While we were at Comic-Con, where Irwin Chusid's brother coincidentally works and stopped by to say hi, Irwin sent the following announcement about a new Jim Flora fine art print:
Jim Flora Art has released a limited edition fine art print of a 1960 tempera titled BIG EVENING. The hyperactive tableau depicts a cavalcade of misshapen, multi-eyed mutants with bonus body parts. People just like you!
Only 25 prints were produced for this edition. Details:
We'll post a complete con report sometime soon, time permitting, but if you weren't following along in real time, you can check out our Twitter posts from the floor of the con, with lots of Twitpics taken with my crummy phone camera. We had signings galore, plenty of book debuts, and some exciting visitors (Ray Bradbury!!). Whew!
Online Commentary & Diversions updates resume next week. Off to Comic-Con tomorrow! I'll be Twittering from the show as much as I can.
• Preview: "Now Jason publishes a collection of his short, sharp works ...called Low Moon, in which his trademark anthropomorphic animals get into all sorts of trouble — including, in the story 'Emily Says Hello,' murder, revenge and sexual domination." - New York Magazine presents an exclusive five-page excerpt from Low Moon
• Review: "All of Jason’s tales in Low Moon play like a black comedy, tragic yet humorous. Maybe it’s his protagonists blank eyed stares or the fact the characters are all cute animals being put through some troubling things that give these outwardly simple and light cartoons a heavy feel. If you’re a comic fan looking for a change of pace from the tired summer/blockbuster/epic/crossover comic events then this one’s for you." - Mishka Bloglin
• Review: "What surprised me the most [about Prince Valiant Vol. 1: 1937-1938]... was... how much [Hal] Foster had brought me to care about these characters... [P]erhaps for the first time ever, we’re able to see just how detailed and elaborate Foster’s art really was... More importantly, though, was how well Foster set up his pages. His layouts draw the reader across the page from one panel to the next, often culminating in a truly impressive final panel... Prince Valiant was good all along. Who knew?" - Greg McElhatton, Read About Comics
• Review: "I mean, holy. Effing. Shit... Was [Fletcher] Hanks insane or otherwise mentally handicapped? Dunno, but as editor Paul Karasik points out in his meaty introduction [to You Shall Die by Your Own Evil Creation!], this was a man mean enough to kick his 4-year-old son down a flight of stairs... You’ll love how much you hate [these works]; you’ll hate how much you love them." - Rod Lott, Bookgasm
• Review: I don't have time to patch together a coherent quote from the somewhat mangled Google translation of the review of Igort's Baobab series from Weltklasse Serier, but it's a good review
• Plug: "Boy, that Prince Valiant [Vol. 1: 1937-1938] hardcover looked great, didn’t it? The color is just stunning. The stories (what I’ve read so far, at least) are fun as well, with a nice mix of realism and fantasy. I’m looking forward to future volumes, both to see how Hal Foster’s style and Val’s character develop over the years." - Tom Bondurant, Robot 6
You can drop big bucks on Fantagraphics this week even if you're not in San Diego to peruse our Comic-Con booth! On this week's shipping list to arrive in comic shops Wednesday:
Delphine #4 by Richard Sala - the chilling conclusion!
Grotesque #3 by Sergio Ponchione - the cult-fave neo-surreal tale continues!
Hans Rickheit, creator of the forthcoming graphic novel from Fantagraphics The Squirrel Machine (debuting this week at San Diego, otherwise due this fall), is blogging tidbits about the book on a weekly basis right here.
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