's really beyond definition, it's better that you just experience it for yourself."
Billy Hazelnuts and the Crazy Bird: "Tony Millionaire gives readers a sequel to 2006's Billy Hazelnuts. It's an all-ages tale about a golem on a quest to reunite a baby bird with its mother. It's a charming and wacky parable of adventure, discovery, and find one's way in the world. A contemporary fairy tale that is perfect adults and children of all ages. Simply enchanting!"
The Troublemakers: "Gilbert Hernandez releases a second volume of this Love & Rockets spin-off series, featuring B-Movies starring Luba's half-sister, Fritz. This fantastic tribute to film noir is sure to please fans of the genre, while serving as a fantastic introduction to L&R. It's a hard-boiled classic, brought to life with Beto's bold and distinctive artwork. Oh, and did I mention the massive boobs?"
• Review: "It's unlikely I'm telling anyone reading this anything new by suggesting that Lorenzo Mattotti draws like Caruso sang, and that reading this latest work with screenwriter Claudio Piersanti [Stigmata] is at times an assault of exquisite visual pleasure of the kind that makes your whole face sting." – Tom Spurgeon, The Comics Reporter
• Review: "'The Carnival' [in Mome Vol. 14] is an exquisitely wrought piece of melancholy fantasy, and a high point in the blossoming career of Lilli Carré, the most poetic of contemporary North American cartoonists. [...] Lilli Carré’s cartooning has reached the point where she makes everything feel integral; one can’t treasure any of a piece without treasuring all of it. And 'The Carnival' is a rare treasure indeed." – Robert Stanley Martin, Pol Culture
• Review: "...[I]f you’re looking for something awesome to read and start the new year off with, pick up Locas and Locas II. You can even check them out from the library but they’re nice to have around, so when you and your friends are having some funny or interesting conversation and you’re like wait, this seems familiar, and then be like, oh yeah Maggie said the same thing." – Chimatli
• Coming Attractions: At The Comics Reporter, Tom Spurgeon has thoughtful commentary regarding our upcoming Carl Barks books
The historic public debut of Jim Woodring's giant 7-foot steel nib dip pen at the Gage Academy of Art this past Sunday was a breathtaking display of Jim's ambition and skill, not to mention a lot of fun. The event was extremely well documented (and attended). First up, here's our photos & video clips, also in a slideshow:
• List/Review: At Seen, Sam Humphries ranks Special Exits by Joyce Farmer #6 on the Best of 2010: "Sure, Special Exits is sad. But it’s also funny, touching, thought-provoking, and life-affirming. It’s never trite, cheap, or hokey, like, say, Patch Adams. This is the raw, unvarnished truth about the end of life, elegantly put to page by Farmer’s lyrical drawings, a welcome, thoughtful evolution of the raucous underground style of the 60s and 70s. Most of all, Special Exits is powerful. It’s vital; almost essential. [...] It’s not for the faint of heart, but it’s one that everyone can benefit from reading. Your future self will thank you."
• List:Fangoria's Michael Koopmans puts two of our classic reprints on their list of the 10 Best Horror Comic Releases of 2010:
"If you asked me to make a list of my all-time favorite comic artists, I’d just hand you [Four Color Fear], because all the greats are present in this terror tome... This is a truly amazing, thick collection of rare treats, as well as a nice reminder that EC wasn’t the only ones churning out the goods back in the 1950’s."
"A companion piece to last year's Strange Suspense (Vol. 1), this volume [Unexplored Worlds] continues to showcase the goods from one of my all-time favorite artists. And by 'goods' I mean the most unique and disturbing horror and sci-fi comics you will ever come across! As is the case with all Fantagraphics releases, the original works are untainted and scanned perfectly."
"Set to Sea, by Drew Weing, is actually the unqualified top of my list. My absolute favourite of the year, just for the sheer pleasure of it. It’s the deceptively simple life story of a struggling young poet who finds a life for himself at sea, and it’s a proper misty-eyed treat."
"Weathercraft, by Jim Woodring, is my tip to the old hands that brought out work this year. As much as I love the others..., Woodring is for me in a class of his own. Reading an extended work by the man, you find yourself falling into a different state of mind, a world of sickly, queasy imaginings. [...] Few are as adept at drawing you so deeply into worlds which are so utterly alien, yet so incredibly personal."
• Review: "If this is your first encounter with The Extraordinary Adventures of Adele Blanc-Sec, I feel I should warn you about the faint regret you'll feel for not having a chance to read these earlier in your life. These comics feel lost in time; they are reminiscent of Victorian adventure novels but maintain a strong contemporary cultural relevance. [...] Whatever your age, this is escapist reading of the finest sort — readers will get lost in Tardi's breathtaking ornamental artwork and marvel at how captivating an old-fashioned yarn can really be." – Jeff Alford, About.com: Contemporary Literature
• Review: "Action action action. Balls to the wall and guts to the ground action. And sick sick drawings. That's what you will find in this book. [...] Is this an evolution of Johnny Ryan we are witnessing with this series? Is he taking his unique manner of storytelling to another level with Prison Pit? Whatever, but there's obviously more to come with this series and I will be eagerly awaiting the next installment." – P.D. Houston, Renderwrx Productions
• Review: "Seattle-based publisher Fantagraphics' second volume of the collected Prince Valiant by series creator Hal Foster is a sumptuous package bringing together the Sunday strips that were published during 1939-40. ...[T]his restoration of one of the most influential comic strips of all time... [is] an essential purchase for anyone interested in the history of the American comic strip." – James Peaty, Den of Geek
• Review: "Throughout it all, Segar's art is energetic and expressive, the printed-page equivalent of the black-and-white cartoons of the '20s, and his characters are broad and exciting but always identifiable. Popeye in particular has depths that later stories rarely dealt with... Segar's Thimble Theatre stories are great American originals, and they suffered the fate of every other great American original: to be watered down and redone a thousand times by a thousand hacks in search of a quick buck and a sure thing. But the original endures to be rediscovered, as often as necessary, and that's no small thing." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "Coming in at nearly 1,000 pages, [Meanwhile...] was done with the late Caniff’s full cooperation and benefits from the fact that he and Harvey were friends. [...] Any storyteller as influential as Caniff was and is deserves a biography of this caliber." – Tim O'Shea, Robot 6
• Review: "As biographer and historian, Bell excels. He is able to really understand the cartoonist he is documenting and boil it down to the essentials. [...] The production on [Fire & Water] is amazing. Bell is able to reproduce a good amount of original artwork that allows you to see just how skilled a draftsman Everett was." – Robin McConnell (Inkstuds), Robot 6
• Review: At The Panelists, a "One-Panel Review" from Jim Woodring's The Book of Jim by Charles Hatfield: "Something I miss in Jim Woodring‘s current work is a sense of fear being enacted directly through his drawing, through his handiwork—in other words, a sense that the drawings themselves are shivering and smearing and decomposing out of sheer, gut terror."
• Interview:The Comics Reporter's Tom Spurgeon talks to Daniel Clowes: "I can't say that I would never do another comic and call it Eightball. I say there's actually a very high probability that I would do that some day. Kind of for old time's sake, or something. Or just to kind of rethink what a comic book means at some point. But right now it sure doesn't feel like the thing to do."
• Interview: And another great interview from Tom at The Comics Reporter, this time with Jaime Hernandez: "Gilbert and me always ask each other, 'So, what do you got in the new issue? What's coming up?' And I go, 'Well, I got this one story about Maggie, blah blah blah...' and I called it 'Maggie in Palomar.' I kind of aimed it that way, where I'm like, 'Oh, boy. A place where nothing happened.' It gives them room to do everything, because there's nothing there."
• Interview:The Los Angeles Times asks Drew Friedman for his thoughts on the Academy Awards: "The Social Network gets my vote for best film. Aside from it being the only film I've seen this year, I always support films with Jewish leading men playing Jews, even if the Jew is Mark Zuckerberg via Jesse Eisenberg. Good for the Jews!"
• Coming Attractions: More reporting and commenting on our Carl Barks news from Matthias Wivel at The Metabunker
• List:Robot 6's Chris Mautner names "The six most criminally ignored books of 2010," including:
"1) Captain Easy Vol. 1 by Roy Crane. ...I consider this to be one of the big publishing events of 2010. [...] The Sunday pages in this book are full of high energy, action and slapstick."
"4) High Soft Lisp by Gilbert Hernandez. [...] Those who feel that Hernandez’s work relies too much on female objectification and fetishization need to read this book to understand how self-aware he is of that fact and its real-world consequences."
• List (Audio): On the Inkstuds radio programme, host Robin McConnell discusses the Best of 2010, including Tim Hensley's Wally Gropius, with cartoonists Michael DeForge, Zack Soto and Noah Van Sciver
• List: At Robot 6, Kevin Melrose includes Drew Weing's Set to Sea on his list of The 50 Best Covers of 2010: "The limited palette and gold highlights on the waves help to lend the cover to Drew Weing’s debut graphic novel a gorgeous dream-like quality."
• Review: "In a robust, finely crafted package, Fantagraphics celebrated the 25th anniversary of the wandering rabbit ronin... by collecting the first seven volumes in two hardcover books sheathed in a sturdy, eye-catching slipcase. ...Usagi Yojimbo: The Special Edition is in a class all its own in terms of presentation." – Alex Carr, Omnivoracious
• Commentary: A commenter at Mike Sterling's Progressive Ruin predicts: "The recently announced Carl Barks collections by Fantagraphics will receive public attention on the Today Show via Al Roker and become selections in Oprah’s Book Club. The widespread exposure of clever humor and commentary by 50-year old Donald Duck comics create a nationwide movement of crazy alternative-energy initiatives and treasure hunting." (The Roker part is not completely far-fetched — Al did the Introduction for the next volume of The Complete Peanuts) (Mike also plugs Flog, which is nice of him)
• Review: "I’m not sure how exactly one goes about recommending a book like [FUC_ __U _SS __LE], as it’s not only not for everyone, it’s kind of sort of not for anyone, which ironically makes it perfect for some someones. (Panel four of page 9 is perfect for 21st century comics historians; as it is surely the most intentionally provocative comics image of the decade)." – J. Caleb Mozzocco, Newsarama
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