No, actually, I have to say it was the BEST SDCC EVER! And here's a buncha reasons why:
• In honor of Eisner-winner Tom Spurgeon, I'm gonna write this FLOG post in bullet point, Comics Reporter-style. As our own Steven Weissmansaid on Twitter, Tom was everyone's Comic-Con crush this year. Getting to hang out with him was definitely one of my highlights, and I was delighted to hear stories of the olden days of Fantagraphics, sigh. God, we're so boring and nice now.
• Speaking of Tom, his brother Whit wins for "Best T-Shirt of Comic-Con": an Ivan Brunetti-illustrated tee for the band... Sex Fist. Yup.
• Although, on the way to dinner Saturday night, someone stopped me to tell me my Eightball tee was the "Best T-Shirt of Comic-Con," and yeah, I kinda love my Eightball tee. It was an honor to wear some of Dale Yarger's old Fantagraphics t-shirts from the '90s to the convention.
• It's always a thrill when Matt Groening comes by to visit, but especially this year, 'cause we got to geek out over the new Gary Panter book Dal Tokyo together! Matt even shared a few secrets from when he and Panter worked at the L.A. Weekly together, oooh!!!
• After five long years of attending Comic-Con, Mike and I finally managed to make it to a Venture Brothers panel! That has nothing to do with anything, but our own Stephen DeStefano used to do storyboards for them, so there's your "comix tie-in."
• I always love getting to visit with all our guest artists, but especially Miss Natalia Hernandez, who shares my love of Giant Robot, nail polish, Chi's Sweet Home, and more. I'm thinkin' next year, I'm organizing a SDCC manicure outing for us.
• Speaking of Giant Robot, somehow I managed to karaoke with Martin & Greg Wong 'til 3:00 AM and not lose my voice. [ Photo by one of my bestest friends, Susie Ghahremani. Comic-Con would not have been as awesome without her. <3 ]
• THANK YOU to the customer who kindly gave me a Snickers bar on the last day of the show! Yes, you were right, I did need it!
• And on that note, at the risk of sounding corny, I have to say, one of my show highlights is always getting to meet you, our customers, our readers, our mutual fans. Look, I'm just a comic nerd like the rest of you. If you wanna geek out over Sublife and Thrizzle or whatever, come find me. You're all so nice, and smart, and fun to talk to, and you make going to shows my favorite part of working at Fantagraphics.
• My one bummer of SDCC was that it was the last one for Drawn & Quarterly's Jessica Campbell, who I will miss terribly! I thought we were gonna grow old together, side by side in Aisle 1700 of the San Diego Convention Hall, but sadly, she is moving on to saner things. Good-bye, my dear Jessica. You and I will make it to Tijuana someday. [ Photo of me, Jessica, and James Kochalka swiped from the D&Q blog; snapped by the lovely Peggy Burns ]
• And finally, a special shout-out to my partner-in-crime, Mike Baehr. Somehow, you make late nights unpacking, and then later re-packing, books fun. <3
•Commentary: Ron Richards of iFanboy writes a con review and 1/2 of his swap was Fantagraphics fun, "I did a little dance when I saw [Love and Rockets: New Stories #5] was available . . . After the amazing #4 of this series, I can’t wait to see what Los Bros Hernandez come up with this time out"
•Commentary: Heidi MacDonald and Cal Reid finalize their digital SDCC thoughts on Publishers Weekly: "Comixology announced [many] new e-book distribution deals . . . . and perhaps most significantly, Fantagraphics, which had been a staunch hold out on the digital front. The Fantagraphics partnership will kick-off with the jewel in the crown: the much-loved work of the Hernandez Brothers starting with Love and Rockets New Stories #1-4 ."
•Commentary (photos): Cal Reid and Jody Culkin on Publishers Weekly photo-document a lot of the fun going on at Comic-Con including the Hernandez Brothers panel and signing.
•Commentary: Sonia Harris enjoyed her Comic-Con experience according to the report on Comic Book Resources. "[No Straight Lines editor] Justin Hall had a big year, speaking on panels about gay comic book characters and hosting a party on Friday night at the increasingly interesting Tr!ckster event for the launch of No Straight Lines."
•Interview:Chicago Pride finds the time to talk to editor Justin Hall on No Straight Lines, "My worry was that the literary queer comics were going to vanish, that there was no one looking out for that work. Especially with the gay publishers and the gay bookstores dying out."
•Review: Tom Spurgeon on the Comics Reporter covers the Tales Designed to Thrizzle digital comics release, "Kupperman's work looks super-attractive in print, which while that sounds counter-intuitive to its digital chances, is actually a vote for the print version having its own sales momentum that digital won't all the wayoverlap."
•Review:NPR hits home with Flannery O'Connor: The Cartoons. Glen Waldon: "What emerges is a portrait of a much-beloved artist as a young woman, when the sardonic and even brutal humor behind O'Connor's most memorable creations is still gestating."
•Plug (award): Cannibal Fuckface from Johnny Ryan's Prison Pit is a nominee in the Designer Toy Awards for "Best Toy from a Comic." Cast your vote today or we might bludgeon you.
•Plug (pictures): Can't make it Los Angeles? Check out artwork Keenan Marshall Keller posted from FREAK SCENE art show featuring Johnny Ryan (with Prison Pit pages), Jason T. Miles, Jim Rugg and many more.
•Commentary:A.V. Club enjoyed the Fantagraphics/D&Q panel at San Diego and Noel Murray believes, "real legacy of Comic-Con [is] the elevation of the medium’s literary merit and public profile combined with the preservation of its past . . . The outcome of all that? Handsome hardcover editions of Floyd Gottfredson Mickey Mouse strips . . ."
•Commentary: Cameron Hatheway of Bleeding Cool was a bit livid that Mickey Mouse Vol. 1 and 2 beat out our other title up for the Archival Reprint Collection/Project Eisner. "A part of me thought Prince Valiantwould be a sure thing because of its 75th anniversary this year, and people would be getting all nostalgic. Way to go, majority of voters; Prince Valiant will continue to roam the seven seas and seeking adventure without an Eisner to his name. I hope you’re all proud of yourselves! How do you even sleep at night? A pox upon your castles!"
•Commentary: Directly from the Comic-Con floor, Tom Spurgeon from The Comics Reporter is rich with the compliments, "speaking of Fantagraphics, I was surprised to see the Dal Tokyo book. It looks great. I also really liked the design on the second Buz Sawyer volume, a really atypical image being used."
•Commentary: Tom Spurgeon dishes up the best comics to buy at Comic-Con International and online on The Comics Reporter. On Gary Panter's Dal Toyko, ". . . I'm trying to get over the notion of only recommending comics that catch some sort of big-time marketing hook or novelty current as opposed to just being awesome comics. This is the kind of book that has peers, not betters." In reference to the Kickstarted, Fantagraphics-distributed The Cavelier Mr. Thompson by Rich Tommaso, Spurgeon mentions "It's one of the works that the generation-two alt-cartoonist serialized on-line. I heard three different people on the [Comic-Con] floor waxing rhapsodic about Tommaso's natural-born cartooning sensibilities."
•Commentary: Director of PR, Jacq Cohen, was interviewed on the Graphic Novel Reporter about her Comic-Con memories and First Second editor, Calista Brill, loves our books: "I got myself the latest in Fantagraphics' beautiful collected Uncle Scrooge series."
•Commentary: Overheard at Comic-Con. Matt Groening was talking to Eric Reynolds about Twee-Deedle in reference to "perfect" comics reproduction and he said, "Speaking of perfect..." and leaned over and grabbed a Donald book and said, "These are PERFECT."
•Plug: Mark Frauenfelder on BoingBoing mentions Significant Objects (because he's in it!): "Culture jammers extraordinaire Rob Walker and Joshua Glenn bought a bunch of less-than-worthless objects at thrift stores and garage sales and then assigned people to write a short story about one of the objects."
•Review:Reason.com reviews Daniel Clowes work making comics into art. Greg Beato says, "Clowes. . . brought a different sensibility to his comics: An obsessive compulsive commitment to craftsmanship. . . Clowes strove to make the comic book as artful as possible, a complex but organic object that was perfect in all its parts. "
•Interview:The Guardian prints a small Q&A with Daniel Clowes who IMMEDIATELY posts his full answers to some the questions since someone had fun in the editing room. "It doesn't take much to alter the tone or meaning of someone's words in an interview with some editing."
•Interview: Gary Groth interviews Gilbert Shelton at SDCC on the Beat and The Comic Books, Heidi MacDonald, "Among the topics were origins of Wonder Worthog and Fabulous Furry Freak Brothers, talked about working with Harvey Kurtzman and how he knew Janis Joplin. . ."
•Plug:The Comics Bulletin covers the Comic-Con International and the Fantagraphics panel on new releases. Danny Djeljosevic says, "Fantagraphics is Fantagraphics. They put out killer material and in beautiful packages to boot."
•Review (audio): Dann Lennard of Kirby Your Enthusiasm podcast covers THREE of our books in his Australian-based comics podcast. Is That All There Is? by Joost Swarte "If you like Herge and Tintin, it might not be for you. It's pretty full-on. . . if you're into sex and violence, you might like this." On Sincerest Form of Parody, edited by John Benson: "This full color book . . .collects work from another EC publication called Panic, not quite as good as MAD and didn't last as long, but features quite good artists and humor. It's the pick of the other titles." In regards to The Hidden by Richard Sala, Lennard says its "actually quite a powerful, horrific book of violence, it's really quite sickening in places."
Professor Van Sciver has chosen to examine a young Mary Todd, the future Mrs. Lincoln (hubba-hubba), in his Lincoln Lessons. "Mary could impress Abraham with her political erudition, and her passion for great literary works and poetry, specifically their mutual love for Shakespeare of which they could quote pieces from heart" says Van Sciver but she was also bogged down by untimely migraines and possibly depression.
My very first Comic-Con International at San Diego was rather fan-freakin'-tastic. It is easier than people make it out to be but I imagine that if it started on TUESDAY night instead of Wednesday, we all would have died. This pictures are my con pictures so if that are mostly different than our previous CCI photo diaries. The caveat train is pulling away from the station!
Wednesday: I showed up the morning times with PR Director Jacq Cohen and our co-workers, Mike Baehr and Janice Headley had the table set UP! Aside from our many new releases we were thrilled to have new Love and Rockets shirts available. Here is the Fanta-crew dressed in all but that one with all those dirty words on it. Soak it in, that's the one time you'll ever see Gary Groth with his shirt untucked.
Oni Press and SCAD teacher Chris Schweizer immediately came over to look at his favorite cartoonist, Jason. Everyone will be sportin' a Schweizer nose-tupee next year, just you watch.
Then we caught Eddie Campbell reading our Prince Valiant while at the Top Shelf booth but once again, who could blame him?!
Speaking of Top Shelf, we spent most of the week occasionally locking gazes these lovely gents. Director of Digital, Chris Ross, and cartoonist of Cleveland, Joseph Remnant.
That night, Comics Reporter Tom Spurgeon, CBR's Kiel Phegley, International Freelancer Douglas Wolk and Fantagraphics' Jacq Cohen and I posed for a bunch of photos and examined gorgeous work at the CBLDF fundraiser.
. . . Until the BOSS showed up. Then we took Gary Groth and heir-to-the-throne Conrad to the Tri!ckster spot on J avenue to browse their books (our own event to happen on Friday night)
Friday: Two of the funniest men in comics, Steven Weissman and Johnny Ryan (creators of Chocolate Cheeks and Prison Pit respectively) chat up Jacq and Janice.
Gary Panter's Dal Tokyo finally came out for this show. Jon Chad's Leo Geo from Roaring Brook is a similar trim shape. They are perfect for the collector of art objects with really, really deep bookshelves. Trim de jour!
This photo COMPLETELY encapsulates the family aspect of not only Fantagraphics but most comic companies. Gary Groth watches, eats and even signs some of Gilbert Shelton's Fabulous Furry Freak books.
The Hernandez Brothers continued to work hard interviewed by MTV (below), Entertainment Weekly, MultiShow Brazil and many other news outlets.
For the Tr!ckster event parties, we co-sponsored a queer-themed drink and draw party to coincide with our new queer comics anthology called No Straight Lines. Check out this big sexy bear!
Drag Queens Dolly Disco and Grace Towers posed in the best Michael Jackson-Circus of the Damned leotards and put all us ladies to shame.
Jacq and I ran as fast as our heels could take us to the Eisners, saw Mickey Mouse Vol. 1 and 2 be awarded for Best Archival Collection/Print in comic strips! Eddie Campbell and Andrew Aydin tried to steal me away but no siren song is as sweet as Fantagraphics.
Saturday: No worse for the wear, Jacq Cohen and I adhered to my STRICT 5-2-1 rule. 5 hours of sleep, 2 meals a day and 1 shower to maintain humanity at cons. Jacq added 2 sets of clothes and I admit, it pays off. (And you like that OLD SCHOOL equipment? I'm trying to refit the credit card slider into a denim fanny pack . . . maybe for SPX)
Meanwhile, Drawn and Quarterly upped their dress game with full-on bow ties for Tom Devlin from Beguiling owner Peter Birkemoe. We were a bit jealous.
The Hernandez Brothers continued their BREAKNECK pace of signing books and getting visits from artists like Joe Keatinge, Matt Fraction and Bongo Comics' editor Chris Duffy!
While it may seem like you have seen a hundred Hopeys at comic cons (or dated a hundred Hopeys -- Jacq Cohen), this is the first cosplay the Hernandez Brothers have seen in thirty years of comics. Thank you, Dawn, for your Boot Angel get-up!
Jaime Hernandez and cartoonist Ed Piskor talked shop.
Almost had a heart attack when we saw this. I'm not ruining anyone's day by saying over 50% of our books are not for kids so it is sometimes surprising to see them pouring over Peanuts or Uncle Scrooge Comics (especially when The Furry Trap is TEN feet away)
BOOM! designer and fellow Center for Cartoon Studies alum, Carol Thomspon, laid her hands on our sweet trans-manga Wandering Son and couldn't let go.
So that's the whole she-bang! Thank you to the CCI organizers and all the people who helped out, bought comics, asked questions and brought me coffee. See you next year!
Given the 30 Anniversary celebration of Love and Rockets this week, our article and fact-making robot decided we should have a separate post on all the goings-on. If we missed your 30th Anniversary coverage, please
know. Commentaries and fun memories below:
•Interview: Heidi MacDonald interviews Associate Publisher Eric Reynolds on going digital with comiXology starting with Love and Rockets: New Stories. On THE BEAT Reynolds notes, "When the notion of 'digital comics' first became a reality, I’ll admit that many of our authors and many of us in the office actively resisted the idea and pretended to tell ourselves we’d never embrace it. But I think we’re all pragmatic enough to understand the realities of where the future is headed."
•Commentary:CNET noticed a lot of comiXology announcements at San Diego Comic Con International but put a spotlight on Love and Rockets: New Stories. Seth Rosenblatt continues, ". . . few people read the "Love and Rockets" comic when it was first published, but it inspired every single one of the people who did to make comics. Of course, that probably didn't happen on a one-to-one basis, but "Love and Rockets" is nevertheless a massively influential comic that probably has stronger sales now than it ever did when it first hit the stands."
•Commentary: Marc Frauenfelder of BoingBoing says little about Fantagraphics going digital but it packs a punch: "Fantagraphics, the world's greatest comic book publisher. . ."
•Commentary: Tom Spurgeon of the Comics Reporter made a call out for all press people to cover Love and Rockets' 30th Anniversary while at Comic Con, in addition to a digital comics distribution announcement. "I also think it's wholly appropriate that Fantagraphics is kicking this off with the Hernandez Brothers and Love And Rockets, certainly the first major project they published there at the company (although not the official first project they published) and obviously a mighty contribution to American popular art." This was followed by a con report stating, "My hunch from reading these things on the faces of people and talking to those around them is that Los Bros Hernandez had a very good show."
•Interview: Geoff Boucher from the LA Times asked Jaime Hernandez for his 30 best Comic-Con memories. "7. I remember when those “Turtle” guys started. . .20. I remember the days before comics were called “graphic novels."
Pam, one of the many fantastic Comic-Con International organizers
•Commentary: Sean T. Collins took a page from Tom Spurgeon's playbook and wrote a full week of Love and Rockets coverage as lines formed to meet the Hernandez Brothers. One small bit of the snippet of his lengthy coverage: "Gilbert and Jaime are both masters of the form of comics. . . Mario Hernandez is the great lost alternative cartoonist, the Lost Bro Hernandez. His interest in cosmopolitanism, leftist politics, the conflation of activism and terrorism by the authorities, the pas de deux between terrorism and authoritarianism, the revolutionary and counterrevolutionary power of art and pop culture, the Third World as a petri dish for first-world government’s reimportation of radicalism, all within the framework of vaguely science-fictional thrillers — he is in many ways the perfect comics-maker for our present moment."
•Commentary:Entertainment Weekly covered all aspects of the Hernandez Brothers panel. Jonathan W. Gray says, "Early artwork from the brothers, including the self-published first issue of Love and Rockets. Groth also showed a slide with Jaime’s rendering of a female Robin, an image that, according to Jaime, inspired the creation of Carrie Kelly in Dark Knight Returns" and overall, "The Hernandez brothers are legends who produced the most enduring indie comic series in history with Love and Rockets. It’s important that their sprawling oeuvre remain accessible for new fans, and their new agreement with Comixology to reprint their work digitally ensures that."
•Plug: Steve Appleford of the Pasadena Sun interviewed the Jaime Hernandez for the 30th Anniversary of Love and Rockets . "[My brothers and I] would go as often as we could to the shows. Whoever had the car, if we could afford gas."
•Commentary: Noel Murray of the A.V. Club spent a hell of a lot of time on the convention floor and covered the Hernandez Brothers panel: "Cartoonist Mike Allred stood up during the Q&A and gushed over the Hernandez brothers, saying that reading Love And Rockets as a young adult had rekindled his love of comics, not just because of Los Bros’ aesthetic and narrative sophistication, but because Jaime and Gilbert were able to put across what they loved: about Kirby, about punk rock, about wrestlers, and about women."
•Commentary: David Luna on Comic Book Resources covered the San Diego Comic-Con panel called 30th Anniversary of Love and Rockets featuring all three of the Hernandez Brothers and a packed room. Jaime Hernandez stated, "I got my cake and ate it too because I like drawing women and if I made them strong enough, not strong enough beating up people, but powerful just in their personalities and their lives and their brains, then I could draw them any way I wanted to."
•Plug:Mister Phil remembering and scanning ads from Love and Rockets back in the 80's is one of the greatest joys on the internet right now. See above.
•Commentary:UT San Diego.com and Peter Rowe touch on the Hernandez Brothers contribution to comics in their unique way. Gilbert Hernandez speaks, "[Characters who age and change] is a hallmark of great comic strips that inspired the [us], like 'Gasoline Alley.' Superhero comics are built on hype," he said. "But comic strips earn your respect over time."
•Plug:Love and Rockets get a con-based mention in Baldo comic by Hector D Cantu and Carlos Castellanos. See above (reformatted to fit our FLOG).
•Review: One of the original critics and reviews of Love and Rockets in the 80's, Brian Hayes writes a short 'n' sweet memory about the series, both old and new! On Hayfamzone: "Gary Groth and his associates have enriched the world of comics by publishing [Love and Rockets ] for all these years."
•Commentary: Sonia Harris spoke on a lifetime of love with the Hernandez Brothers' 30th Anniversary on Comic Book Resources. Harris exclaimed, "Gilbert Hernandez . . . told me that he remembered me from my first ever comic book convention in London, nearly 25 years ago. . . I explained to Jaime that after a misspent youth identifying with Hopey, then an awkward adolescence identifying with Maggie, I’ve now come to identify more with Izzy."
Fantagraphics and comiXology are proud to announce their second digital release following the groundbreaking news that Love and Rockets was going digital. Michael Kupperman's critically-acclaimed humor series Tales Designed to Thrizzle #1 and #2 are now available for download at $2.99 each.
The next month is designed to thrizzle with the release of all eight issues of Tales rolled out two per week over the next four Wednesdays. Download the sold-out Issue #1 and 2 right now! Issues 3 and 4 will be released Wednesday, July 24th; issues 5 and 6 on August 1st and issues 7 and 8th on August 8th.
"It's one thing to be too funny for TV, but Kupperman's even too funny for most alternative press. His are the best kind of laughs... no heavy satire, no easy targets, just goofiness of the highest intelligence." – Robert Smigel
"It has become cliché to say I laughed until I cried, but when I'm done reading one of these underground comics my shirt is literally soaking wet. This guy may have one of the best comedy brains on the planet right now." – Conan O'Brien
"The second funniest cartoonist worldwide, after me." – Tony Millionaire
The newest and week-old pre-SDCC stinky socks found under your bed-style Online Commentaries and Diversions minus the hullabaloo about Love and Rockets:
•Interview (video):Noah Van Sciver is interviewed by documentary film maker Dan Stafford on his upcoming book about Lincoln's depression, The Hypo, coming out this fall. "Lincoln battled things his whole life. He battled with poverty in his youth; the part that I cover, battling with depression; the struggle of his own fate followed by keeping the nation together, how we know him best."
•Interview: The Advocate and Jase Peeples takes some time to speak to No Straight Lines editor Justin Hall on comics and the LGBTQ community. Hall says, "There are interesting parallels between comics and queers; both have a hard time getting respect by the dominant culture, and both have problems understanding their own history."
•Interview (audio): On the heel's of Pride Month, Comic Book Queers interview a gaggle of people including No Straight Lines editor Justin Hall. Hall states, "We turned the project into a class. I taught at the California College for the Arts and the backbone of the class was bringing in queer cartoonists and had the students interview them."
•Commentary: On The Rumpus editor Justin Hall writes about the history of Queer Comics. You can read more in the anthology!
•Interview:The New York Times and Penelope Green cover uncoventional taxonomy in Significant Objects while interviewing editor Joshua Glenn. Glenn states, "Even if we don’t identify ourselves as collectors, we are collectors of things. And things are collectors of meaning in various ways."
•Commentary:Electric Literature covered the fun book launch of Significant Objects at the Strand on July 10th. Editor Joshua Glenn is quoted by Karina Briski: "the stories become the things of value, all on their own."
•Review:Pop Matters enjoys Walt Disney's Uncle Scrooge and Mickey Mouse Vol. 3: High Noon at Inferno Gulch (edited by David Gerstein and Gary Groth) with childlike wonder but still has those nagging questions. Michael Barrett: "There’s still no explanation for how some animals are “humans” while others are just animals, like how Mickey can ride a horse in the West and then come home to be greeted by his pal Horace Horsecollar."
•Review: The Tearoom of Despair takes a look at the Hate Annuals by Pete Bagge. Bob Temuka laments, "Bagge has actually done so many comics over the past decade and a half, that he is almost – shamefully – taken for granted. While new books by the likes of Clowes or Ware are almost an Event, a new mini series from Bagge might get a couple of reviews, most of which will point out that it’s more of the same."
•Commentary: Video gamesite, 1Up features some satirical video game adaptations including Pete Bagge's Hate, Ghost World by Dan Clowes and the most epic Jimmy Corrigan panel by Chris Ware.
•Review: Music magazine and site Under the Radar enjoys the writings of Stephen Dixon's What Is All This? Uncollected Stories. Hays Davis: "Stephen Dixon has a gift for revealing mundane environments as vibrant social microcosms. With that, it seems almost apropos that Dixon's flown under the radar commercially for decades, though he's always garnered respect in literary circles"
At the shortest Eisner Awards ceremony known to Comic Con International in San Diego, Fantagraphics walked away with 10 nominations in 8 categories and one solid win. Walt Disney's Mickey Mouse Vol. 1 and 2 by Floyd Gottfredson (edited by David Gerstein and Gary Groth) took the Eisner for Best Archival Collections/Projects for Comic Strips, beating out our own Prince Valiant #3- 4 by Hal Foster (edited by Kim Thompson) and other smashing works like Tarpe Mills' Miss Fury.
We sincerely thank everyone for their support and love of this excellent material. Gottfredson was a master of the medium and we are proud to be a home for his work. Our wheels are still spinnin' from the win but we have much more work to do.
Diana Schutz of Dark Horse visits with Mario & Gilbert while Jaime keeps his nose to the grindstone. Citizen Rex sequel, anyone?
Steven Weissman & Jon Vermilyea compare notes on strap-fondling techniques. Hey, there's Zack Carlson partially visible over Steven's shoulder — a special shout-out to Zack for his good spirit and volunteerism this week. (Zack also made one of the most amazing Comic-Con purchases I've ever heard about: a 1964 Chevrolet Corvair.)
Young Romance is a real page-turner, as editor Michel Gagné demonstrates.
Eric and Tom Spurgeon yak it up while D&Q's Tom Devlin ponders the unspeakable and Janice looks on.
Scott McCloud looks happy to have found some (mc)clouds in Johnny Gruelle's Mr. Twee Deedle (shut up, I'm tired).
Comic-Con Sundays are always too hectic for much picture-taking:
Old friend Roger Langridge popped by and sketched the Great Gonzo for Clem Reynolds, to papa Eric's delight.
Thanks to the thousands of folks who visited our booth this year (especially those who spent their money in it), Comic-Con staff & volunteers, our wonderful artists, our kick-ass staff, all of our pals & colleagues... another humdinger of a year! I'm off for a week of R&R so I'll catch you all next week.
Somebody brought an old Who's Who in the DC Universe for Trina to sign the page with her Cheetah illustration. That lady's done it all!
Another DC character also made an appearance at the No Straight Lines signing. (At least I think that's Poison Ivy.)
Matt Groening showed off his pal Gary Panter's Dal Tokyo while Akbar & Jeff walked past in the background. Matt recounted for us how he helped save the strip from being dumped at the L.A. Weekly back in the 1980s by arguing that it's one of the greatest works of art of the 20th century.
Eric shows off Johnny Gruelle's Mr. Twee Deedle to Matt, who was particularly taken with Gruelle's "birds-eye view" strips in the book and walked away with it under his arm.
Shannon Wheeler was signing Oil and Water before he even had a chance to sit down.
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